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★ Bowie profile in The Sunday Times

 

“Born the wrong way round”

 

The Sunday Times has a half page profile of Bowie, including mentions of Lazarus the stage presentation and some quotations from an as yet unpublished review of the ★ album by Dan Cairns. Here are some excerpts from the piece.

 

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“Now comes Blackstar, an extraordinary new album, to be released in early January, to coincide with Bowie’s 69th birthday.

 

At a time when most people are slowing down, the Thin White Duke is having a surge of creative energy. Blackstar signifies yet another dramatic turn in Bowie’s output. Bleak and disturbing, the title track’s video is not for the delicate of disposition: eyes bound by bandages, Bowie wails into a blasted landscape, swirling with juddering human bodies and images of crucifixion. On the ground is what looks like the body of an astronaut, but when the helmet is lifted there is only a skull inside.

 

Dan Cairns, The Sunday Times’s pop music critic, says “His approach to making music is that of an actor immersing himself in a role. He’s been reading a lot of history books and that’s coming out in his fascination with demagogues, the tyrant behind the smile. The result is another masterclass in experimentation and reinvention. Working with young musicians has fired him up. Some of the songs are staggeringly beautiful, vocally he hasn’t sounded this strong for decades.””

 

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The full Dan Cairns review of the ★ album will appear in the paper’s Culture section next Sunday.

Meanwhile, you can read the profile of David Bowie here.

 

#Blackstar  #imablackstar  #BlackstarAlbum  

categories: News
Sunday 12.27.15
Posted by Mark Adams
 

★ is Mail on Sunday Album Of The Week

 

“We were born upside down”

 

The Mail on Sunday has made ★ Album Of The Week in the EVENT magazine supplement.

Here are a few edited excerpts from the full-page review by Tim de Lisle...

 

“At some point in the past 20 years, rock turned upside down. Young singers discovered that it was hip to be square, and the task of delivering the shock of the new fell into the hands of the old. The boldest single released by a big name in 2015 comes from a gentleman who qualified for his pension in 2012.”

 

“The David Bowie song Blackstar is very long, very dark and very strange, lasting ten minutes, feeling both contemporary and medieval. This is a proper Bowie single. It has reached four million people via a powerful video, which adds a blind prophet to the great gallery of his iconography.”

 

“Donny McCaslin’s dexterity suits Bowie’s voice, which switches as adroitly as ever from intimacy to melodrama, sorrow to anger, desperation to grandeur. His long break from touring since 2004 seems to have kept his voice fresh.”

 

“Lazarus, the new single and title track of the musical, is six minutes of slow-burning magic.”

 

“Bowie has something granted to only a few stars in the whole firmament: a licence to be bad. And he uses it, most of the time, to be very good.”

 

 

#Blackstar  #imablackstar  #BlackstarAlbum  

categories: News
Sunday 12.27.15
Posted by Mark Adams
 

Lazarus video picture exclusive

 

“Look up here, I’m in heaven”

 

Happy Holidays!

 

 

#LazarusSingle  #LazarusVideo  #LazarusBowie  #Imablackstar  #Blackstar  

categories: News
Thursday 12.24.15
Posted by Mark Adams
 

US and German Rolling Stone ★ feature

 

“And tomorrows of rich surprise”

 

The current issue (December 17-31, 2015) of Rolling Stone magazine in the US, has a two-page feature by Andy Greene titled: Bowie’s Newest Surprise, which is subtitled: “Secret meetings, jazz musicians and lots of Kendrik Lamar: Inside the sessions for Bowie’s adventurous new LP, Blackstar”.

Rolling Stone Deutschland has translated Andy’s piece for its German audience and put Bowie on the cover for good measure. (The US cover has characters from a film about an interplanetary war among the stars that seems a bit far-fetched.) 

There is also a four star review of ★ by Markus Schneider in the German issue and elsewhere in the mag there’s an appreciation of other albums in the Bowie canon that Rolling Stone Deutschland considers ground-breaking along with ★, such as Low, Lodger, The Buddha Of Suburbia, Outside and Earthling.

