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D.J. 2017 TV Mix video and Bowie Vs Benassi EP

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“One more, weekend, of lights and evening faces“

In celebration of the original issue of D.J. (released 40 years ago today on 29th June 1979), and the release of the 40th anniversary picture disc yesterday, Nacho’s Videos has synced up the original David Mallet-directed video to the 2017 Tony Visconti Mix.

Watch the full thing here and read Nacho’s superb notes while you’re there.

And for those of you who haven’t already stumbled upon it, the David Bowie Vs Benny Benassi D.J. 8-track remixes EP was also made available for streaming and download again yesterday.

#BowieDJ  #DBDJ40  #BowieVBenassi  #BowieVinyl  #ANCIANTbox 

tags: 2019 June
Saturday 06.29.19
Posted by Mark Adams
 

D.J. 40th anniversary picture disc out now

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“I’ve got believers (Kiss-Kiss), Believing me“

Parlophone has issued the latest 40th anniversary picture disc single today, in the shape of D.J.. Originally released on 29th June 1979, D.J. was the 2nd single from Lodger and the follow up to Boys Keep Swinging. The A side of the 40th anniversary disc features a previously unreleased single edit of the 2017 Tony Visconti Mix.

DAVID BOWIE - D.J. LIMITED EDITION 40th ANNIVERSARY 7" PICTURE DISC

Side A

D.J. (2017 Tony Visconti mix - single edit)

(David Bowie, Brian Eno, Carlos Alomar)

Previously unreleased

Produced by David Bowie & Tony Visconti

Mixed by Tony Visconti at Human Studios, NYC, 2017

Side AA

Boys Keep Swinging (Kenny Everett Video Show Version)

(David Bowie, Brian Eno)

Previously unreleased.

Produced by David Bowie & Tony Visconti

Recorded at Good Earth Studio, Soho London, 9th April, 1979

Go here for more regarding both tracks.

#BowieDJ  #DBDJ40  #BowieVinyl  #ANCIANTbox

tags: 2019 June
Friday 06.28.19
Posted by Mark Adams
 

Mercury Demos LP box out now

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“Love is what we came here for” *

The ‘Mercury’ Demos are 10 early Bowie recordings captured live in one take to a Revox reel to reel tape machine in David’s flat in spring 1969, with Bowie on vocals, guitar and Stylophone and with accompaniment from John ‘Hutch’ Hutchinson on guitar and vocals.

The ‘Mercury’ Demos comes in a beautiful replica of the original tape box featuring a mono 33 1/3 rpm vinyl LP, a print, two photo contact sheets and sleeve notes by Mark Adams. The labels of the LP feature the same EMIDISC acetate styling as Spying Through A Keyhole and Clareville Grove Demos with the song titles in David’s own handwriting.

Side 1

Space Oddity

Janine

An Occasional Dream

Conversation Piece

Ching-a-Ling

I’m Not Quite (aka Letter To Hermione)

Side 2

Lover To The Dawn

Love Song

When I’m Five

Life Is A Circus

Read more about the release here.

* Today’s lyric quotation is from the Lesley Duncan composition, Love Song.

#BowieTheMercuryDemos

tags: 2019 June
Friday 06.28.19
Posted by Mark Adams
 

Clareville Grove Demos now available to stream

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“I will give you dreams”

Following on from last week’s announcement that the Spying Through A Keyhole (STAK) set is available to stream, we can now tell you that the Clareville Grove Demos (CGD) set is also available from 28th June via the usual streaming outlets.

The David Bowie (with John 'Hutch' Hutchinson) - Clareville Grove Demos features the following six demo tracks recorded early in 1969, four of which are previously unreleased.

Space Oddity

Lover To The Dawn

Ching-a-Ling

An Occasional Dream

Let Me Sleep Beside You

Life Is A Circus

These recordings are not to be confused with The ‘Mercury’ Demos vinyl box also released today.

Read more about the Clareville Grove Demos set here.

Photography by Kenneth Pitt © Kenneth Pitt.

#BowieCGD

tags: 2019 June
Friday 06.28.19
Posted by Mark Adams
 

STAK box set now available to stream

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“Looks like you got me, Looks like love all around...”

As hinted when we posted the press release back in January for the Spying Through A Keyhole (STAK) 4 x 7" vinyl box set (released vis Parlophone on 5th April), STAK will now be available to stream from 21st June via the usual streaming outlets.

Go here for more details regarding the vinyl set.

