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Kansai Yamamoto feature in VICE magazine

 

“Fa-fa-fa-fa-fashion”

 

The new issue of VICE magazine is THE FASHION ISSUE, which appropriately enough has an exclusive interview with Kansai Yamamoto by Kazumi Asamura Hayashi and a bunch of stunning photos (such as the ones here) by Tajima Kazunali.

Here’s a brief excerpt...

 

“I actually had no idea who David Bowie was until I saw him wearing my clothes onstage at Radio City Music Hall in New York City. Yasuko Hayashi, my stylist, was doing work for David Bowie and gave him some of my clothes.

This was the first time I had ever met an artist who was wearing my designs. Before then, I didn’t know how immensely talented he was. At the time, David Bowie was all about transcending gender. I didn’t know anything about concepts like that, so I remember thinking 'whoa' when I saw him wearing clothes I had designed for women.

The clothes were influenced by hikinuki, the method of changing costumes quickly in kabuki. The audience in New York saw the costumes transform a few times during the show. I realised I had done something really cool when everyone in the audience got on their feet and clapped.”

 

Great stuff, “something really cool" has to be the understatement of the year!

Anyway, you can read the full thing online and view more pictures on VICE, 

Kansai on FB.

categories: News
Wednesday 03.12.14
Posted by Mark Adams
 

Rebel Rebel 40th Anniversary Picture Disc out now

 

“Hot tramp, I love you so”

 

As exclusively announced here on DavidBowie.com and on the only official David Bowie FB page a couple of months back, the Rebel Rebel 40th Anniversary Picture Disc is out today.

categories: News
Monday 03.10.14
Posted by Mark Adams
 

Two Bowie picture discs for RSD 2014 due April

 

“Gimme your hands cause you're wonderful”

 

Well you may have already stumbled upon one of the images and half a story regarding David Bowie’s two Record Store Day releases for 2014.

So we’re pleased to be able to bring you the full details, including the usual exclusive on the images from both sides of each of these 40th anniversary picture discs. (Scroll to see both discs)

Rock ’n’ Roll Suicide will be an RSD world exclusive excluding North America who will issue 1984 instead. Both 45s were originally issued by RCA in 1974.

Rock ’n’ Roll Suicide was released as single on April 12th, 1974, with the Hunky Dory track Quicksand on the reverse. It reached #22 on the UK singles chart.

This 40th anniversary picture disc will be a double A side with the studio version of Rock ’n’ Roll Suicide on the A-side. The AA-side will have the same title from the very last Ziggy concert at the Hammersmith Odeon on July 3rd, 1973, as featured in Ziggy Stardust The Motion Picture.

The live version is prefaced by David’s farewell speech wherein he effectively killed off the Ziggy Stardust character, sending shockwaves around the globe.

The image on the A side features an outtake from the Ziggy Stardust album cover session in London’s Heddon Street, while the AA side features a live shot of David as the last bars of the Hammersmith performance reach a dramatic crescendo.

 

Here are the release details for Rock ’n’ Roll Suicide:

 

ROCK 'N' ROLL SUICIDE

40th Anniversary 7" Picture Disc

Record Store Day Exclusive World Excluding North America

A-Side ROCK 'N' ROLL SUICIDE

AA-Side ROCK 'N' ROLL SUICIDE INC 'FAREWELL SPEECH' (Live Ziggy Stardust The Motion Picture version)

Catalogue No DBROCK40

 

1984 was originally released in America and Japan (in July and October respectively) neither of whom got Rock ’n’ Roll Suicide as a 45, though it was also released in New Zealand who did get the Ziggy Stardust curtain closer...go figure.

David Bowie has said that there is often a clue on each album signalling the direction he may be exploring for the next. This is certainly true of this Diamond Dogs track, which had an ear on the up-tempo soul sound of the likes of Barry White as it headed for Young Americans, fuelled by a Tony Visconti string arrangement. This final version was a long way from the song’s genesis as part of the 1984/Dodo medley showcased during the 1980 Floor Show in October 1973.

