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IdbD celebrates 25 years online

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“We got twenty five years, what a surprise”

Ruud Altenburg has been in touch with the impressive news that he celebrates twenty five years online with the brilliant resource that is the Illustrated db Discography: “I have updated the site with the latest releases and given it a bit of a make-over for better readability.”

Surely all serious Bowie collectors must be aware of the Illustrated db Discography, which boasts the most comprehensive database of David Bowie releases, not to mention a forum that can swallow you up for days at a time with its wealth of information contributed by Planet Earth’s foremost Bowie collectors.

If you don’t already have it bookmarked, check it out here.

We’ll leave you with the intro to Ruud’s most recent entry…

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My first introduction to the music of David Bowie was at the age of 12. My niece Helen, a huge fan with Bowie posters on her bedroom walls, had taped much of her collection for me. I clearly remember being amazed at the diversity of styles while listening to those cassettes on my walkman.

The very first album that I purchased myself was the Decca Profile compilation, in retrospect not the best of choices. Over time, I tried getting the more interesting versions of the regular albums, like the gatefold editions of Ziggy Stardust and Scary Monsters. Discovering these more unusual editions meant sifting through books, fanzines and the occasional article in Record Collector. The information appeared to be scattered all over the place, so I decided to keep track of it in a series of text documents.

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#BowieIdbD


tags: 2020 September
Sunday 09.06.20
Posted by Mark Adams
 

Bowie on The Tonight Show 40 years ago this evening

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“I never did anything out of the blue”

Forty years ago this very evening, David Bowie’s brilliant performance on The Tonight Show with Johnny Carson at NBC Studios, Burbank, was broadcast, having been taped two days earlier on the 3rd. Bowie performed Life On Mars? and Ashes To Ashes with a one-off band.

In the absence of Dennis Davis and George Murray, Carlos Alomar cobbled a band of young musicians together in New York, which comprised the following:

Vocals • David Bowie

Guitar & Keyboards • Carlos Alomar

Guitar • George Edward (G.E.) Smith

Bass • John Kumnick

Drums • Steve Goulding

Keyboards • Gordon Grody

After four days of rehearsals, some of which the news program 20/20 filmed (a snippet of Ashes To Ashes), Bowie and the band flew to Los Angeles for the taping at NBC Studios.

The Tonight Show performance was Bowie’s only ‘live’ appearance in 1980, and the only time Scary Monsters material was performed in the year the album was released.

A large contingent of fans camped outside NBC for tickets to see Bowie's first US performance in nine months. By the morning the crowd had swelled to 200. Waiting for the Carson taping to begin, David chatted with fans and signed a few autographs for some of the lucky attendees.

Carson introduced Bowie with a plug for the new album and his upcoming New York run in The Elephant Man. Over the loud cheering, a bemused Carson quipped: “He'd better be good after this!”.

Our montage shows images from the performance on The Tonight Show and the top mono shot is from the soundcheck. Bowie looked magnificent in an obvious tribute to James Dean in Rebel Without A Cause.

The performance no doubt helped fuel rumours of a Scary Monsters Tour which appeared as the cover story of the 20th of September 1980 edition of Musicians Only magazine in the UK, proclaiming a “BOWIE ‘MONSTER’ TOUR” scheduled for March through May, 1981. The news item also mentioned that Fashion had been performed on the show, but no other evidence of that has come to light.

It seems the Scary Monsters Tour may have been something Bowie was seriously considering, as he also mentioned the possibility in a transatlantic call to Radio One following the success of Ashes To Ashes. In what may have been a bit of mischief making, he also posited the notion of using The Spiders From Mars as his band for the shows! It’s kind of hard imagining The Spiders’ renditions of Ashes to Ashes, Fashion and Teenage Wildlife.