 

#RollingStoneBowie  #Blackstar #Imablackstar  #RSUS  #RSDE  

categories: News
Tuesday 12.22.15
Posted by Mark Adams
 

Bowie At The Beeb vinyl box due February

 

“Strange, mad celebration”

 

Out on February 26th 2016 is the vinyl box set of Bowie At The Beeb, originally mooted for release in 2000.

Previously released on CD the same year, this is the debut of the Best Of David Bowie’s BBC radio sessions from 1968 – 1972 on vinyl.

The 39-track 4-disk set comes in a lift off lid box and features a full colour 20 page booklet. This vinyl version features Oh! You Pretty Things from the Sounds Of The 70s Bob Harris session, broadcast in September 1971, which was previously exclusive to the Japanese release of the CD. This performance features just David and Mick Ronson as a duo.

Completely exclusive to this collection, and therefore making its debut, is the once lost The Supermen from the Sounds Of The 70s Andy Ferris session, broadcast in March 1970, and performed by The Hype. This recording was only rediscovered during the research for the original CD set and remained unreleased until now.

Keep reading for the tracklisting for the eight sides.

 

#BowieAtTheBeeb

 

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Bowie At The Beeb vinyl box tracklisting:

 

Record 1 Side 1:

 

1/ In The Heat Of The Morning

David Bowie and The Tony Visconti Orchestra

Programme: John Peel In Top Gear

Recorded: 13th May, 1968

Transmitted: 26th May, 1968 and 26th June, 1968

Produced by Bernie Andrews

 

2/ London Bye, Ta-Ta

David Bowie and The Tony Visconti Orchestra

Programme: John Peel In Top Gear

Recorded: 13th May, 1968

Transmitted: 26th May, 1968 and 26th June, 1968

Produced by Bernie Andrews

 

3/ Karma Man

David Bowie and The Tony Visconti Orchestra

Programme: John Peel In Top Gear

Recorded: 13th May, 1968

Transmitted: 26th May, 1968 and 26th June, 1968

Produced by Bernie Andrews

 

4/ Silly Boy Blue

David Bowie and The Tony Visconti Orchestra

Programme: John Peel In Top Gear

Recorded: 13th May, 1968

Transmitted: 26th May, 1968 and 26th June, 1968

Produced by Bernie Andrews

 

5/ Let Me Sleep Beside You

David Bowie and Junior’s Eyes

Programme: D.L.T. Show (Dave Lee Travis Show)

Recorded: 20th October, 1969

Transmitted: 26th October, 1969

Produced by Paul Williams

 

6/ Janine 

David Bowie and Junior’s Eyes

Programme: D.L.T. Show (Dave Lee Travis Show)

Recorded: 20th October, 1969

Transmitted: 26th October, 1969

Produced by Paul Williams

 

Record 1 Side 2:

 

1/ Amsterdam 

David Bowie and The Tony Visconti Trio (aka The Hype)

Programme: The Sunday Show introduced by John Peel

Recorded: 5th February, 1970

Transmitted: 8th February, 1970

Produced by Jeff Griffin

Sound balance by Tony Wilson

Engineered by Chris Lycett

 

2/ God Knows I’m Good (3.38)

David Bowie and The Tony Visconti Trio (aka The Hype)

Programme: The Sunday Show introduced by John Peel

Recorded: 5th February, 1970

Transmitted: 8th February, 1970

Produced by Jeff Griffin

Sound balance by Tony Wilson

Engineered by Chris Lycett

 

3/ The Width Of A Circle

David Bowie and The Tony Visconti Trio (aka The Hype)

Programme: The Sunday Show introduced by John Peel

Recorded: 5th February, 1970

Transmitted: 8th February, 1970

Produced by Jeff Griffin

Sound balance by Tony Wilson

Engineered by Chris Lycett

 

4/ Unwashed And Somewhat Slightly Dazed

David Bowie and The Tony Visconti Trio (aka The Hype)