The AA side of this release will feature the vinyl debut of 1984 performed live on The Dick Cavett Show in December 1974.

The image on the A side is taken from a session featuring David and author William Burroughs in London in November 1973. The session was shot by photographer Terry O'Neill for a Rolling Stone magazine interview with the pair by A Craig Copetas. Titled Beat Godfather Meets Glitter Mainman, the piece was published in February 1974. The AA side features an image from the performance of 1984 on the Dick Cavett Show.

 

Here are the release details for 1984:

 

1984

40th Anniversary 7" Picture Disc

Record Store Day Exclusive North America Only

A-Side 1984

AA-Side 1984 (Live On The Dick Cavett Show)

Catalogue No DB401984

 

Both picture discs are released on April 19th via Parlophone for Record Store Day 2014.

categories: News
Saturday 03.08.14
Posted by Mark Adams
 

The Next Day released a year ago today...for some

 

“They can’t get enough of it all”

 

Remember the buzz when this came out last year, even though many wouldn’t be able to get their hands on a copy till the 11th or the 12th or even later?

Either way, it was well worth the wait, and yes, we mean the ten year wait!

Listen again on Spotify with the extras here.

categories: News
Saturday 03.08.14
Posted by Mark Adams
 

Young Americans album is 39 today

 

“All right, you want the young American”

 

David Bowie’s ninth studio album, the Bowie/Visconti/Maslin produced Young Americans, was released on this day in 1975.

A top ten album in both the US (#9) and the UK (#2) it also furnished Bowie with his first ever #1 single in the shape of the Bowie/Lennon/Alomar composition, Fame.

Young Americans still sounds a remarkable work today and that’s not just because it was written and sung by a 27-year-old white man, it’s a true classic however you look at it.

But don't take our word for it, if you've not listened in a while, go check it out again on Spotify now.

categories: News
Friday 03.07.14
Posted by Mark Adams
 

The Prettiest Star and The World Of David Bowie are 44

 

“It can all but break your heart, in pieces”

 

March 6th 1970 saw the release of both an album and a single for David Bowie in the shape of the Mercury 45, The Prettiest Star/Conversation Piece, and the Decca album, The World Of David Bowie.

The Prettiest Star was the beautifully melodic and worthy follow-up to Space Oddity and yet another label change for Bowie. Mercury was the sixth label that David had released UK singles on.

However, it looked like the label’s faith was well-placed with the signs looking good for another top ten UK hit, as suggested by an  NME review of the single.

Sadly that was not to be and taking in to account the gentleness of both sides of the 45, it was an unusual follow-up considering David was plugging his new, rather loud, electric band, The Hype, in both the press and on stage around the time of the single's release.

Bowie obviously recognised how strong a song The Prettiest Star was as he rescued it for the 1973 Aladdin Sane album, with Mick Ronson faithfully recreating Marc Bolan's original solo.

The B-side, Conversation Piece, was also re-recorded thirty years later for the Toy project and finally issued in 2002 as a Heathen bonus track.

Despite their attitude towards Bowie's post-Deram album offerings, DECCA realised it was time to cash in their chips following the Philips label's success with Space Oddity, and they did exactly that withThe World Of David Bowie (SPA58) on March 6th 1970.

The compilation rounded up ten tracks from the original fourteen-track UK Deram album, (marked thus * in the tracklisting below) discarding We Are Hungry Men, Join The Gang, Maid of Bond Street and Please Mr. Gravedigger.

Joining the ten album tracks were The London Boys, plus three unreleased tracks recorded with Tony Visconti in 1968. Here's the tracklisting...