We’ll leave you with an amusing anecdote taken from Roger Griffin’s superb BOWIEGOLDENYEARS

John Kumnick, bass (2016): We flew back to New York that night… it was one of those red eye flights out of LA. Since we were just going out there for the one thing, we had all our guitars in big bags … we just took them on the plane with us. But on the way back, the flight was full and the airline people are saying, "No, you can't carry those on you are going to have to put them down in cargo and check them as baggage". We had someone acting as a road manager trying to deal with that. The guitars would've got all smashed up in baggage because they weren't in heavy duty cases or anything. So he's trying to deal with that and it's not going anywhere and we're all standing around the airport. Bowie hears about it and says, "I'll take care of it" and he goes up to the gate agent, and he says, 'Hi, I'm David Bowie… and Elvis gave me those guitars and so I couldn't possibly have them checked as baggage down in the hold.' He came up with that in 10 seconds. I think he viewed it as just something funny he could do – use the star power for the good. And he took care of it… that was easy – they crumbled in a second – "Yeah, sure, we’ll find a closet…"

#Bowie1980 #BowieAshesToAshes #BowieScaryMonsters


tags: 2020 September
Saturday 09.05.20
Posted by Mark Adams
 

Both Bowie RSD titles in official UK album chart

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“Ahhh...Wham bam thank you fans!”

The Parlophone issued CHANGESNOWBOWIE and I’M ONLY DANCING (THE SOUL TOUR 74) Record Store Day releases have both charted in the UK, occupying the top two spots on the vinyl chart.

Here’s how they fared…

Official Vinyl Albums Chart Top 40

#01 - CHANGESNOWBOWIE

#02 - I’M ONLY DANCING (THE SOUL TOUR 74)

Official Albums Chart Top 100

#17 - CHANGESNOWBOWIE

#18 - I’M ONLY DANCING (THE SOUL TOUR 74)

Thanks to all of you that bought either the CD or the vinyl (or both) for returning David Bowie yet again to the UK charts.

#BowieIOD74 #CHANGESNOWBOWIE #BowieRSD20 #BowieVinyl #BowieOCC


tags: 2020 September
Friday 09.04.20
Posted by Mark Adams
 

Metrobolist (AKA The Man Who Sold The World) 50th anniversary edition

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“Oh no, not me, I never lost control...”

DAVID BOWIE - 'METROBOLIST’ (AKA ‘THE MAN WHO SOLD THE WORLD') 50th ANNIVERSARY EDITION

REMIXED BY TONY VISCONTI WITH ARTWORK BASED ON ORIGINAL TITLE & DESIGN

RELEASED 6th NOVEMBER, 2020 ON LIMITED VINYL AND CD FORMATS, ALSO FOR STREAMING AND DOWNLOAD AT STANDARD AND HIGH RESOLUTION DOWNLOAD (96kHz/24bit)

Parlophone Records is proud to announce release details for METROBOLIST (aka THE MAN WHO SOLD THE WORLD) 50th ANNIVERSARY EDITION to be released on 6th NOVEMBER, 2020.

This November sees the 50th Anniversary of the release of David Bowie’s The Man Who Sold The World in North America. The rest of the world would have to wait until April 1971 to witness Bowie’s landmark entry into the 1970s, marking the beginning of a collaboration with guitarist Mick Ronson that would last through classic works including Hunky Dory, Ziggy Stardust and Aladdin Sane—as well as the first in a 10-year series of indispensable albums stretching through 1980’s Scary Monsters…

Originally titled Metrobolist, the album's name was changed at the last minute to The Man Who Sold The World -- the original stereo master tapes were in fact labelled Metrobolist, with the title ultimately crossed out. The 2020 re-release of the album under its Metrobolist moniker has been remixed by original producer Tony Visconti, with the exception of the track ‘After All’ which Tony considered perfect as is, and is featured in its 2015 remaster incarnation.

The Metrobolist 50th anniversary artwork has been created by Mike Weller who was behind the originally intended album artwork which Mercury refused to release. The gatefold sleeve also features many images from the infamous Keith MacMillan Mr Fish ‘dress’ shoot at Haddon Hall which would cause so much controversy when one of the shots was used on the cover of the The Man Who Sold The World album in the rest of the world in spring of 1971.

The original U.S. release of The Man Who Sold The World utilised some of the original Metrobolist design elements.

As with the Space Oddity 50th anniversary vinyl, as well as a 180g black vinyl edition, it will come in 2020 limited edition handwritten numbered copies on gold vinyl (# 1971 - 2020) and on white vinyl (# 1 - 1970) all randomly distributed.

For the 50th anniversary the 1970 story of the gatefold sleeve can be told in full with unused ‘dress’ photos. As Mike Weller explains:

“There is a story concealed in the carpet-scattered playing cards, David has thrown a plain 52 card deck in the air as though “casting the runes” but in a significant break from 60s Tarot divinations such as I Ching etc he casts runes using a four-suit pack and switches man-dress, along with the Court Card of the Future from right hand to left, signifying a new decade and new cultural era.”