Programme: The Sunday Show introduced by John Peel

Recorded: 5th February, 1970

Transmitted: 8th February, 1970

Produced by Jeff Griffin

Sound balance by Tony Wilson

Engineered by Chris Lycett

 

Record 2 Side 1:

 

1/ Cygnet Committee

David Bowie and The Tony Visconti Trio (aka The Hype)

Programme: The Sunday Show introduced by John Peel

Recorded: 5th February, 1970

Transmitted: 8th February, 1970

Produced by Jeff Griffin

Sound balance by Tony Wilson

Engineered by Chris Lycett

 

2/ Memory Of A Free Festival

David Bowie and The Tony Visconti Trio (aka The Hype)

Programme: The Sunday Show introduced by John Peel

Recorded: 5th February, 1970

Transmitted: 8th February, 1970

Produced by Jeff Griffin

Sound balance by Tony Wilson

Engineered by Chris Lycett

 

3/ Wild Eyed Boy From Freecloud

David Bowie and The Hype

Programme: Sounds Of The 70s: Andy Ferris 

Recorded: 25th March, 1970

Transmitted: 6th April, 1970

Produced by Bernie Andrews

 

4/ The Supermen

David Bowie and The Hype

Programme: Sounds Of The 70s: Andy Ferris  

Recorded: 25th March, 1970

Transmitted: 6th April, 1970

Produced by Bernie Andrews

 

Record 2 Side 2:

 

1/ Bombers 

David Bowie and friends

Programme: In Concert: John Peel

Recorded: 3rd June, 1971

Transmitted: 20th June, 1971

Produced by Jeff Griffin

 

2/ Looking For A Friend

David Bowie and friends

Programme: In Concert: John Peel

Recorded: 3rd June, 1971

Transmitted: 20th June, 1971

Produced by Jeff Griffin

 

3/ Almost Grown

David Bowie and friends

Programme: In Concert: John Peel

Recorded: 3rd June, 1971

Transmitted: 20th June, 1971

Produced by Jeff Griffin

 

4/ Kooks 

David Bowie and friends

Programme: In Concert: John Peel

Recorded: 3rd June, 1971

Transmitted: 20th June, 1971

Produced by Jeff Griffin

 

5/ It Ain’t Easy

David Bowie and friends

Programme: In Concert: John Peel

Recorded: 3rd June, 1971

Transmitted: 20th June, 1971

Produced by Jeff Griffin

 

Record 3 Side 1:

 

1 /The Supermen

David Bowie with Mick Ronson

Programme: Sounds Of The 70s: Bob Harris

Recorded: 21st September, 1971

Transmitted: 4th October, 1971

Produced by John Muir

 

2/ Oh! You Pretty Things

David Bowie with Mick Ronson

Programme: Sounds Of The 70s: Bob Harris

Recorded: 21st September, 1971

Transmitted: 4th October, 1971

Produced by John Muir

 

3/ Eight Line Poem

David Bowie with Mick Ronson

Programme: Sounds Of The 70s: Bob Harris

Recorded: 21st September, 1971

Transmitted: 4th October, 1971

Produced by John Muir

 

4/ Hang On To Yourself

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s

Recorded: 18th January, 1972

Transmitted: 7th February, 1972

Produced by Jeff Griffin

 

5/ Ziggy Stardust

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s

Recorded: 18th January, 1972

Transmitted: 7th February, 1972

Produced by Jeff Griffin

 

6/ Queen Bitch

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s

Recorded: 18th January, 1972

Transmitted: 7th February, 1972

Produced by Jeff Griffin

 

Record 3 Side 2:

 

1/ Waiting For The Man

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s

Recorded: 18th January, 1972

Transmitted: 7th February, 1972

Produced by Jeff Griffin

 

2/ Five Years

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s

Recorded: 18th January, 1972

Transmitted: 7th February, 1972

Produced by Jeff Griffin

 

3/ White Light/White Heat

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: John Peel

Recorded: 16th May, 1972

Transmitted: 23rd May, 1972

Produced by Pete Ritzema

 

