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164-page French MUZIQ Bowie special

 

“The Muziq is outside”

 

You’ve no doubt already seen this, it’s another French publication celebrating the arrival of David Bowie is at Philharmonie de Paris. 

It’s a beautifully designed little thing, jam-packed with features and photos which you can get a flavour of courtesy of photo journalist, Philippe Auliac, who (as you can see from our montage), took some of the very best live shots of Bowie as the Thin White Duke.

Scroll the images to view a random grab of a few of the pages from Muziq #4 (also kindly supplied by Philippe Auliac). Read all about it in French here.

We’ll leave you with a crudely translated summary of what to expect.

 

Muziq #4: David Bowie Special - Contents

 

Introduction: The hundred lives of David Bowie

Exhibition "David Bowie Is"

Bowie and glam-rock (with the participation of Valli and deFoxygen) (Bruno Juffin)

Cracked Actor - Bowie cinema

Boy Could They Play Guitar! - Guitarists David Bowie

Let's Dance - Bowie in the 1980s

The Next Day - The resurrection of Bowie (Alexis Tain)

Bowie AZ 120 original themes entries

Classic Album: "1. Outside "1995

Germany years "Heroes" (with the participation of Ed Motta and Dylan Howe)

Discography, videography, bibliography

"Ticket to Ride", the concerts inoubliales: Bus Palladium 1966 Pavillon de Paris 1976 Auteuil 1983 Elysee-Montmartre 1999 Zenith 2002

Imaginary Tops: videos, best-of sixties, live, times, collaborations, 1984-2014

 

MUZIQ n°4/SPÉCIAL DAVID BOWIE is available now.

categories: News
Monday 03.16.15
Posted by Mark Adams
 

Eric Dahan and Jérôme Soligny on Bowie the actor

 

“Hooked to the silver screen”

 

French Bowie know-it-alls and regular all round chaps, Eric Dahan and Jérôme Soligny, cast their collective eye back over David Bowie’s long and distinguished acting career for Sophie Soligny’s film blog: ANOTHER FILM ANOTHER PLANET.

In keeping with the Parisian flavour this page has had recently, the feature is in French, but if you’re not a reader of that particular language, stick it through an online translator to get the gist.

If you see this crude method as an insult and bastardisation of the work of the journalists involved, perhaps you could identify the Bowie films being ignored by Thomas Jerome Newton in our graphic instead.

categories: News
Tuesday 03.10.15
Posted by Mark Adams
 

David Bowie Is screening in France & Switzerland Thursday

 

“If we can sparkle he may land tonight”

 

There are 80 screenings of Hamish Hamilton’s superb David Bowie is documentary in France and Switzerland this Thursday, March 12, with encores at the same venues on Monday, June 1.

So if you’re undecided whether to make the trip to Paris for the exhibition proper or not, check out the film first and get a flavour of what amazing Bowie treasures await you in the French capital.

Visit this page to find your nearest participating picture house.

categories: News
Monday 03.09.15
Posted by Mark Adams
 

Gadzooks! Jones on the BBC fifty years ago today

 

“Didn't they teach you to get your hair cut at school?”

 

Fifty years ago today, publicity of the rumpus caused by the length of 18-year-old Davy Jones' hair culminated with a live performance on BBC 2.

You’re possibly familiar with the story of The Manish Boys' public quarrel with Barry Langford, producer of Gadzooks! It's All Happening. Langford had insisted that Jones have his hair trimmed before he would be allowed to appear on the show to perform his new single, I Pity The Fool, with his band of merry Manish Boys, to which the handsome young heart-throb retorted: "I wouldn't have my hair cut for the prime minister, let alone the BBC!"

A compromise was reached when the group agreed to donate their fee to charity if there were any complaints regarding the young lead singer’s hair. There were none.

David’s manager of the time, the late Les Conn, apparently played a large part in setting up this stunt along with DB's first known television interview on the BBC's Tonight show the previous November, during which Jones bemoaned the hard time he had been having to Cliff Michelmore and how this had led to the formation of 'The Prevention Of Cruelty To Long Haired Men'.

categories: News
Sunday 03.08.15
Posted by Mark Adams
 

Bowie’s unexpected appearance in '71

 

“I recall how we lived on the corner of a bed”

 

The music of David Bowie has been utilised to great effect in recent motion pictures such as Foxcatcher (Fame) and Guardians of the Galaxy (Moonage Daydream), not to mention TV shows such as American Horror Story: Freak Show which had Jessica Lange performing Life On Mars? for the premiere and "Heroes" for the finale.