David personally delivered the Metrobolist concept and his gatefold plan to the record company for production and now with this release, it can finally be seen much closer to its original concept. Bowie speaking in 2000 said of the sleeve imagery:

"Mick Weller devised this kind of very subversive looking cartoon and put in some quite personalised things. The building in the background on the cartoon in fact was the hospital where my half brother had committed himself to. So for me, it had lots of personal resonance about it.”

DAVID BOWIE METROBOLIST TRACKLISTING

The Width of a Circle

All the Madmen

Black Country Rock

After All

Running Gun Blues

Saviour Machine

She Shook Me Cold

The Man Who Sold the World

The Supermen

METROBOLIST ALBUM AVAILABLE 6th NOVEMBER, 2020 ON PARLOPHONE

#Bowie1970  #BowieMetrobolist  #BowieTMWSTW

tags: 2020 September
Friday 09.04.20
Posted by Mark Adams
 

You’ve Got A Habit Of Leaving is 55 today

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“Sometimes I'm so glad, so glad”

Released this day (August 20th) in 1965 was the Davy Jones 45, You’ve Got A Habit Of Leaving.

Baby Loves That Way was on the flip and both songs were composed by the young Jones before he Bowied-up for his next release the following year.

Produced by Shel Talmy (who was producing The Who and The Kinks at the time), and backed by The Lower Third, the influence of Townshend and his gang is more than apparent on both sides of this disc. (Listen to them both on the Bowie 1965! EP.

Today’s graphic is not an attempt at a fake sleeve, rather an illustration of the fact that Ziggy Stardust time travelled to London’s Heddon Street and nicked the young Jones’ hairdo, before he nipped forward seven years for a photo session in the same street. True story.

Either way, Bowie thought enough of both the A and B sides to rerecord them in 2000 for the Toy project. Both remakes were released as extra tracks on the third Everyone Says 'Hi' UK CD single in 2002 and the Japanese Slow Burn CD single in the same year.

#BowieHabit #BowieToy


tags: 2020 August
Thursday 08.20.20
Posted by Mark Adams
 

There’s Something In The Air

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“He’s in the best selling show”

As you know, the previously unreleased David Bowie live album, ‘DAVID BOWIE SOMETHING IN THE AIR (LIVE PARIS 99)’ recorded live at the Elysée Montmartre on 14th October, 1999, was available to stream from 14th August.

Have you had a listen yet? What do you think?

If this is the first you’ve heard about this, check out the press release we recently posted.

#BowieSomethingInTheAir


tags: 2020 August
Monday 08.17.20
Posted by Mark Adams
 

Young Americans 45th gold vinyl due

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“What’s your name?”

In celebration of the 45th anniversary of David Bowie’s US release of Fame becoming his first #1 single in the US, Parlophone will issue a limited edition ‘bricks & mortar’* only, gold vinyl version of the album from whence it came, Young Americans.

The Young Americans gold edition will be released next month on Friday 18th September. Fame, co-written with John Lennon and Carlos Alomar, peaked at #1 45 years earlier to the week, on 20th September, 1975.

Fame was preceded by the Young Americans single in the US, a release which was also a Top 30 hit on the BILLBOARD HOT 100 in May of the same year.

Young Americans is the latest in a series of 45th anniversary Bowie vinyl albums reissued in recent years. Previous releases in the series have included gold vinyl versions of Hunky Dory and The Rise And Fall Of Ziggy Stardust And The Spiders From Mars, a silver vinyl release of Aladdin Sane plus a red vinyl edition of Diamond Dogs.

Young Americans tracklisting

Side 1

Young Americans

Win

Fascination

Right

Side 2

Somebody Up There Likes Me

Across The Universe

Can You Hear Me

Fame

*For those unfamiliar with the term, ‘bricks & mortar’ refers to physical stores as opposed to online retailers.

#YoungAmericansGold #BowieFame #BowieVinyl


tags: 2020 August
Wednesday 08.12.20
Posted by Mark Adams
 

Ashes To Ashes full length video

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“You'd better not mess with Major Tom”

Ashes To Ashes is forty years old today, the video is pretty much what everybody thinks of when they hear it, so our good friend Nacho has made the video a bit longer:

“This video is a new extended edit of David Mallet’s ground-breaking Ashes to Ashes promo video, re-cut to the full-length version of the enduring Bowie classic.”