#BowieSTAK

tags: 2019 June
Thursday 06.20.19
Posted by Mark Adams
 

6-page Tin Machine feature in July UNCUT

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“A shriekin' and dancing till 4am”

As this week is the 30th anniversary of Tin Machine’s highest UK album chart position (#3), it’s a good time to mention a couple of Tin Machine things celebrating the anniversary that may have passed you by.

The July 2019 issue of UNCUT magazine has a 6-page feature and here’s the introduction to it:

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Fawlty Towers viewing marathons! Boat trips with Gary Oldman! Riots on Sunset Boulevard! These are just some of the ingredients in the story of how DAVID BOWIE pulled himself out of his ’80s malaise with TIN MACHINE – a band of “fucking heathens” who paved the way for his creative rebirth in the following decade. Here Reeves Gabrels, Hunt and Tony Sales, Kevin Armstrong and producer Tim Palmer reveal all to Rob Hughes about Bowie’s creative motivations. “David said, ‘Let’s put an end to rock’n’roll. I really want to fuck with it!’”

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Here are the concluding paragraphs from the piece:

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“I look back on the Tin Machine years with great fondness,” Bowie told Uncut. “They charged me up. I can’t tell you how much… Reeves shook me out of my doldrums, pointed me at some kind of light, said, ‘Be adventurous again’… I’ve been finding my voice, and a certain authority, ever since.”

“David said it’d take 25 years before people came around to Tin Machine,” says Reeves Gabrels. “I remember he used to have the Low rejection letter from RCA framed on his wall at his home in Switzerland. They’d sent that to him before it came out, so he’d been through the same thing before. Now it seems as though people are finally appreciating what Tin Machine was all about.”

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The July issue of Uncut has been out for three weeks but you can order a copy online.

Also, Reeves Gabrels spoke to ilikeyouroldstuff.com while he was over in Sydney with The Cure. Read the very funny full thing here.

#BowieUNCUT  #TinMachine1  #TinMachineBowie

tags: 2019 June
Saturday 06.08.19
Posted by Mark Adams
 

Iman’s anniversary message to David

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“I LOOK FOR YOU, EVERYWHERE”

#BowieForever #EternalLove

tags: 2019 June
Thursday 06.06.19
Posted by Mark Adams
 

Little Liza Jane hits fifty five

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“Well, this little girl is so good to me”

They say it’s not polite to mention a lady’s age, but we’re sure you’ll forgive us in this particular instance. For it was on this day, Friday, June 5th 1964, that Vocalion Pop released a 45 with the catalogue number: V.9221.

That record was Bowie’s first ever release: Liza Jane/Louie, Louie Go Home, issued as Davie Jones with The King-Bees. But, despite a handful of positive reviews, the world was not yet ready to embrace the charms of either Davie Jones or Liza Jane.

The single ended up in the bargain bins in 1964, and Bowie’s first manager, Leslie Conn (controversially credited with writing Liza Jane), binned several hundred copies of the 45 to clear a bit of space in his garage!

These days the disc is one of the most sought after Bowie 45s by serious collectors.

Go here to read the piece we posted five years ago for the 50th anniversary.

#BowieLizaJane

tags: 2019 June
Wednesday 06.05.19
Posted by Mark Adams
 

BOWIE FAN FOCUS 3: Andy Barding

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It should be fairly obvious what this is, but for a full explanation and to participate, join BOWIE KOOKS (the only Official David Bowie Facebook Fan Group), and then follow this link.

#BowieFanFocus

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BOWIE FAN FOCUS – Andy Barding, 55 (tomorrow)

~ Name?

AB: Andy Barding

~ Age?

AB: I’m as old as Liza Jane (David’s very first single). It’s our birthday tomorrow.

~ What does David Bowie mean to you?

AB: He was a pioneer. One of the greatest artists of the 20th and 21st centuries. In the not so distant future, I’m convinced, his name will carry the same cultural weight as, say, Van Gogh, Dickens or Mozart.

~ When and how did you first become aware of him?

AB: Space Oddity on Top of the Pops, ’75. The BBC showed a clip from the Love You Till Tuesday film.

~ First item you ever obtained, including music, memorabilia, magazines, etc.?

AB: I commandeered a copy of the Starman/Suffragette City single from a relative when I was 12 or so. I would run home from school, every lunch break, purely to play both sides on the family stereo. I’d have just enough time to spin the record a couple of times before running back to class.

~ Is there a Bowie holy grail for you that you have yet to track down?

AB: I would still love a copy of Liza Jane by Davie Jones and King Bees, since it popped out on Vocalion Pop the same day I did: Friday June 5, 1964. The sheet music for the same would be nice, too.