4/ Moonage Daydream

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: John Peel

Recorded: 16th May, 1972

Transmitted: 23rd May, 1972

Produced by Pete Ritzema

 

Record 4 Side 1:

 

1/ Hang On To Yourself

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: John Peel

Recorded: 16th May, 1972

Transmitted: 23rd May, 1972

Produced by Pete Ritzema

 

2/ Suffragette City

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: John Peel

Recorded: 16th May, 1972

Transmitted: 23rd May, 1972

Produced by Pete Ritzema

 

3/ Ziggy Stardust

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: John Peel

Recorded: 16th May, 1972

Transmitted: 23rd May, 1972

Produced by Pete Ritzema

 

4/ Starman 

David Bowie and The Spiders From Mars

Programme: Johnnie Walker Lunchtime Show

Recorded: 22nd May, 1972

Transmitted: 5th – 9th June, 1972

Produced by Roger Pusey

 

5/ Space Oddity

David Bowie and The Spiders From Mars

Programme: Johnnie Walker Lunchtime Show

Recorded: 22nd May, 1972

Transmitted: 5th – 9th June, 1972

Produced by Roger Pusey

 

Record 4 Side 2:

 

1/ Changes 

David Bowie and The Spiders From Mars

Programme: Johnnie Walker Lunchtime Show

Recorded: 22nd May, 1972

Transmitted: 5th – 9th June, 1972

Produced by Roger Pusey

 

2/ Oh! You Pretty Things

David Bowie and The Spiders From Mars

Programme: Johnnie Walker Lunchtime Show

Recorded: 22nd May, 1972

Transmitted: 5th – 9th June, 1972

Produced by Roger Pusey

 

3/ Andy Warhol

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: Bob Harris

Recorded 23rd May, 1972

Transmitted: 19th June, 1972

Produced by Jeff Griffin

 

4/ Lady Stardust

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: Bob Harris

Recorded 23rd May, 1972

Transmitted: 19th June, 1972

Produced by Jeff Griffin

 

5/ Rock ‘n’ Roll Suicide

David Bowie and The Spiders From Mars

Programme: Sounds Of The 70s: Bob Harris

Recorded 23rd May, 1972

Transmitted: 19th June, 1972

Produced by Jeff Griffin

 

categories: News
Sunday 12.20.15
Posted by Mark Adams
 

Ten-page ★ album feature in RS France

 

“Just like that bluebird”

 

Out now is the January/February 2016 edition of Rolling Stone France (RSFR), which has a one and a half page review of the ★ album and an eight-page feature, not to mention a Bowie front cover.

Both the review and the feature were written by Paola Genone, music critic (musicologist) at the French national magazine Madame Figaro and a regular writer for RSFR.

In the feature Paola interviews Donny McCaslin, Ben Monder, Mark Giuliana, Jason Linder, Tim Lefebvre and Ryan Keberle about their work on the album.

The ★ album has been given a five stars out of five review and it is the RSFR album of the month (actually for Christmas, Rolling Stone France covers two months, until February 15).

According to Paola the title of the review, "L'homme qui marche", is a reference to Swiss artist Alberto Giacometti’s sculptures "L'homme qui marche" ("The Walking Man").

Paola has kindly translated a portion of the review for us...

 

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“Bowie’s astonishing new work comes from the very border between jazz and electronica.

 

David Bowie knows how to write music for everybody, but he does it like nobody else…

 

In a bold move, ★ is a breath-taking live performance and a culmination of a lifetime of experimentation. Forty-two minutes and seven pieces meet at the crossroad of jazz, electronic improvisation, Kurt Weill’s musical theatre and rock’n’roll. Listening to “Blackstar” or to the lunar reprisal of “Sue (Or in a Season of Crime)”, to Bowie’s cantato and all its modulations, to these sax and flute improvisations reminiscent of Ornette Coleman, one’s mind wonders : suddenly, one imagines Bowie and the musicians of ★ playing these songs at the MoMA, against the background of Pollock’s dripping canvases or Picasso’s sculpture Goat's Skull, Bottle and Candle.