Check it out here.

#BowieAshesToAshes #NachoBowie


tags: 2020 August
Saturday 08.08.20
Posted by Mark Adams
 

Something In The Air (Live Paris 99) details

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“I guess you know I never wanted anyone more than you”

DAVID BOWIE ‘SOMETHING IN THE AIR (LIVE PARIS 99)' ALBUM AVAILABLE TO STREAM FROM 14th AUGUST

'DRIVE-IN SATURDAY' FROM THE ALBUM AUDIO AVAILABLE 7th AUGUST

Parlophone Records is proud to announce the third in a series of three digital David Bowie live releases from the 90s.

The previously unreleased David Bowie live album, ‘DAVID BOWIE SOMETHING IN THE AIR (LIVE PARIS 99)’ recorded live at the Elysée Montmartre on 14th October, 1999, is available to stream from 14th August.

DRIVE-IN SATURDAY from the same show is available as audio from 7th August, with the video premiere on YouTube this evening at 19:00 GMT.

SOMETHING IN THE AIR (LIVE PARIS 99) is a 15-track live album, featuring 12 previously unreleased recordings and three tracks used as B-sides for singles from the ‘hours…’ album. The day of the show was a momentous one for Bowie, as that afternoon he was awarded the Commandeurs of the Ordre des Arts et des Lettres, the highest artistic honour that France can bestow.

The Elysée Montmartre performance was one of only seven full shows performed during the promotion of the ‘hours…’ album. For this special limited run of gigs Bowie dug deep into his back catalogue making these shows particularly memorable. Standout tracks include ‘Can’t Help Thinking About Me’ first released in 1966 and not performed live in over 30 years, 'Word On A Wing' from Station To Station was reinstated into the set after an absence of 23 years. 'Drive-In Saturday' had not been performed since 1974, and ‘hours…’ track 'Something In The Air' made its live debut at this show.

SOMETHING IN THE AIR (LIVE PARIS 99) was recorded live at the Elysée Montmartre, mixed by Mark Plati, and features Page Hamilton - guitar, Gail Ann Dorsey - bass, vocals, Mark Plati – guitar, Sterling Campbell – drums, Mike Garson – piano, keyboards, synthesisers and Emm Gryner and Holly Palmer – backing vocals.

DAVID BOWIE - SOMETHING IN THE AIR (LIVE PARIS 99) TRACKLISTING:

Life On Mars? (David Bowie)

Thursday’s Child (David Bowie/Reeves Gabrels)

Something In The Air (David Bowie/Reeves Gabrels)

Word On A Wing (David Bowie)

Can’t Help Thinking About Me (David Bowie)

China Girl (David Bowie/Iggy Pop)

Always Crashing In The Same Car (David Bowie)

Survive (David Bowie/Reeves Gabrels)

Drive-In Saturday (David Bowie)

Changes (David Bowie)

Seven (David Bowie/Reeves Gabrels)

Repetition (David Bowie)

I Can’t Read (David Bowie/Reeves Gabrels)

The Pretty Things Are Going To Hell (David Bowie/Reeves Gabrels)

Rebel Rebel (David Bowie)

#BowieSomethingInTheAir


tags: 2020 August
Thursday 08.06.20
Posted by Mark Adams
 

Revisiting the Elephant Man in Chicago

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“I've seen the city”

As it’s forty years today since David Bowie commenced a run of the Elephant Man at the intimate Blackstone Theatre in Chicago (following its initial run in Denver and ahead of its Broadway debut), it’s worth revisiting a piece posted by The Chicago Reader by Patrick Sisson, titled: The time David Bowie called Chicago home.

The article relates to Bowie’s time in the Windy City while performing the lead role of Joseph Merrick from 5th to 31st of August, 1980. It was published during the run of David Bowie is at the MCA in Chicago in 2014 and here are a few excerpts from it…

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During a talk at the MCA last Sunday, Geoffrey Marsh, who curated the original exhibition at the Victoria and Albert Museum, discussed how Bowie's subversive genius lay in not directly challenging the political and social status quo, but rather in being such a daring and unique person that he would stand as a symbol for liberation and individuality. Joseph Merrick was yet another outlet for Bowie to explore those themes. Whether spent draped in that white loincloth or walking through the Museum of Science and Industry, Bowie's time in Chicago may have been one of his most exposed, an example of one of rock's most famous outsiders exploring what it means to stand alone.