 

Side 1

1 Uncle Arthur* 

2 Love You Till Tuesday* 

3 There Is A Happy Land* 

4 Little Bombardier* 

5 Sell Me A Coat* 

6 Silly Boy Blue* 

7 The London Boys (From Deram single DM 107)

 

Side 2

1 Karma Man (Previously unreleased)

2 Rubber Band* 

3 Let Me Sleep Beside You (Previously unreleased)

4 Come And Buy My Toys* 

5 She's Got Medals* 

6 In The Heat Of The Morning (Previously unreleased)

7 When I Live My Dream*

 

Originally, the single versions of both Love You Till Tuesday and When I Live My Dream were meant to replace the album versions for this compilation, but this didn't transpire.

Illustrated in the montage here is the original copy of the album, complete with the nineteen shillings and eleven pence recommended retail price sticker, (this was pre-decimal) as advertised in the trade press advert, also pictured.

As well as the German picture sleeve for The Prettiest Star, the other two items pictured are the UK 8-track cartridge along with its outer cardboard slipcase. This format had the same content as the vinyl version, albeit with the tracks in a different running order.

categories: News
Thursday 03.06.14
Posted by Mark Adams
 

Guardian piece on Berlin leg of David Bowie exhibition

 

“Had to get the train, From Potsdamer Platz”

 

Monday’s Guardian newspaper in the UK has a front page blurb and an article inside by Josie Le Blond regarding the adapted V&A show in Berlin, which has tweaks relevant to Bowie’s time in the city.

You can read the full thing here and see our recent piece about the exhibition here.

categories: News
Monday 03.03.14
Posted by Mark Adams
 

More dates for Holy Holy’s homage to Bowie

 

“Come back my baby, be Holy Holy again”

 

Following their stint of successful shows in London last December, Holy Holy, featuring ex Spider From Mars, Woody Woodmansey, have more gigs scheduled at The Lexington this December.

Though it’s a way off yet, early booking is advised due to the popularity of the band’s brilliant treatment of the songs of David Bowie from the period 1969 to 1973.

Here’s the official blurb...

 

Holy Holy with Woody Woodmansey, dates in December 2014 announced

Supergroup Holy Holy play the songs of David Bowie from 1969 to 1973. Formed to play Latitude Festival in 2013, the stellar line-up includes Spandau Ballet’s Steve Norman, Generation X guitarist James Stevenson, Mick Ronson's daughter Lisa, and his sister Maggi. On drums again will be a very special appearance from one of the original Spiders from Mars, legendary drummer Woody Woodmansey. Holy Holy received a 4 star review in the Times last year.

After a successful mini tour of London in December 2013, 2014 will be a busy year for the band with plans to release a single and to play a number of live performances. 

The first Holy Holy dates to be confirmed for 2014 are three shows at the Lexington; a 3pm matinee on Sunday 21 December (open to people of all ages - bring your kids!), then 8pm on 21 December, then 8pm on Monday 22 December.

Woody says “I'm looking forward to the gigs at The Lexington. We played there in Dec 2013 and it was without a doubt one of the best gigs I've done for a long time. The band were really cooking and the audience were amazing, they had come to see and hear those Bowie songs and the combination of band and audience created an atmosphere that I haven't experienced since the 70's.......That spirit is what it's all about. See you there."

 

Tickets are available here:

21st (doors 3pm)

21st (doors 8pm)   

22nd (doors 8pm)  

 

Support from renowned singer/songwriter, Mick Ronson and Brian Eno collaborator, Philip Rambow, presenting key songs and stories from his experience of the '60s and '70s music scenes in Montreal, New York and London.

This event is presented by Tom Wilcox / Maniac Squat Records.

 

Meanwhile, Woody has been busying himself with other projects, namely a whole new album of original compositions under the name of Delta Rayz.

Among the contributors to the album is the last recorded work from fellow Spider, Trevor Bolder. Read more about that here.

Finally, Woody has revealed that he was back in the studio last month recording more Bowie songs with Joe Elliott and co for an upcoming Cybernauts album...

“Mid January Woody went in to Martin Smith’s ‘Garage Studios’ and put down 3 new drum tracks for the Cybernauts album soon to be made available as downloads.