 

With ”Lazarus”, like a jazz musician reinventing a standard, David Bowie delivers a heart wrenching version, with deliberate urgency. The word « freedom » and the image of this « bluebird » that he sings about, reminds us of the Charles Bukowski poem, “Bluebird” : “There's a bluebird in my heart that wants to get out. But I'm too clever, I only let him out at night sometimes”.

 

With an ethereal voice, he tackles “Girl Loves Me”, incarnating at once the awkward fragility and the solid determination of Alberto Giacometti’s sculpture « Man Walking »…

 

The constraint of language falls apart when confronted by the encyclopaedic sonic, visual and literary scale of Bowie, the key to which we have searched so long and so fruitlessly for..”

 

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Read the full review online here.

 

 

#Blackstar  #imablackstar  #BlackstarAlbum  #RollingStoneBowie  #RollingStoneFrance

categories: News
Friday 12.18.15
Posted by Mark Adams
 

★ album review in The Telegraph

 

“This way or no way”

 

Great review of ★ in The Telegraph by Neil McCormick today.

The piece is headed “With his new album, rock’s oldest futurist returns to his first love”, and here’s the concluding paragraph...

 

“Lazarus is currently the hottest theatre ticket in New York. How wonderful if all of this actually represents an entirely new phase in Bowie’s extraordinary career. How fantastic to have an album as rich and strange as Blackstar that refuses to yield in a few listens. It suggests that, like a modern day Lazarus of pop, Bowie is well and truly back from beyond.”

 

Read the full review online here.

 

#Blackstar  #imablackstar  #BlackstarAlbum  #TheTelegraph

categories: News
Thursday 12.17.15
Posted by Mark Adams
 

David Bowie is Michael C. Hall

 

“Now ain’t that just like me”

 

An amusing ad for the aforementioned appearance by Michael C. Hall on The Late Show with Stephen Colbert was posted ahead of the broadcast yesterday.

To make sense of our headline, go watch it here.

Don’t forget, if you’re in the US you can watch the full broadcast here.  

Otherwise view Hall’s version of Lazarus here on YouTube.

David Bowie’s new single Lazarus is released globally in the digital format today.

 

FOOTNOTE: Alongside the shot of Michael C. Hall last night is a picture of David Bowie from almost 40 years ago on the DINAH! show in February 1976.

 

#LazarusSingle  #LazarusBowie  #Imablackstar  #Blackstar  

categories: News
Thursday 12.17.15
Posted by Mark Adams
 

Michael C. Hall sings new Bowie single

 

“By the time I got to New York, I was living like a king”

 

As you surely know by now, David Bowie’s new single Lazarus (released globally in the digital format today), was performed by Michael C. Hall and the Lazarus cast and musicians on The Late Show with Stephen Colbert last night at the Ed Sullivan Theater in New York City.

Those who have access can watch the full broadcast here.

Otherwise you can view Michael C. Hall’s performance of Lazarus here on YouTube.

 

#LazarusSingle  #LazarusBowie  #Imablackstar  #Blackstar  

categories: News
Thursday 12.17.15
Posted by Mark Adams
 

Lazarus lyrics in full

 

“I’ve got drama, can’t be stolen”

 

Mere minutes ahead of the UK premiere of David Bowie’s new single Lazarus on BBC Radio 6 Music’s Steve Lamacq show, here are the full lyrics for your listening enjoyment.

Lazarus is released digitally tomorrow.

 

(Picture by Jimmy King)

 

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Lazarus (David Bowie)

 

 

Look up here, I’m in heaven

 

I’ve got scars that can’t be seen

 

I’ve got drama, can’t be stolen

 

Everybody knows me now

 

 

 

Look up here, man, I’m in danger

 

I’ve got nothing left to lose

 

I’m so high it makes my brain whirl

 

Dropped my cell phone down below

 

 

 

Ain’t that just like me

 

 

 

By the time I got to New York

 

I was living like a king

 

Then I used up all my money

 

I was looking for your ass

 

 

 

This way or no way

 

You know, I’ll be free

 

Just like that bluebird

 

Now ain’t that just like me

 

 

 

Oh I’ll be free

 

Just like that bluebird

 

Oh I’ll be free

 

Ain’t that just like me

 

 

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#LazarusSingle  #LazarusBowie  #Imablackstar  #Blackstar  

categories: News
Wednesday 12.16.15
Posted by Mark Adams
 

NPR ★ album interview with Tony and Donny

 

“Everybody knows me now”

 

If you didn’t catch the NPR Music All Songs Considered broadcast earlier today, you can now listen to the podcast online.