We also had the trailer for the upcoming Game Of Thrones season 5, which featured TV On The Radio’s version of "Heroes", along with various adverts (2015 Cadillac Escalade Evolution of Indulgence (Fame)) and a couple of console games.

But one of the more unexpected nods to Bowie came in the shape of Yann Demange’s superb film, '71. The movie has been around for a while (we caught it in October), but it’s released commercially (in the UK at least) on Monday (March 9).

For those of you that have yet to see it, here’s a brief synopsis.

 

'71 takes place over a single night in the life of a young British soldier (Jack O'Connell) accidentally abandoned by his unit following a riot on the streets of Belfast in 1971. Unable to tell friend from foe, and increasingly wary of his own comrades, he must survive the night alone and find his way to safety through a disorientating, alien and deadly landscape.

 

Hard to imagine where Bowie might pop up in that context, but keep reading to find out exactly how, if you don’t mind having the surprise spoiled in advance.

 

Without giving too much away, the character played by O'Connell goes into hiding after being injured.

 

The action cuts from a particularly tense street scene to the scene in question. O'Connell is lying in bed when the camera settles on the cover of Melody Maker pictured here.

The battered soldier is being attended to by a young woman and the dialogue commences thus...

 

Woman: Do you like David Bowie?

Soldier: Eh?

Woman: Do you not like him?

Soldier: He's alright, for girls really inni?

 

We’re wondering if it was just gratuitous usage by Yann Demange, simply because he wanted Bowie in the film somewhere! Who knows? Either way, it’s a quite bizarre but welcome diversion.

Pedants might point out that Bowie never had a full Melody Maker front cover until the following year and that Ray Stevenson’s shots of Bowie in bed at Foxgrove Road in Beckenham, in July 1969 couldn’t really be described as backstage either.

But worse than this was the outrageous suggestion that Bowie is for girls. We think there are a few gentlemen reading this that may just disagree with that claim.

'71 is released on the usual formats vis Studiocanal on Monday.

Thanks to Ray Stevenson for the Bowie shots and MP-A for the grab of the Melody Maker cover.

categories: News
Saturday 03.07.15
Posted by Mark Adams
 

BBC Radio 6 Music’s Matt Everitt reports from Paris

 

“You drive like a demon from station to station”

 

Champion of all things Bowie, Matt Everitt from BBC Radio 6 Music, kindly offered to send us a few words regarding the Paris version of David Bowie Is, on account of him being invited to the opening gala.

However, on the day, his check-in time came and went and though we knew he wasn’t one for sleeping In (he’s a regular co-presenter for the 6 Music Breakfast Show), he is allegedly a bit of a daydreamer.

We worried he was going to miss the stardust and glamour of the gala opening, and, being brave, we decided to give him a call.

It transpired that he hadn’t been involved in a crash or anything too serious, but he had been hampered by outrageous transport delays! When we quizzed him on the likelihood of his getting to the opening in time, he confidently assured us: “I'll manage somehow”.

And manage he did, just one of the reasons we love you little drummer boy.

 

The ‘David Bowie Is…’ exhibition started in the grandiose Gothic revival halls of The V&A in London, moving through Ontario, Sao Paulo and Berlin to the clean, modernist '60s setting of the Museum of Contemporary Art, Chicago and now (appropriately enough) its backdrop has changed once more. This time to The Philharmonie de Paris, a vast concert hall that (also fittingly) was once described as a spaceship crash-landed on the edge of the city.

 

On the opening night there are long queues trailing into the park that surrounds the hall, Inside TV crews, radio teams, music fans and personnalités culturelles all crowd into the foyer, supping drinks, eating tangerine-coloured candyfloss and enjoying a very popular make-up stall, which provides the multicolored glittered Ziggy flashes that adorn every other face.

 

When inside the exhibition itself, we’re once again inside Bowie’s life. A staggering collection of objects that illustrate the creative forces that pushed him forward and the music and images that he created as a result. It would be disappointing if the show was identical to its predecessors, and indeed, in addition to new documents (including a book singed at the Parisian Golf Drouot venue where David Bowie & The Lower Third appeared live in 1965) the layout of the show is less linear. While you’re still aware of the chronology of his story, the display rooms are more random, throwing you off into different times, spaces and songs in a way that reminds you again just how restless and creative Bowie has been.