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Here’s a bit from Julie Weiss, the production's costume designer…

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“Watching David Bowie become the Elephant Man, it was so much more than a cap, a hood, and a loincloth for me. It was seeing the soul of Merrick scream the line 'I am not an animal! I am a human being!' He understands what it's like to be an outsider. When the audience saw David Bowie playing Elephant Man, they were reminded of the shame we should all feel rejecting those who are different.”

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Elephant Man director Jack Hofsiss had this to say about Bowie’s approach to playing the Elephant Man…

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“David really embraced the idea that this child had been beaten up and pushed around because of his deformities, and he was much more weary of interacting with people. It's a significant difference in the way the character was played like that, and I was astonished how well it worked. David understood it, having grown up on the tougher streets of London, and made it very much his own."

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Read the full article over on The Chicago Reader, where the Polaroid in our montage of Bowie at Neo in August 1980 with Noni Martin and Noah Beadreaux, is also explained.

#BowieElephantMan


tags: 2020 August
Wednesday 08.05.20
Posted by Mark Adams
 

Let’s Dance and Absolute Beginners hmv exclusives

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“While colour lights up your face”

Following the recent reissue of the Absolute Beginners Original Motion Picture Soundtrack, hmv in the UK has announced exclusive coloured vinyl versions of both the soundtrack and Let’s Dance.

Absolute Beginners will be an exclusive neon pink and blue vinyl pressing (limited to 1,000 numbered copies), while Let’s Dance will be pressed on transparent blue vinyl in an edition of 1,500. Both pressings are part of the store’s Vinyl Week 2020 exclusives and will be available instore from Saturday August 15th, with strictly just one copy of each per customer.

Though hmv are saying Absolute Beginners will be available instore only on that day and that any remaining copies will go online after 24 hours, it seems the album is already available for pre-order online. This is not the case with Let’s Dance, which will definitely only be available instore on the day.

#hmvBowie #hmvVinylWeek #hmvExclusive #BowieLetsDance #BowieAbsoluteBeginners #nipper7


tags: 2020 August
Monday 08.03.20
Posted by Mark Adams
 

Bowie’s Elephant Man debut 40 years ago today

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“He’s a broken man”

Forty years ago today, following an announcement in The New York Times, David Bowie took to the stage in a different guise to the one he had been more used to...as John Merrick in the Jack Hofsiss directed stage play of The Elephant Man by Bernard Pomerance.

The Elephant Man opened on 29th July 1980 at the Denver Centre of Performing Arts.

Here’s a line from a review in Variety:

“The acting debut on the American stage of rock singer David Bowie was greeted by a standing ovation in Denver when the singer, noted for his flamboyant musical style, took on the role of physically misshapen John Merrick, the human monster with a liking for culture.”

Bowie went on to triumph on Broadway with his stunning performance at The Booth Theatre in New York, opening there on 23 September 1980, with unanimous praise for his portrayal of Merrick.

In an interview with BBC Radio 1’s Andy Peebles in December 1980, Bowie said:

“The whole thing happened so fast when they finally decided to take me as Merrick. I’d forgotten about the whole thing after Hofsiss had seen me. But I got a call within two weeks of having to go over and start rehearsal. So I couldn’t do very much. So I went to the London Hospital and went to the museum there. Found the plaster casts of the bits of Merrick’s body that were interesting to the medical profession and the little church that he’d made, and his cap and his cloak. Nothing much that you can get from that, just the general atmosphere. We didn’t know if I was going to get to New York, but for me it was the idea of doing a straight play that had the greater appeal.”

29 July - 3 August 1980 Denver Centre of Performing Arts

5 August 1980 - 31 August 1980 Blackstone Theatre, Chicago

23 September 1980 - 3 January 1981 The Booth Theatre, 222 W. 45th St, New York

#BowieElephantMan


tags: 2020 July
Wednesday 07.29.20
Posted by Mark Adams
 

RIP Kansai Yamamoto

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It is with much sorrow that we report the death of Japanese designer, Kansai Yamamoto, who passed away on 21st July, aged 76.

Our thoughts and sympathies go out to his family and those close to him at this sad time.