Aside from the US premiere of Lazarus, Tony Visconti and Donny McCaslin were also in conversation with Bob Boilen regarding working on the ★ album.

It’s a fascinating insight into Bowie’s recent working methods, albeit far too brief.

Here's a quotation each from both Tony and Donny.

 

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Tony Visconti: "He had one key jazz player in his band for well over a decade, maybe two decades and that was Mike Garson, who is a very accomplished jazz pianist. And so, he always had a hint of jazz in sort of the earlier things. And David has a remarkable knowledge of jazz chords. I don't think he quite knows what they're called. I mean, I don't even know what they're called, but they have things like 13th in them and flatted 9ths and all that. And you don't hear that in an average rock song. But they were well hidden in the recordings of the past. Or eluded to."

 

Donny McCaslin: "It progressed pretty steadily from a song or two, to a few songs, to kind of a whole recording project. I was, of course, absolutely interested in doing it. I mean, I love him so much. Love his work and so I got back to him, told him I was into it and just one thing led to another. He sent me, I can't remember how many tunes, maybe six or seven before the first time we got together to record, and every song was really strong and the demos were really strong. And in fact, when we ended up recording, we pretty much were true to the demo forms he had sent. So it was tremendous."

 

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Listen to the full interview here now.

 

FOOTNOTE: We should point out that though the picture of Donny in our montage is relatively recent, the image of Tony and David is of them larking around in the studio from the days before Donny was wearing long trousers.

 

#‎LazarusSingle ‪ #‎LazarusBowie  ‪#‎Imablackstar  ‪#‎Blackstar

categories: News
Wednesday 12.16.15
Posted by Mark Adams
 

Lazarus video next month - hear audio now

 

“Look up here, man, I’m in danger”

 

The video for David Bowie’s new single Lazarus will be premiered on January 7th, the day before David’s birthday and the release of the ★ album.

If you didn’t manage to catch either the BBC Radio 6 Music or the NPR Music premiere of the Lazarus audio, you can listen here now.

 

#‎LazarusSingle ‪ #‎LazarusBowie  ‪#‎Imablackstar  ‪#‎Blackstar

categories: News
Wednesday 12.16.15
Posted by Mark Adams
 

Hunky Dory still incredible at 44

 

“Oh, look out you rock ’n rollers“

 

David Bowie’s Hunky Dory LP (his first for RCA), was released on this day in the UK in 1971. The album had already been released in the USA at this point, as had the attendant single, Changes.

However, despite a decent press campaign and very appreciative reviews, the record didn't enter the UK Top 50 for another ten months and it took several more weeks before it entered the Top 20 at the height of Ziggymania.

It eventually peaked at #3, incredible when one considers how important a recording the majority of Bowie fans (and indeed, rock fans in general), consider Hunky Dory to be today.

If for some mad reason this masterpiece has escaped you thus far, prepare yourself for greatness here.

 

#DavidBowie  #HunkyDory  #HunkyDoryBowie 

categories: News
Wednesday 12.16.15
Posted by Mark Adams
 

Reminder: Lazarus TV & radio premieres today

 

“I’m so high it makes my brain whirl”

 

David Bowie’s new single Lazarus, released digitally tomorrow, receives its UK premiere on BBC Radio 6 Music’s Steve Lamacq show (live now), shortly.

As mentioned in the press release, the single's US premiere via NPR Music is also happening today.