 

Some elements however need no reframing; the Top Of The Pops Starman jumpsuit still elicits gasps ("It's actually there!") the meticulous drawings, paintings and plans provide an insight into a mind throwing out ideas faster than the music world could keep up with, and the final immersive video room (complete with one of the exhibitions greatest finds, the previously unseen Diamond Dogs live footage) filled with a supporting cast of happily dancing Ziggy clones is a wonderful as ever.

 

The first time Bowie left England it was to go to Paris, the studios at Château d'Hérouville just outside the city were the location for Pin Ups and much of Low, and years later he proposed to Iman under the Pont Neuf bridge (the romantic lad that he is) so the city clearly holds special memories. And judging by the reaction to  ‘David Bowie Is…’, Paris loves him too. 

 

Matt Everitt - March 2015

 

Thanks for that Matt, much appreciated.

 

FOOTNOTE: Our montage shows (anticlockwise from top left) the stickered version of the blue vinyl "Heroes" 45 (thanks for the scan Alison Jean Baker), Bowie’s hand-written lyric for Be My Wife from The Château d’Hérouville Guest Book, the French issue of Be My Wife and finally, the album from which the song came, Low.

 

We’ll leave you with the exhibition note regarding that guest book entry.

 

The Château d’Hérouville Guest Book - Laurent Thibault Collection

After recording Iggy Pop’s album The Idiot in Spring ‘76, David Bowie returned in September to record several pieces for the album Low, which would subsequently be mixed in the Hansa Studios in Berlin. David Bowie signed the “guest book” of the Studio with the lyrics from a verse of “Be My Wife”, 4th piece on the A-side of the album Low.

 

categories: News
Saturday 03.07.15
Posted by Mark Adams
 

The Prettiest Star and The World Of David Bowie are 45

 

“It can all but break your heart, in pieces”

 

March 6th 1970 saw the release of both an album and a single for David Bowie in the shape of the Mercury 45, The Prettiest Star/Conversation Piece, and the Decca album, The World Of David Bowie.

The Prettiest Star was the beautifully melodic and worthy follow-up to Space Oddity and yet another label change for Bowie. Mercury was the sixth label that David had released UK singles on.

However, it looked like the label’s faith was well-placed with the signs looking good for another top ten UK hit, as suggested by an NME review of the single.

Sadly that was not to be and taking in to account the gentleness of both sides of the 45, it was an unusual follow-up considering David was plugging his new, rather loud, electric band, The Hype, in both the press and on stage around the time of the single's release.

Bowie obviously recognised how strong a song The Prettiest Star was as he rescued it for the 1973 Aladdin Sane album, with Mick Ronson affectionately recreating Marc Bolan's original solo.

The B-side, Conversation Piece, was also re-recorded thirty years later for the Toy project and finally issued in 2002 as a Heathen bonus track.

DECCA realised it was time to cash in their chips following the Philips label's success with the Space Oddity 45 a few months earlier, and they did exactly that with The World Of David Bowie on March 6th 1970.

With David’s blessing the compilation rounded up ten tracks from the original fourteen-track UK Deram album, (marked thus * in the tracklisting below) discarding We Are Hungry Men, Join The Gang, Maid of Bond Street and Please Mr. Gravedigger.

Joining the ten album tracks were The London Boys, plus three unreleased tracks recorded with Tony Visconti in 1968. Here's the tracklisting...

 

Side 1

1 Uncle Arthur*

2 Love You Till Tuesday*

3 There Is A Happy Land*

4 Little Bombardier*

5 Sell Me A Coat*

6 Silly Boy Blue*

7 The London Boys (From Deram single DM 107)

 

Side 2

1 Karma Man (Previously unreleased)

2 Rubber Band*

3 Let Me Sleep Beside You (Previously unreleased)

4 Come And Buy My Toys*

5 She's Got Medals*

6 In The Heat Of The Morning (Previously unreleased)

7 When I Live My Dream*

 

Originally, the single versions of both Love You Till Tuesday and When I Live My Dream were meant to replace the album versions for this compilation, but this didn't transpire.

Illustrated in the montage here is the original copy of the album, complete with the nineteen shillings and eleven pence recommended retail price sticker (this was pre-decimal), as advertised in the trade press advert, also pictured.

As well as the German picture sleeve for The Prettiest Star, the other item pictured is the UK 8-track cartridge along with its outer cardboard slipcase. This format had the same content as the vinyl version, albeit with the tracks in a different running order.