‘Cybernauts’ are Joe Elliott and Phil Collen from Def Leppard and Trev Bolder and myself (Spiders). New tracks are John I’m Only Dancing, After All and Queen Bitch.

Cybernauts last released a limited edition album in Japan in 2000!”

categories: News
Thursday 02.27.14
Posted by Mark Adams
 

Q celebrates DB and AF at Fashion Rocks 2005

 

“With my lightnin’ bolts a glowin’”

 

Cool double-page spread in the April edition of Q regarding David Bowie’s appearance with Arcade Fire, live at Fashion Rocks at New York’s Radio City Music Hall in September 2005.

As you may remember, it was an emotionally charged event, not only because it was Bowie’s return to the stage after the previous year’s health scare, but also because the music itself was so good.

DB and AF performed Life On Mars?, Wake Up and Five Years which were all released a couple of months later as an iTunes only digital Live EP.

The partnership reconvened the following week to perform Wake Up once more at the New York, Central Park SummerStage, as the encore for an AF gig there.

Sadly, the Live EP no longer seems to be available on iTunes, but you can watch the Fashion Rocks performance of Wake Up over on the Q site.

Trivia buffs may like to know that the other CD illustrated here (next to the Live EP) is the rare promo CD of the same version of Wake Up.

categories: News
Wednesday 02.26.14
Posted by Mark Adams
 

David Bowie exhibition reaches Berlin in May

 

“I, I can remember, Standing by the wall”

 

The David Bowie exhibition will now visit Martin-Gropius-Bau in Berlin, Germany, from 20 May until 10 August 2014, and you can read everything you need to know regarding the exhibition below.

 

With the latest addition of Berlin, the confirmed venues for the tour are:

 

Museum of Image and Sound, Sao Paulo, Brazil from 31 January to 20 April 2014

Martin-Gropius-Bau in Berlin, Germany, from 20 May until 10 August 2014

Museum of Contemporary Art, Chicago, USA from September 2014 to January 2015

Philharmonie de Paris/Cité de la Musique, Paris, France from 2 March to 31 May 2015

Groninger Museum, Groningen, The Netherlands from 15 December 2015 to 15 March 2016

 

 

THE WORLD’S FIRST RETROSPECTIVE OF THE POP AND STYLE ICON DAVID BOWIE COMES TO BERLIN

 

Tickets for the exhibition, which was curated by the Victoria and Albert Museum, London,

are now available at www.davidbowie-berlin.de

 

Berlin, 27.02.2014 - From 20 May until 10 August 2014, the international exhibition David Bowie will

be shown at Martin-Gropius-Bau in Berlin. This brings the spectacular show of the Victoria and Albert Museum

(V&A), one of the most successful exhibitions in the long-standing history of the London museum, to the banks

of the Spree River. The retrospective David Bowie creates a comprehensive audio-visual exhibition experience

using multimedia technology at the most advanced technical level.

 

The Victoria and Albert Museum, London was given unprecedented access to the David Bowie Archive to

curate the first international retrospective of the extraordinary career of David Bowie - one of the most pioneering

and influential performers of modern times. The exhibition David Bowie explores the creative processes

of Bowie as a musical innovator and cultural icon, tracing his shifting style and sustained reinvention across

five decades.

 

The V&A’s Theatre and Performance curators, Victoria Broackes and Geoffrey Marsh selected more than 300

objects that were brought together for the very fi rst time. They include handwritten lyrics, original costumes,

fashion, photography, fi lm, music videos, set designs, Bowie’s own instruments and album artwork.

 

David Bowie in Berlin

Due to Bowie’s close ties with the city, the exhibition’s station in Berlin is one of the highlights of its international

tour. The Berlin years from 1976 to 1978 were among Bowie’s most productive ones. It was here that he

made music history. The so-called “Berlin Trilogy” – which includes the albums Low (1977), Lodger (1979)

and his magnum opus Heroes (1977) – was inspired by the capital and in part recorded at the Hansa Studios

near Potsdamer Platz. Berlin provided Bowie and companions such as Iggy Pop the room to experiment

with radical avant-garde personas. By fusing fashion, music and performance art, life and art merged into

something entirely novel.