#BowieKansai


tags: 2020 July
Monday 07.27.20
Posted by Mark Adams
 

Bowie wins online pioneer 20 years ago tonight

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“Love me, love me, love me, say you do“

Twenty years ago this evening, David Bowie was awarded online pioneer of the year at the third annual Yahoo! Internet Life Online Music Awards at New York's Studio 54. Bowienet also won the best artist site gong.

David performed wonderful versions of Life On Mars? and Wild Is The Wind, accompanied by Mike Garson. The event was hosted by actor John Leguizamo and cybercast live on VH1.com.

If you haven't seen them, you really should check out both performances on YouTube. Both Bowie and Garson are stunning.

#BowieYahooAwards2000


tags: 2020 July
Friday 07.24.20
Posted by Mark Adams
 

Sunday Times Magazine 45 years ago today

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“They pulled in just behind the fridge”

Perhaps it doesn't seem like a huge deal these days, but David Bowie gracing the front cover of a Sunday supplement for the first time in the UK was indeed a big deal, forty five years ago today.

The publishers of The Sunday Times Magazine clearly thought so too, with music press adverts and posters publicising the 20th July 1975 edition of the popular weekend mag.

Titled THE BOWIE ODYSSEY, the cover story was a five-page colour article, including rare pictures and an interview with Tina Brown.

History doesn’t record how popular the edition was with regular readers of the magazine, but for Bowie fans it was an absolute treat.

For a start, that Steve Schapiro cover was the first glimpse fans had of this latest Bowie look, not to mention it being the first Bowie/Schapiro cover anywhere in the world.

Also, the content was stunning. A double page Sukita shot with previously unseen images of The Lower Third and a ticket for DAVID BOWIE AND THE BUZZ at Loughton Youth Centre, on Friday 15th July, 1966.

Then there was the beautifully written article and interview by Tina Brown, giving a snapshot tease of life at manager Michael Lippman’s home on Sunset Strip. Here’s the intro:

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David Bowie had just breezed into Hollywood with a sidekick called Geoffrey. Bowie is dressed in brown plus-fours and braces, his short red orange hair tucked into a cloth cap. “This,” he explains in rapid cockney, “is my up-all-night look. Please note pallor of skin and trembling of hands.” He strikes a match on his trousers and lights a cigarette. “All right, darlin’. Where shall I begin?”

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And then there was this fairly inaccurate prediction regarding his own future in music:

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“Me and rock and roll have parted company,“ he declares after a preliminary swivel on his chair. Lippman, surreptitiously patrolling the passage outside, appears in the doorway, his face creased with anxiety. “Don't worry,“ Bowie reassures, “I'll still make albums with love and with fun, but my effect is finished. I'm very pleased. I think I've caused quite enough rumpus for someone who's not even convinced he's a good musician.” He puts on a pair of giant auburn spectacles. “Now I'm going to be a film director.”

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Thankfully for us, his effect was far from finished, but in 1975 it was a very scary thought.

We’ll leave you with another distressing observation Tina made in the feature:

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In the living room (decor - Hollywood Hispanola) a dozen copies of Bowie's latest LP, Young Americans, are stacked. The sleeve features him looking as fresh-faced as a West Point cadet, while a cursory glance at the “Gimme Gimme’s” and “Sho’ nuffs” on the lyric sheet reveal that inside, for the first time, Bowie is giving Soul Music a whirl.

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Lyric sheet?! What lyric sheet? There was no such thing in the UK edition of Young Americans, though it did appear a few years later, long after fans had struggled with “fridge” versus “bridge” and other conundrums.

#BowieSchapiro #BowieSundayTimesMagazine


tags: 2020 July
Monday 07.20.20
Posted by Mark Adams
 

Check out the David Bowie Memory Map

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“He trod on sacred ground, he cried aloud into the crowd”

To celebrate the ongoing series of David Bowie live releases, we’ve launched the David Bowie Memory Map here on davidbowie.com

If you’re lucky enough to have memories of any of Bowie’s live shows around the globe from 1990 to 2000, then explore the world map to add yours, including tickets, setlists, photographs, programmes, merchandise, passes and anything else you think other Bowie fans would enjoy.

A few of you have already stumbled upon it and are making some great contributions.