Listen to the original recordings of The Prettiest Star and Conversation Piece below.

 

The Prettiest Star - Stereo Version

Conversation Piece - Stereo Version 

categories: News
Friday 03.06.15
Posted by Mark Adams
 

Young Americans album is 40 today

 

“All right, you want the young American”

 

David Bowie’s ninth studio album, the Bowie/Visconti/Maslin produced Young Americans, was released in the UK on this day in 1975.

A top ten album in both the US (#9) and the UK (#2) it also furnished Bowie with his first ever #1 single in the shape of the Bowie/Lennon/Alomar composition, Fame.

Young Americans still sounds a remarkable work today and that’s not just because it was written and sung by a 27-year-old white man, it’s a true classic however you look at it.

But don't take our word for it, if you've not listened in a while, check it out again on Spotify now.

Also, have a listen to this episode of In The Studio with Redbeard, wherein we hear from Bowie regarding the creation of the Young Americans album.

categories: News
Friday 03.06.15
Posted by Mark Adams
 

Manish Boys 45 is 50 today!

 

“You gotta act tall, think big”

 

Released on this day fifty years ago was David Bowie’s second stab at storming the hit parade (though he was still Jones at this point), I Pity The Fool, the follow up to the previous year's debut, Liza Jane.

The single was notable for having the first ever released Bowie composition in Take My Tip on the B-side, good to see a spider reference in his first ever published lyric.

Both sides were recorded and issued under the name of The Manish Boys, with David again taking care of a very enthusiastic and convincing vocal.

The A-side has an urgency that still cuts through today, no doubt helped somewhat by a lead guitar played by the young Jimmy Page and a brass section that included David Jones himself.

As you might suspect, this record is far more sought after now than it was fifty years ago, with a stock copy fetching £1750 GBP on eBay last year.

And despite the record’s age, it’s travelled extremely well as you can hear for yourself here.  

categories: News
Thursday 03.05.15
Posted by Mark Adams
 

Entrée Libre Bowie special on France 5 tonight

 

“Pour juste une journée”

 

Eric Dahan has been in touch with details of a French Bowie TV special he is a guest on this evening.

In celebration of the opening of David Bowie Is at Philharmonie de Paris, Entrée Libre on France 5 has divided the broadcast into the following four sections.

 

-Visite de l'exposition "David Bowie is"

-David Bowie, pionnier de la musique pop

-Bowie acteur

-En modes Bowie

 

Entrée Libre airs this evening at 20:15, with encore broadcasts on France Culture at 7:40 AM on Friday and on France 2 (national television) on Friday night. If you intend to catch any of these shows live, do please check local listing times.

 

FOOTNOTE: Don’t forget to stay tuned to the David Bowie Is at Philharmonie de Paris events page, for a schedule and updates of Bowie-related events around the exhibition over the coming days and weeks: http://smarturl.it/DBisParisEvents 

categories: News
Tuesday 03.03.15
Posted by Mark Adams
 

Jérôme Soligny book launch in Paris tonight

 

“Zane, Zane, Zane”

 

Hot-on-the-heels of his Writing On The Edge tome released last year, Jérôme Soligny launches a new book today (details on yellow poster) in the shape of the considerably slimmer volume, Ouvre le Chien. 

We asked Jérôme how this latest publication came about and what was its function. Here’s Jérôme...

 

The function of the Bowie Ouvre le Chien book couldn't be simpler. When la Cité de la Musique got in touch with me for translating the texts of the exhibition (they appear in both languages - French and English), they also asked me to present two conferences. So I thought about one revolving around this subject of "Bowie et la France", France being an important territory for David in many aspects, and another one about David's guitar players through the ages, the guitar being crucial in his music. This one is called "Ziggy Played Guitar!".

 

Then we realized only the people going to the conferences would know their content. So my publisher (Editions La Table Ronde), in quite a brave move (the same week they published Writing On The Edge - 1750 pages about my 25 years rock (fantastic) voyage) proposed we gather the text of the two conferences in one small book for the people who won't be able to attend. 

 

So the book features readable versions of the two conferences. The "Bowie et la France" chapter, focusing on the recording of Pin Ups, The Idiot and Low, is more developed (hence the title of the book) with extensive interviews (Alain Lahana / David's French promoter, Nicolas Godin / Air) and a few quotes I gathered through the years by French people like Guy Peellaert (right, he's Belgian but lived in Paris) and Kuêlan Nguyen, original "china girl" who inspired the song.