Finally, the theatrical interpretation of Lazarus will make the leap from stage to screen, when Michael C. Hall and the musicians from the musical perform the song on The Late Show with Stephen Colbert. Other guests on the show include Michael Moore and Samantha Power.

 

Here’s the Lazarus band line up, pictured from left to right in our montage:

 

Fima Ephron - Bass

Lucas Dodd - Tenor & Bari Saxophones

Henry Hey - MD/Arranger/Keyboard

JJ Appleton - Guitar 2 & Keyboard

Chris McQueen - Guitar 1

Karl Lyden - Tenor and Bass Trombones

Brian Delaney - Drums

 

 

#LazarusSingle  #LazarusBowie  #Imablackstar  #Blackstar  

categories: News
Wednesday 12.16.15
Posted by Mark Adams
 

Be a part of the ★ Bowie Universe

 

“Baby Universe”

 

Create your own #imablackstar Bowie picture and become part of the ★ universe at www.imablackstar.com

Swipe/scroll (or click on little dots) for more examples

 

#imablackstar  #BowieUniverse

categories: News
Tuesday 12.15.15
Posted by Mark Adams
 

Five star ★ album review in Rock&Folk

 

 

“I’m the great I am”

 

The January 2016 edition of French magazine Rock&Folk, has a five star review of David Bowie’s ★ album by Jérôme Soligny.

Jérôme has yet again kindly provided a portion of it in English for us. Over to you Jérôme...

 

 

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Three years after The Next Day and its surprise launch, David Bowie makes an even bigger statement in releasing, on his 69th birthday, a record like nobody was expecting from him.

 

An album, of such bravery and stature, at the twilight of an exceptional career, it’s something totally unheard of in rock history.

 

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In the Rock&Folk writer’s poll, three journalists voted ★ song of the year. Naturally, Jérôme was among them.

Elsewhere in the mag, Eric Dahan has written a piece for a double-page spread which discusses both the ★ album and the Lazarus stage production.

Finally there’s a review of the 1966 album in the reissue vinyl section.

 

#Blackstar  #imablackstar  #BlackstarAlbum  #Rock&FolkBowie

categories: News
Monday 12.14.15
Posted by Mark Adams
 

Lazarus UK premiere on BBC Radio 6 Music

 

“I’ve got scars that can’t be seen”

 

David Bowie’s new single Lazarus, released digitally this Friday, will receive its UK premiere on BBC Radio 6 Music’s Steve Lamacq show on Thursday the 17th.

As mentioned in the press release (see previous item) the single's US premiere via NPR Music will also happen on December 17th.

 

#LazarusSingle  #LazarusBowie  #Imablackstar  #Blackstar  

categories: News
Sunday 12.13.15
Posted by Mark Adams
 

New Bowie single Lazarus due Friday

 

“Look up here I’m in heaven”

 

David Bowie’s new single Lazarus is to be released digitally this Friday.

Listen to a 15 second teaser of the track here on YouTube.

Scroll/swipe/or click on the dots for another exclusive Jimmy King shot of David.

Keep reading for the press release.

 

#LazarusSingle  #LazarusBowie  #Imablackstar  #Blackstar 

 

 

 

DAVID BOWIE NEW SINGLE ‘LAZARUS’

 

SINGLE RELEASED DIGITALLY DECEMBER 18th

TAKEN FROM ★ THE NEW ALBUM AVAILABLE FOR PRE-ORDER NOW

★ ALBUM OUT JANUARY 8th 2016 ON ISO/COLUMBIA/RCA RECORDS

‘LAZARUS’ CAST TO PERFORM SINGLE DECEMBER 17th ON THE LATE SHOW  WITH STEPHEN COLBERT

 

David Bowie’s new single ‘Lazarus’ taken from the album ★ (pronounced Blackstar) will be released digitally on December 18th.

‘Lazarus' is the only track on ★ also featured in the stage production ‘Lazarus’ written by Bowie and Enda Walsh and directed by Ivo Van Hove, which opened December 7th in New York to great critical acclaim: The New York Times raved "Ice-cold bolts of ecstasy shoot like novas through the glamorous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie,” while Rolling Stone hailed Lazarus as a “Surrealistic Tour de Force… milk-swimming, lingerie-sniffing, gin-chugging theater at its finest."