 

The city’s rich cultural past and the buzzing subcultures of the 1970s provided further inspiration. He was

fascinated by the omnipresent historical forms of expression in architecture and art and felt particularly drawn

to the artists of the Brücke movement. The famous lyrics of Heroes demonstrate how thoroughly he contemplated

Berlin. The song is about two lovers who kiss at a wall. Here, Bowie processes his own observations and

impressions of the 1920s Expressionism. In Berlin, Bowie also shot Just a Gigolo, the last film that featured

Marlene Dietrich. An additional section was exclusively curated for the exhibition at Martin-Gropius-Bau and

shows the profound connection between Bowie and Berlin.

 

The exhibition

The main focus is on the diversity of David Bowie’s work and the close interplay of various disciplines and modes

of expression. His music and radical individualism were not only influenced by movements in art, fashion,

design and contemporary culture, but Bowie left his own mark on them as well. The exhibition David Bowie

retraces the career of this exceptional artist in great detail – from David Robert Jones’ early years as a young

London artist until he became the global superstar Bowie. 60 stage costumes are presented, including the

Ziggy Stardust jumpsuit designed by Freddie Burretti (1972), Kansai Yamamoto’s extravagant designs for the

Aladdin Sane tour (1973) as well as the iconic Union Jack coat that Bowie designed together with Alexander

McQueen for the album cover of Earthling (1997). Among the objects are also photographs by Brian Duffy,

Terry O’Neill, Masayoshi Sukita, Helmut Newton, Herb Ritts and John Rowlands; album covers by Guy Peellaert

and Edward Bell, clips from films and live concerts, including The Man Who Fell to Earth (1976) and Saturday

Night Live (1979); music videos of such songs as Boys Keep Swinging (1979) and Let’s Dance (1983);

the stage set for the Diamond Dogs tour (1974); unpublished storyboards, hand-written set lists and song lyrics,

word collages as well as drawings, notes and diary entries from Bowie’s personal collection.

 

Additional information and tickets are now available at www.davidbowie-berlin.de.

The exhibition David Bowie was curated by the Victoria and Albert Museum, London.

Curators: Victoria Broackes and Geoffrey Marsh, Department of Theater and Performance

Organiser of the exhibition David Bowie in Berlin is Avantgarde, an international communication agency specialized

in brand experiences. Besides offices in Berlin, Munich, Dresden and Cologne, Avantgarde runs offices

in London, Paris, Moscow and 9 other international locations. In the cultural sector Avantgarde can count

dOCUMENTA (13), Staatliche Kunstsammlungen Dresden and Semperoper among its customers. Acting as a

link between participating institutions and supporting companies Avantgarde realises the exhibition in Berlin

and makes it accessible to a wide audience.

 

Special thanks goes to the official partners of the exhibition David Bowie:

Sparkassen-Kulturfonds des Deutschen Sparkassen- und Giroverbandes, Audi, Kuhn & Bülow and Sennheiser.

Exhibtion venue is the Martin-Gropius-Bau of the Berliner Festspiele.

 

About the V&A

The V&A is the world’s leading museum of art and design with collections unrivalled in their scope and diversity.

It was established to make works of art available to all and to inspire British designers and manufacturers.

Today, the V&A’s collections, which span over 2000 years of human creativity in virtually every medium and

from many parts of the world, continue to intrigue, inspire and inform. www.vam.ac.uk

 

Sound Experience by Sennheiser

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world‘s leading

manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company,

which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more

than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company

is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and

Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico,

the USA and now Australia and New Zealand. Also part of the Sennheiser Group are Georg Neumann

GmbH, Berlin and the joint venture Sennheiser Communications A/S.

 

Audio guide

Visitors to David Bowie can immerse themselves in Bowie’s worlds of sound. The exhibition employs the latest

audio technology which virtually merges image with sound. The audio guides from Sennheiser are included in

the ticket price; they play the sound tracks that accompany the exhibits and integrate the audio material seamlessly

into the tour of the exhibition.