 

Also the book features an Alphabet (B comme Bowie), with French Bowie related things or people for every letter. There's also a list of all the French concerts given by David in France. Last but not least there are 16 exclusive pix of David taken live in 1995 and 1999.

 

Thanks Jérôme and good luck with the book launch and the conferences.

Ouvre le Chien is published on March 5th.

categories: News
Monday 03.02.15
Posted by Mark Adams
 

David Bowie Is At Home In Paris now

 

“It’s happening now”

 

Following last night’s preview gala, today (March 3rd) sees the public opening of David Bowie Is at Philharmonie de Paris. 

The anticipation for this event has been building over the past few weeks, culminating in lots of media coverage and huge billboards at Gare du Nord station in Paris, announcing the arrival of the exhibition with the slogan: David Bowie Is At Home In Paris.

If you’re wondering about the four faces of fans made up as various Bowies in our accompanying montage, they’re all participants in the #DavidBowieIsMe contest which you can join in here.

Stay tuned here for more updates and events around the exhibition over the coming days and weeks.

 

#DavidBowieIs

PHILHARMONIE DE PARIS

3 March – 31 May 2015

categories: News
Monday 03.02.15
Posted by Mark Adams
 

Bowie at Memphis Academy of Art this day in 1973

 

“Day In, Day Out”

 

Pictured in this wonderful shot are David Bowie (right) and a chap called Dolph Smith at Memphis Academy of Art on February 26, 1973.

Often listed incorrectly as the previous day (Bowie and The Spiders were playing the Ellis Auditorium on the 25th), you can read Dolph’s memories of the visit here.

While you’re there have a good poke around for all things Bowie in Memphis, watch the videos and get the T-shirt etc.

categories: News
Thursday 02.26.15
Posted by Mark Adams
 

TCM France showing classic Bowie films next week

 

“Merry Christmas Mr Newton”

 

As the peoples of France brace themselves for the opening of David Bowie Is at Philharmonie de Paris on March 3rd, TCM France begin broadcasting two classic David Bowie films over the week starting the same day.

Follow the link below to the TCM Bowie mini-site for airdates, a trailer, stills and such.

 

David Bowie Spéciale - TCM Cinéma

 

FURYO

MERRY CHRISTMAS, MR. LAWRENCE (NAGISA ÔSHIMA - 1983)

with David Bowie, Tom Conti, Ryuichi Sakamoto

 

L'HOMME QUI VENAIT D'AILLEURS

MAN WHO FELL TO EARTH, THE (NICOLAS ROEG - 1976)

with David Bowie, Rip Torn, Candy Clark

categories: News
Tuesday 02.24.15
Posted by Mark Adams
 

See Anous France Bowie cover feature online

 

“I can see the magazines”

 

With less than a week to go till the opening of David Bowie Is at Philharmonie de Paris on March 3rd, the magazine’s featuring Bowie are coming thick and fast.

Anous is one such publication, with a front cover and three-page feature in celebration of the exhibition, plus a page of Bowie accessories available for purchase.

Check it out online here.

categories: News
Tuesday 02.24.15
Posted by Mark Adams
 

French Grazia magazine Bowie special out now

 

“And so the story goes they wore the clothes”

 

The current French issue of Grazia magazine has more than forty Bowie-themed pages in celebration of the opening of David Bowie Is at Philharmonie de Paris next week.

Among the pages of Bowie-inspired fashion shoots and accessories, there is a six-page feature by the very prolific Eric Dahan regarding Bowie’s music and art (see also current issue of Rock & Folk), along with a further six pages featuring a portfolio of Hedi Slimane’s beautiful monochromatic Bowie costume portraits and images from the 2004 A Reality Tour.

Grazia magazine is available now in both print and digital formats.

(Scroll images to see more)

categories: News
Monday 02.23.15
Posted by Mark Adams
 

Emin on 40-year-old Young Americans 45

 

“One damn song that can make me, break down and cry...”

 

David Bowie’s Young Americans 45 was released in the UK 40 years ago yesterday.

The release signalled yet another change in direction for Bowie and acted as a taster of what was to come with the album of the same name.

The release was a worldwide hit for Bowie, giving him a Top 20 hit in the UK, a Top 30 in the USA and a #1 hit in New Zealand!

In the regular soundtrack of my life section in today’s Observer, Tracey Emin talks to Killian Fox about the impact the record had on her and on meeting David Bowie over twenty years later.