#DavidBowieMemoryMap #DavidBowieLiveMap


tags: 2020 July
Sunday 07.19.20
Posted by Mark Adams
 

UK Fame 45 is forty five today

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“Is it any wonder, you’re far too cool to fool”

Fame was released in June 1975 in America and it was Bowie’s first #1 45 anywhere in the world. It didn’t fare quite so well in the UK, where it was released 45 years ago today, though it was still a top 20 hit.

A side: Fame (Bowie/Lennon/Alomar)

B side: Right (Bowie)

Original UK release date: July 18 1975

Highest chart position: UK: #17 US: #1

Originally appeared on: Young Americans

Produced by: David Bowie, Harry Maslin

#BowieFame


tags: 2020 July
Saturday 07.18.20
Posted by Mark Adams
 

Bowie and Jagger and THAT video

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“Calling out around the world”

Thirty five years ago the Live Aid benefit concert was held on this very day, Saturday 13th July, 1985, and many of you posted your memories in the BOWIE KOOKS Facebook group.

Aside from all of the live music performed on the day, you will also surely remember Bowie and Jagger’s remarkable video for Dancing In The Street, possibly the campest duet ever committed to tape.

The friends recorded it at Spillers Millennium Mills in London with director David Mallet. Dancing In The Street was shown a couple of times at the Live Aid event and it was also used to promote the single released the following month.

Here it is for those of you that have never seen it or those who need to be reminded of just how rock stars are meant to behave.

#BowieLiveAid #BowieJagger


tags: 2020 July
Monday 07.13.20
Posted by Mark Adams
 

Bowie at the BBC twenty years ago tonight

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“Screaming above Central London”

Two days after his Glastonbury triumph, David Bowie was back in London on 27th June, 2000, for an exclusive performance at the BBC Radio Theatre to an intimate gathering of celebrities and BowieNetters.

Did you catch the broadcast a few months later, or were you lucky enough to be one of those actually there?

Check out the setlist below and a few snaps by Total Blam Blam taken on the night, here.

01 - Wild Is The Wind

02 - Ashes To Ashes

03 - Seven

04 - This Is Not America

05 - Absolute Beginners

06 - Always Crashing In The Same Car

07 - Survive

08 - The London Boys

09 - I Dig Everything

10 - Little Wonder

11 - The Man Who Sold The World

12 - Fame

13 - Stay

14 - Hallo Spaceboy

15 - Cracked Actor

16 – I’m Afraid Of Americans

Encore:

17 - Ziggy Stardust

18 - The Jean Genie (Instrumental version while David left the stage)

19 - All The Young Dudes

20 - Starman

21 - "Heroes"

22 - Let's Dance

#BowieAtTheBeeb #BowieBBCRadioTheatre #Bowie2000


tags: 2020 June
Saturday 06.27.20
Posted by Mark Adams
 

Glastonbury 2000 20 years ago tonight

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“One magical moment”

“Not only the greatest Glastonbury headline performance but the best headline slot at any festival ever” - NME

As you may already know and in fact may be enjoying right now, BBC TWO in the UK is celebrating 50 years of Glastonbury with a schedule packed with gems from the festival over the years. This is an impressive attempt to bring some cheer following the cancellation of this year's event.

Bowie first played there in June 1971 to a small but appreciative crowd, giving him the confidence to return twenty nine years later to a somewhat larger and a considerably more appreciative audience. That return to Glastonbury was twenty years ago today and BBC TWO will mark the event by screening the whole show on Sunday.

Today’s lyric quotation from Station To Station was a sentiment clearly shared by Glastonbury co-organiser, Emily Eavis, who commented in 2018:

“I often get asked what the best set I've seen here at Glastonbury is, and Bowie's 2000 performance is always one which I think of first. It was spellbinding; he had an absolutely enormous crowd transfixed. I think Bowie had a very deep relationship with Worthy Farm and he told some wonderful stories about his first time at the Festival in 1971, when he stayed at the farmhouse and performed at 6am as the sun was rising. And he just played the perfect headline set. It really was a very special and emotional show”.

Emily’s father Michael, the founder of the festival who first met David at Glastonbury in 1971 said “He’s one of the three greatest of all-time: Frank Sinatra, Elvis Presley and David Bowie.”

David Bowie Glastonbury 2000 is on BBC TWO on Sunday at 21:30.

#BowieTV #BowieGlasto2000


tags: 2020 June
Thursday 06.25.20
Posted by Mark Adams
 
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