~ Most valuable Bowie possession you own on an emotional level?

AB: I’m custodian of some LPs owned by my late friend, Alison Hale: a rare laminated-sleeve Hunky Dory and a first press of Ziggy Stardust. They’re still hers... I’m just looking after them.

~ The best Bowie show you ever attended?

AB: Torn between Birmingham NEC 6.6.83 and Tin Machine at the Baggott Inn, Dublin, 14.8.91. They were decades ago, but I remember bits of each one vividly.

~ The show you wish you had witnessed?

AB: One of the late ‘72/early ’73 shows. Maybe Manchester Hardrock. I spoke to someone who was at one of those and the picture he painted in his description was incredible... so striking. He was 14 or 15, and David and the Spiders put in such a supercharged and intense performance that he found it all just a bit terrifying. What a thrill that must have been.

~ What would you have said had you met him, or, if you did meet, what did you say?

AB: I asked him when Pixies would be supporting him (this was on the 1990 Sound and Vision tour). We’d heard they were about to take over from Kim Wilde as warm-up act. He responded by singing a few lines of “I Should Be So Lucky” and laughing like a drain... He’s still laughing in my photo that was taken with him (main picture) at that chance meeting (at a motorway service station near the Germany/Austria border).

~ Favourite album?

AB: Blackstar

~ Top ten songs?

AB:

01. Blackstar

02. Station To Station

03. Silly Boy Blue

04. Dirty Boys

05. Fantastic Voyage

06. The Motel

07. Five Years

08. Cygnet Committee

09. Be My Wife

10. I Dig Everything

~ Favourite lyric?

AB: “From behind their tinted window stretch/gleaming like blackened sunshine.”

~ Favourite film?

AB: The Prestige

~ Favourite video?

AB: The live 1974 clips of Rock’n’Roll Suicide and The Jean Genie on the ‘David Bowie Is’ app blow my mind.

~ Favourite era?

AB: Maybe ’76.

~ Best Bowie moment?

AB: An impromptu meet and greet with Tin Machine after their second Brixton show - the last one of the European tour. A handful of us fans were given exclusive t-shirts as a thank you for following the band around, night after night. What a smashing treat.

~ Guilty secret?

AB: I stole a pack of David’s cigarettes from the front of the stage at a gig (I smoked them and kept the empty packet. I still have it, somewhere).

~ What impact upon your life has Bowie had? Eg: Music, art and literature? Children or pet’s names? Tattoos? Mannerisms? Clothing? Choice of life partner?

AB: I wear a Blackstar badge on my jacket, permanently, as a memorial.

~ Do you have a Bowie related photograph we could use? If so, what’s the story behind it?

AB: (Smaller photo) This is me, David and the aforementioned Alison Hale, outside the Conrad Hotel in Dublin, August 1990. As you can see, a gust of wind caught David’s hair in the split second that the photo was taken. Thanks, gust. My partner, Rhoda, had this picture framed for me as a thoughtful keepsake of two people who mean the world to me and who are both now gone.

Does David Bowie influence your working life?

AB: Yes! I own a record shop on the Isle of Wight (AAA Records) which has a decent Bowie section. And I publish concert photo-books under the name Cygnet Committee. I also work as a music tour manager and was TM on Earl Slick’s Station To Station tour, as well as driver on a couple of Holy Holy UK tours. Those were wonderful times - to see those shows night after night was a thrill.

I hosted a Q&A with Earl on the island last year, and I will be doing the same with Woody Woodmansey in July. It’s part of the ‘Iconic Bowie’ exhibition which opens at Dimbola Museum on Thursday, June 6, with an illustrated talk by Phil Lancaster. He'll be talking about the three concerts he played with David at Ventnor Winter Gardens in 1965. As will writer Kevin Cann, who penned Any Day Now which, as we all know, is one of the best books ever written about David. Exciting!

#BowieFanFocus

 

tags: 2019 June
Tuesday 06.04.19
Posted by Mark Adams
 

Tin Machine #3 thirty years ago today

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“Tin machine, Tin machine, Take me anywhere“

The first Tin Machine LP entered the Official UK Album Chart at #3 on this day in 1989 (3rd June) and stayed in the Top 40 for seven weeks.

Don’t forget that to mark the 30th anniversary of the album’s release (22nd May), Julien Temple’s short promotional film of the band performing a medley of nine songs at The Ritz in NY has finally had an official release for download and streaming. Watch it here.

Go here for the full press release.

