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Bowie’s Elephant Man debut 40 years ago today

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“He’s a broken man”

Forty years ago today, following an announcement in The New York Times, David Bowie took to the stage in a different guise to the one he had been more used to...as John Merrick in the Jack Hofsiss directed stage play of The Elephant Man by Bernard Pomerance.

The Elephant Man opened on 29th July 1980 at the Denver Centre of Performing Arts.

Here’s a line from a review in Variety:

“The acting debut on the American stage of rock singer David Bowie was greeted by a standing ovation in Denver when the singer, noted for his flamboyant musical style, took on the role of physically misshapen John Merrick, the human monster with a liking for culture.”

Bowie went on to triumph on Broadway with his stunning performance at The Booth Theatre in New York, opening there on 23 September 1980, with unanimous praise for his portrayal of Merrick.

In an interview with BBC Radio 1’s Andy Peebles in December 1980, Bowie said:

“The whole thing happened so fast when they finally decided to take me as Merrick. I’d forgotten about the whole thing after Hofsiss had seen me. But I got a call within two weeks of having to go over and start rehearsal. So I couldn’t do very much. So I went to the London Hospital and went to the museum there. Found the plaster casts of the bits of Merrick’s body that were interesting to the medical profession and the little church that he’d made, and his cap and his cloak. Nothing much that you can get from that, just the general atmosphere. We didn’t know if I was going to get to New York, but for me it was the idea of doing a straight play that had the greater appeal.”

29 July - 3 August 1980 Denver Centre of Performing Arts

5 August 1980 - 31 August 1980 Blackstone Theatre, Chicago

23 September 1980 - 3 January 1981 The Booth Theatre, 222 W. 45th St, New York

#BowieElephantMan


tags: 2020 July
Wednesday 07.29.20
Posted by Mark Adams
 

RIP Kansai Yamamoto

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It is with much sorrow that we report the death of Japanese designer, Kansai Yamamoto, who passed away on 21st July, aged 76.

Our thoughts and sympathies go out to his family and those close to him at this sad time.

#BowieKansai


tags: 2020 July
Monday 07.27.20
Posted by Mark Adams
 

Bowie wins online pioneer 20 years ago tonight

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“Love me, love me, love me, say you do“

Twenty years ago this evening, David Bowie was awarded online pioneer of the year at the third annual Yahoo! Internet Life Online Music Awards at New York's Studio 54. Bowienet also won the best artist site gong.

David performed wonderful versions of Life On Mars? and Wild Is The Wind, accompanied by Mike Garson. The event was hosted by actor John Leguizamo and cybercast live on VH1.com.

If you haven't seen them, you really should check out both performances on YouTube. Both Bowie and Garson are stunning.

#BowieYahooAwards2000


tags: 2020 July
Friday 07.24.20
Posted by Mark Adams
 

Sunday Times Magazine 45 years ago today

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“They pulled in just behind the fridge”

Perhaps it doesn't seem like a huge deal these days, but David Bowie gracing the front cover of a Sunday supplement for the first time in the UK was indeed a big deal, forty five years ago today.

The publishers of The Sunday Times Magazine clearly thought so too, with music press adverts and posters publicising the 20th July 1975 edition of the popular weekend mag.

Titled THE BOWIE ODYSSEY, the cover story was a five-page colour article, including rare pictures and an interview with Tina Brown.

History doesn’t record how popular the edition was with regular readers of the magazine, but for Bowie fans it was an absolute treat.

For a start, that Steve Schapiro cover was the first glimpse fans had of this latest Bowie look, not to mention it being the first Bowie/Schapiro cover anywhere in the world.

Also, the content was stunning. A double page Sukita shot with previously unseen images of The Lower Third and a ticket for DAVID BOWIE AND THE BUZZ at Loughton Youth Centre, on Friday 15th July, 1966.