 

The sound of my teenage years

Young Americans, David Bowie (1975)

David Bowie made a big impression on me because of the way he dressed, because he was poetic, because of his attitude. I got into him when I was 13 or 14, along with Leonard Cohen and Lou Reed. I’ve probably listened to Young Americans more than any other song. Later, I got to know David Bowie quite well. When I first met him, he said he really liked my work. And I said: “Me too! I’ve been listening to your music all my life.” It’s really nice when that happens, especially when it’s someone you really admire and who’s changed history through their music.

 

You can read the full Observer piece here.

As we mentioned back in December, don’t forget that the Young Americans / It's Gonna Be Me 40th Anniversary picture disc is released via Parlophone tomorrow..

categories: News
Sunday 02.22.15
Posted by Mark Adams
 

London Labyrinth Masquerade Masked Ball extra date

 

“But I’ll be there for you-oo-oo”

 

For those of you disappointed not to get a ticket for the Labyrinth Masquerade Masked Ball at The Prince Charles Cinema in London on Saturday night (Feb 21), The Goblin King (pictured) has smiled upon you and magicked up an extra date for April.

Here's a link to The Prince Charles Cinema with details of tomorrow night’s fun with Jareth and a link to the April 18 tickets.

 

 

LABYRINTH MASQUERADE BALL - FANCY DRESS Encouraged!

 

The doors to the screen will open 10 minutes before the advertised time for our Masked Ballers to flow into the screen, where they shall then be serenaded by a selection of music videos featuring the one & only DAVID BOWIE.

10 minutes after the advertised start time, our "David Bowie" hosted pre-show will begin and should last no more than 15 minutes, and will lead seamlessly into a screening of LABYRINTH

Tickets: £13.50 Non Members / £11 Members

 

Back by popular demand!

Our Pre-Show hosted by "David Bowie" will feature a fancy-dress parade, with a prize for best dressed, the "Rules Of The Labyrinth" - who to cheer for, who to boo & who to wolf whistle (Jareth, obviously!), audience-wide singing along to Dance Magic.

Oh and masks are a must. But that's a given with an event name like that.

 

PLEASE NOTE: Just to be completely crystal clear, when we put "DAVID BOWIE" in double quotes, it means we're taking the mickey. Obviously Ziggy Stardust himself will not be compering our night, however we will have a lovely Bowie-esque impersonator up on stage doing a fantastic job!

categories: News
Friday 02.20.15
Posted by Mark Adams
 

Sukita’s Bowie pictures at La Galerie Stardust Paris

 

“Looked way back, Stardust trail leading back to you”

 

With just twelve days until the arrival of David Bowie Is at Philharmonie de Paris, La Galerie Stardust of Paris has announced an exhibition of Masayoshi Sukita’s remarkable David Bowie pictures from the thirty-year period, 1972 - 2002.

The Sukita exhibition runs concurrently with David Bowie Is, from 3 March - 31 May. Keep an eye on La Galerie Stardust’s FB page and their FB event page for updates.

 

David Bowie par Masayoshi Sukita 1972 - 2002

3 March at 13:00 to 31 May at 19:00 in UTC+01

La Galerie Stardust

19 rue Notre Dame de Nazareth, 75003 Paris, France

categories: News
Wednesday 02.18.15
Posted by Mark Adams
 

Bowie on RHP broadcast this day in 1973…again!

 

“Let me put my arms around your head”

 

Back on January 20 we posted a piece here that commenced thus:

 

“Generally agreed to have been taped on January 17 1973 (while The Jean Genie was at its peak of #2 on the official UK singles chart), there is some confusion as to when the actual broadcast of David Bowie on Russell Harty Plus took place.

 

We’re going with today’s date (which was a Saturday and in keeping with other broadcast dates of RHP), unless one of you out there has some other definite proof of broadcast, such as a TV listing magazine. (It worked last time we asked)”

 

Well, sure enough it was aired on a Saturday, and one of you out there did help us out with a TV listing from the day of broadcast!

So we now have actual printed documentary evidence (thanks Mike and Kaleidoscope), that the programme was shown on February 17, 1973.

Aside from Bowie, the guests were actress and writer, Jean Marsh (Upstairs, Downstairs), and former British show jumping champion, Harvey Smith.

So, that clears that up, but does anybody ever really need an excuse to watch David Bowie perform Drive-In Saturday? We thought not.

categories: News
Tuesday 02.17.15
Posted by Mark Adams
 
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