#TinMachine1  #TinMachineVideo

tags: 2019 June
Monday 06.03.19
Posted by Mark Adams
 

50,000 extra tickets for Lazarus in Amsterdam

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Amsterdam, 3rd June 2019

50.000 EXTRA TICKETS AVAILABLE FOR DAVID BOWIE’S LAZARUS IN AMSTERDAM

THE RUN OF BOWIE’S ‘LAST MASTERPIECE’ HAS BEEN EXTENDED THANKS TO OVERWHELMING INTEREST

 With more than four months to go until the Lazarus premiere, the David Bowie musical has sold more than 50.000 tickets. Due to the enormous demand for tickets, Stage Entertainment Nederland and the DeLaMar Theatre have decided to extend the show run. There are now 50.000 extra tickets available, which are on sale now via Eventim.nl

Lazarus is the last work David Bowie created before he died, together with director Ivo van Hove. After playing in New York and London, the original production is coming to Amsterdam in the Autumn for an exclusive period in the DeLaMar Theatre. It was announced in December that Gijs Naber will be taking on the role of Newton. The rest of the cast will be announced soon.

Albert Verlinde: managing director and producer of Stage Entertainment Nederland: “David Bowie is, and continues to be a phenomenon. I was intrigued as to whether the Dutch public would embrace the production; I could never have foreseen that the reaction would be so overwhelmingly positive. I am truly overwhelmed by the huge interest in the show. There is an enormous demand for tickets. By extending the run of the show we are giving even more people the chance to see David Bowie’s last masterpiece.”

Director Ivo van Hove: “Lazarus is David Bowie’s last project. The show means a lot for me personally and it is therefore very special that we are now, after New York and London, able to bring it to the Dutch public.”

LAZARUS

Pop phenomenon David Bowie died on the 10th January 2016. One of his last projects was the musical Lazarus. He created the show with Enda Walsh (script) and director Ivo van Hove. Van Hove, recently nominated for a prestigious Tony Award, will also be directing the Dutch version. Lazarus is the sequel of the book The Man Who Fell To Earth by Walter Tevis. Bowie himself played the leading role of Thomas Newton in the film version of 1976, directed by Nicolas Roeg. In Lazarus, we meet Bowie’s alter ego Thomas Newton once more. The show is an adventurous trip through Bowie’s genius mind. A journey that is of course framed by legendary Bowie hits, such as ‘Heroes’, ‘Absolute Beginners’, ‘Changes’, ‘All the Young Dudes’, ‘This is Not America’ and of course ‘Lazarus’, which was written for the show and later released as part of Bowie’s last album Blackstar.

Lazarus is produced in The Netherlands by Stage Entertainment Nederland in collaboration with Robert Fox and Jones/Tintoretto Entertainment and The New York Theatre Workshop.

#LazarusNL  #LazarusMusical 

tags: 2019 June
Monday 06.03.19
Posted by Mark Adams
 

Barnbrook and the ★ tooth

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“Flashing teeth of class”

Multi award-winning designer of various Bowie projects, Jonathan Barnbrook, has taken the plunge and joined the ranks of those with a permanent physical reminder of David Bowie and ★.

Jonathan has kindly given us the exclusive reveal of a rather clever and classy bit of dentistry.

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“It’s very nice to finally be part of a very special group of people who I have made friends with over the past few years, those with a ★ tattoo. I am very humbled that they show their love for David in that way and think the graphics worthy of it.

Bowie influenced me in so many ways, not only in the times I worked with him but also when I was growing up and hungry for new influences, so I like to think of this as ‘You are part of the words I speak, the language I use’”.

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For those wondering how it was done, the tooth is completely new and the ★ was modelled in 3D software and then added at that stage. Then it was hand-painted for the finished effect.

#BowieBarnbrook  #BlackstarTattoo  #BlackstarTooth

tags: 2019 June
Sunday 06.02.19
Posted by Mark Adams
 

Bowie’s Deram Debut is 52 today

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“Did you ever have a Deram?”

David Bowie released his first album this day in 1967, albeit lacking the fanfare of The Beatles’ Sergeant Pepper, purportedly released on the same day.

Still worth a read is this excellent article by Pete Paphides, published two years ago on the 50th anniversary of the album, over on The Quietus.

Our montage shows the original stereo copies of the US and UK vinyl albums, a peek of the original Deram press release and the impossibly rare US 8-track cartridge.

More about the 8-track in a collectors’ feature coming soon.

#DavidBowieDeram  #DavidBowie1967  #BowieCollector 

tags: 2019 June
Saturday 06.01.19
Posted by Mark Adams