Then there was the beautifully written article and interview by Tina Brown, giving a snapshot tease of life at manager Michael Lippman’s home on Sunset Strip. Here’s the intro:

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David Bowie had just breezed into Hollywood with a sidekick called Geoffrey. Bowie is dressed in brown plus-fours and braces, his short red orange hair tucked into a cloth cap. “This,” he explains in rapid cockney, “is my up-all-night look. Please note pallor of skin and trembling of hands.” He strikes a match on his trousers and lights a cigarette. “All right, darlin’. Where shall I begin?”

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And then there was this fairly inaccurate prediction regarding his own future in music:

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“Me and rock and roll have parted company,“ he declares after a preliminary swivel on his chair. Lippman, surreptitiously patrolling the passage outside, appears in the doorway, his face creased with anxiety. “Don't worry,“ Bowie reassures, “I'll still make albums with love and with fun, but my effect is finished. I'm very pleased. I think I've caused quite enough rumpus for someone who's not even convinced he's a good musician.” He puts on a pair of giant auburn spectacles. “Now I'm going to be a film director.”

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Thankfully for us, his effect was far from finished, but in 1975 it was a very scary thought.

We’ll leave you with another distressing observation Tina made in the feature:

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In the living room (decor - Hollywood Hispanola) a dozen copies of Bowie's latest LP, Young Americans, are stacked. The sleeve features him looking as fresh-faced as a West Point cadet, while a cursory glance at the “Gimme Gimme’s” and “Sho’ nuffs” on the lyric sheet reveal that inside, for the first time, Bowie is giving Soul Music a whirl.

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Lyric sheet?! What lyric sheet? There was no such thing in the UK edition of Young Americans, though it did appear a few years later, long after fans had struggled with “fridge” versus “bridge” and other conundrums.

#BowieSchapiro #BowieSundayTimesMagazine


tags: 2020 July
Monday 07.20.20
Posted by Mark Adams
 

Check out the David Bowie Memory Map

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“He trod on sacred ground, he cried aloud into the crowd”

To celebrate the ongoing series of David Bowie live releases, we’ve launched the David Bowie Memory Map here on davidbowie.com

If you’re lucky enough to have memories of any of Bowie’s live shows around the globe from 1990 to 2000, then explore the world map to add yours, including tickets, setlists, photographs, programmes, merchandise, passes and anything else you think other Bowie fans would enjoy.

A few of you have already stumbled upon it and are making some great contributions.

#DavidBowieMemoryMap #DavidBowieLiveMap


tags: 2020 July
Sunday 07.19.20
Posted by Mark Adams
 

UK Fame 45 is forty five today

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“Is it any wonder, you’re far too cool to fool”

Fame was released in June 1975 in America and it was Bowie’s first #1 45 anywhere in the world. It didn’t fare quite so well in the UK, where it was released 45 years ago today, though it was still a top 20 hit.

A side: Fame (Bowie/Lennon/Alomar)

B side: Right (Bowie)

Original UK release date: July 18 1975

Highest chart position: UK: #17 US: #1

Originally appeared on: Young Americans

Produced by: David Bowie, Harry Maslin

#BowieFame


tags: 2020 July
Saturday 07.18.20
Posted by Mark Adams
 

Bowie and Jagger and THAT video

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“Calling out around the world”

Thirty five years ago the Live Aid benefit concert was held on this very day, Saturday 13th July, 1985, and many of you posted your memories in the BOWIE KOOKS Facebook group.

Aside from all of the live music performed on the day, you will also surely remember Bowie and Jagger’s remarkable video for Dancing In The Street, possibly the campest duet ever committed to tape.

The friends recorded it at Spillers Millennium Mills in London with director David Mallet. Dancing In The Street was shown a couple of times at the Live Aid event and it was also used to promote the single released the following month.

Here it is for those of you that have never seen it or those who need to be reminded of just how rock stars are meant to behave.

#BowieLiveAid #BowieJagger


tags: 2020 July
Monday 07.13.20
Posted by Mark Adams