 

And on December 17th, following the single's U.S. premiere via NPR Music, the theatrical interpretation of ‘Lazarus’ will make the leap from stage to screen, when Michael C. Hall and the musicians from the musical perform the song on The Late Show with Stephen Colbert.

 

Meanwhile the first single from ★ continues to draw universal raves from the likes of NPR (“one of the most adventurous living artists still pushing himself”), Billboard (“strange, fabulous and fascinating”), and most recently The Los Angeles Times ("a gorgeous work and more evidence that Bowie's late-career reinvention continues”).

 

★ is released January 8, 2016 on ISO/Columbia Records.

 

 

Pre-order links:

CD: http://smarturl.it/blackstar_amazon

Vinyl LP: http://smarturl.it/blackstar_vinyl

Digital album: http://smarturl.it/blackstar_itunes

Special clear vinyl configurations including exclusive lithograph artwork here: http://smarturl.it/blackstar_dbstore

categories: News
Sunday 12.13.15
Posted by Mark Adams
 

Lazarus makes TIME’s Best of 2015 list

 

“You want more and you want it fast”

 

TIME magazine has published its Top 10 Everything of 2015. And it seems everybody involved with the creation and staging of Lazarus is due some congratulations.

In the ARTS & ENTERTAINMENT category, Lazarus is a “Late Addition” in the Top 10 Plays & Musicals.

Here’s what Richard Zoglin said about the production:

 

“David Bowie wrote the terrific rock score (a mix of old and new songs) for this new off-Broadway musical, in which Michael C. Hall plays the stranded space alien — now a melancholy, gin-swilling hermit— that Bowie portrayed in the 1976 film The Man Who Fell to Earth. Busy director Ivo Van Hove’s staging, which features video screens, balloons, a tone of glam alienation, and a parade of characters whose significance (and even existence) is not entirely clear, is as mesmerizing as it is confounding.”

 

#Lazarus  #LazarusNYTW  #TJNewton  #TMWFTE

categories: News
Friday 12.11.15
Posted by Mark Adams
 

Bowie gives Slough the thumbs up

 

“No one's bloody laughing”

 

David Brent of The Office is set to return to cinema screens in August next year with his new feature film, Life On The Road.

Creator of the character, Ricky Gervais (who also played Brent in the original TV series), has been speaking to NICK LEVINE at the NME about the film, the musical content and how Bowie responded to the David Brent classic, Slough.

Here’s an edited excerpt from the interview...

 

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Ricky Gervais has revealed that David Bowie has endorsed 'Slough', a new David Brent song that the 'Space Oddity' singer helped to inspire.

 

"Usually I write these songs with someone in mind that Brent's ripping off. So 'Free Love Freeway' was meant to be like a Springsteen song, and 'Slough' was meant to be like a Bowie or Radiohead song," Gervais explained.

 

Gervais then discussed the possibility of asking other artists to put their own stamp on Brent's new material. "It might be good to wipe my vocal and get someone to do them to do it for charity - like Bowie singing 'Slough'," he suggested. "I sent it to him and he said, 'It's great. I'd like to see a whole album of you singing about towns of Great Britain.' But imagine him singing [the lyrics from 'Slough]: "More convenient than a Tesco Express / Close to Windsor but the property's less."

 

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Read the full NME piece here.

 

Judge for yourself just how much the song sounds Bowie inspired here. 

Life On The Road is set for release in UK cinemas on August 19, 2016.

 

FOOTNOTE: Our picture is of Gervais and Bowie on the set of Extras, wherein Bowie performed the Bowie/Gervais/Merchant-penned The Little Fat Man (With The Pug-Nosed Face), the source of today’s lyric quotation. Judging by their expressions, they’re probably both looking at Slough.

 

#BowieGervais  #DavidBrent  #RickyGervais  #Slough

categories: News
Thursday 12.10.15
Posted by Mark Adams
 
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