 

David Bowie Archive

Costumes, materials and objects courtesy of the David Bowie Archive, with thanks to Archivist

Sandy Hirshkowitz.

 

The David Bowie book

Accompanying the exhibition, the catalogue David Bowie will be published by Knesebeck Verlag, Munich.

Exclusively available at the shop of the exhibition.

The original edition with the title David Bowie is published by:

V&A Publishing, 2013

Victoria and Albert Museum

© The Board of Trustees of the Victoria and Albert Museum, 2013

 

Visitor service

info@davidbowie-berlin.de

030 484931 51

www.davidbowie-berlin.de

 

Exhibition venue

Martin-Gropius-Bau

Niederkirchnerstraße 7

10963 Berlin

www.gropiusbau.de

 

Opening hours

10.00 – 20.00 daily

No closing day

Cash desk closes at 19.15

 

Tickets

Adults: 14,00 €

Reduced Rate: 10,00 €

Free admission for children and teenagers up to the age of 16

 

Online-Tickets

The online-ticket, available at www.davidbowie-berlin.de, grants you direct access to the Martin-Gropius-Bau:

no need to queue at the cash desk. Each online ticket bought is valid for a 15-minutes time slot within which

you will be admitted to the exhibition.

 

Ticket service

www.davidbowie-berlin.de

ticket@davidbowie-berlin.de

categories: News
Wednesday 02.26.14
Posted by Mark Adams
 

Diamond Dogs 40th anniversary special in UNCUT

 

“Any day now...the year of the Diamond Dogs...”

 

The April edition of popular music monthly, UNCUT, has a cover feature celebrating the 40th anniversary of David Bowie’s classic Diamond Dogs album.

Diamond Dogs was originally released in May 1974, preceded by the Rebel Rebel single in February and the Rebel Rebel US remix in May.* 

We've not actually seen a copy of the magazine yet, but there may be a clue to the content in the front cover quotation: “We misbehaved very badly...”

Here’s a bit from Editor Alan Jones regarding the feature.

 

“On ‘Sweet Thing’, he asked me to imagine myself as a young, French drummer who was witnessing his first execution,” recalls veteran drummer Tony Newman, recalling the sessions for David Bowie’s 1974 album Diamond Dogs in John Robinson’s cover story for this month’s Uncut, which goes on sale this Friday, February 28.

Set in a largely ruined future and partly inspired by George Orwell’s dystopian classic 1984, Diamond Dogs was Bowie’s first album of original material following the melodramatic break-up of The Spiders From Mars and the ‘retirement’ of Ziggy Stardust in 1973 and 40 years on the thrill of Bowie moving on from glam into less charted musical territories is vividly evoked by some of his closest associates from a period of exciting transition, a drift away from rock towards what he would later call the ‘plastic soul’ of Young Americans.

 

* Don't forget the Rebel Rebel 40th anniversary picture disc which contains both the aforementioned UK and US single mixes is due on March 10th. ()

categories: News
Monday 02.24.14
Posted by Mark Adams
 

Reality gets vinyl release via MOV

 

“Welcome to Reality”

 

We are pleased to announce that Reality, David Bowie’s 26th studio album, will finally get an official vinyl release via Music On Vinyl on March 17th.

When Reality was originally released back in 2003, vinyl sales were at an all-time low and (much to the chagrin of vinyl lovers everywhere) the album never made it on to the black stuff.

Now, MOV will not only release the album on black vinyl but also on transparent green vinyl and on orange vinyl with both editions being limited to 2,500 numbered copies.

The package will include a large format 12-page booklet all reproduced to the usual high quality MOV standard.

 

RELEASEDATE 17/3

DAVID BOWIE - REALITY

MOVLP875

8718469533671

1LP, 180 GRAM

3mm SLEEVE

 

• 180 gram audiophile vinyl

• Includes a 12-page booklet

• Available on vinyl for the first time!

 

• First pressing available in 2 colours:

• 1. 2.500 numbered copies on transparent green vinyl

• 2. 2.500 numbered copies on orange vinyl

• Also available on black vinyl

 

Tracklisting:

 

Side One

1. New Killer Star

2. Pablo Picasso

3. Never Get Old

4. The Loneliest Guy

5. Looking For Water

6. She’ll Drive The Big Car

 

Side Two

1. Days

2. Fall Dog Bombs The Moon

3. Try Some, Buy Some

4. Reality

5. Bring Me The Disco King

 

Also available: Earthling [MOVLP815], Excerpts From Outside [MOVLP500] & Heathen [MOVLP470]

categories: News
Monday 02.24.14
Posted by Mark Adams
 

David Bowie’s British media BRITs blitz

 

“And the papers want to know whose costume she wore”

 

Unless you slept through today in the UK, you can’t have failed to notice media reports on TV, radio, online and in all of the daily newspapers, regarding last night’s BRITs Awards and David Bowie’s contribution in particular.

Debate still rages on social media regarding the parting shot from Bowie’s acceptance speech for British Male Solo Artist, as read out by Kate Moss.

If you’ve yet to see Kate’s reading of David’s speech, you can view it on Hollywood Reporter now.

Below is a round-up of links to much of the UK reportage, but there was certainly more.

 

BBC

Brit Awards 2014: David Bowie wins best British male trophy

Moss collects Brit Award for Bowie

Oldest Brit winner David Bowie enters independence debate

Harry Styles: David Bowie 'can do no wrong'

 

SKY NEWS

Brits: David Bowie Wins Best British Male

 

CHANNEL 4 NEWS

David Bowie wins Brit award, asks Scotland to 'stay with us'

 

ITV NEWS

David Bowie best British male at Brit Awards 2014

 

STV

BRIT Awards: David Bowie makes controversial statement

 

THE GUARDIAN

Brit Awards: foreign stars lift predictable British wins (funny comment piece from Alexis Petridis)

Brits 2014: David Bowie becomes oldest recipient of award

David Bowie wins British male solo artist at 2014 Brits and asks Scotland not to vote for independence

'Scotland, stay with us' - David Bowie weighs into independence debate at Brits

 

THE MIRROR

65 crazy David Bowie facts and bizarre myths after his Brits 2014 win

Kate Moss transforms into David Bowie at Brit Awards and collects his gong in iconic Ziggy Stardust costume

'Stay with us Scotland!' David Bowie wades into Independence debate after Kate Moss accepts Brit Award for singer

Kate Moss transforms into David Bowie at Brit Awards and collects his gong in iconic Ziggy Stardust costume

 

THE INDEPENDENT

Brit Awards 2014: David Bowie wins Best Male and wades into Scottish independence debate via Kate 'Ziggy' Moss

David Bowie on Scottish independence: Twitter reactions

Brit Awards 2014: Lorde and David Bowie among surprise winners as One Direction take Best Video

 

THE TELEGRAPH

David Bowie's Brit Awards 2014 win: why he overshadowed all the young dudes

Brit Awards 2014: David Bowie, Arctic Monkeys and One Direction win awards

The Brit Awards: where were all the stars?

Brit Awards 2014: Kate Moss slips into David Bowie's costume

 

NME

David Bowie urges Scotland to 'stay with us' and vote against independence during Brit Awards speech

 

THE DAILY EXPRESS

BRIT AWARDS 2014: David Bowie wins first gong for almost two decades

Kate Moss sports iconic Ziggy Stardust playsuit to accept David Bowie's BRIT Award

 

THE DAILY STAR

David Bowie too cool for the BRITs as Kate Moss pleads with Scots

 

METRO

David Bowie, Arctic Monkeys and One Direction win big at Brits 2014

 

THE STANDARD

Brit Awards 2014: David Bowie weighs into Scotland independence debate via Kate Moss

 

MAIL ONLINE

Kate Moss accepts David Bowie's BRIT award for Best Male Solo artist wearing singer's iconic Ziggy Stardust playsuit

 

THE SCOTSMAN

Scottish independence: David Bowie backs UK

 

HERALD SCOTLAND

David Bowie on indyref: Scotland, stay with us

 

DAILY RECORD

Brit Awards 2014: David Bowie revealed as surprise supporter of Better Together campaign

 

VOGUE

Brit Awards 2014: The Winners

Brit Awards 2014: Kate Moss wears iconic Ziggy Stardust ‘rabbit’ suit to collect David Bowie’s best British male gong

 

ELLE

BRIT awards 2014: The Winners

 

INSTYLE

Kate Moss's David Bowie Moment At The Brit Awards 2014

 

DIGITAL SPY

Brit Awards 2014: David Bowie makes stance on Scotland: 'Stay with us'

categories: News
Wednesday 02.19.14
Posted by Mark Adams
 

Kate Moss collects BRIT Award for David Bowie

 

“Like some cat from Japan”

 

Congratulations to David Bowie on the announcement that he is the recipient of the British Male Solo Artist at this year’s @BRIT Awards.

Kate Moss collected the statuette on Bowie’s behalf, looking incredible in one of the better known Ziggy stage outfits at the ceremony at the O2 Arena in London this evening.

The so-called 'rabbit' costume worn by Kate tonight (properly called “Woodland Creatures”) was created by Japanese designer, Kansai Yamamoto.

Kate wore the original costume which was first unveiled by Bowie on August 19, 1972 at the legendary Ziggy Stardust show at The Rainbow in North London.

Following an introduction from Noel Gallagher, who has heaped praise upon David Bowie himself more than once in the past (thanks Noel), Kate read out David Bowie’s acceptance speech, which went something like this...

 

“Lovely. In Japanese myth, the rabbits on my old costume that Kate’s wearing actually live on the moon, Kate comes from Venus and I'm from Mars. So that's nice!!

I’m completely delighted to have a BRIT for being the best male. But I am, aren't I Kate?

I think it's a great way to end the day.

Thank you very, very much.

Scotland please stay with us.”

 

David’s son, Duncan Jones, ‏@ManMadeMoon, joined the celebrations with this tweet: “Dad done good!  A Brit!  Not quite a Bafta, but... ;)  proud as punch. ”

Congratulations to Arctic Monkeys who won Mastercard British Album Of The Year with AM.

Scroll the images here for more screen grabs.

categories: News
Tuesday 02.18.14
Posted by Mark Adams
 

Good Luck to David Bowie at tonight’s BRITs

 

“Battle For BRITs”

 

As we mentioned last month, David Bowie has received two nominations for this year’s @BRIT Awards.

We would like to wish him good luck in both categories he is nominated for: ‘British Male Solo Artist’ and ‘Mastercard British Album Of The Year’ for The Next Day.

Host of tonight’s BRIT Awards, James Corden, is crossing his fingers with us and he had this to say recently:

 

“I don’t know who will get the award. Nobody could argue if David Bowie won something – in a way it would be great if it was somebody older rather than young. I’d love it if Bowie won – I’d love it if he came, it would be amazing. Bowie would be the ultimate guest.”

 

Bowie is also ranked way out in front at 1/3 by bookmaker William Hill to collect ‘British Male Solo Artist’ but he is also in the running for ‘Mastercard British Album Of The Year’, according to bookies.

If you’re not actually attending this evening, watch the ceremony in the comfort of your living room on ITV in the UK at 8:00pm this evening, or outside of the UK online here.

categories: News
Tuesday 02.18.14
Posted by Mark Adams
 

Rebel Rebel and Alabama Song share a birthday

 

“Hey babe, it's time to say goodbye*”

 

Rebel Rebel and Alabama Song are two Bowie 45s which were originally released on this day in 1974 and 1980 respectively.

The former was a Top 5 single on the UK chart while the latter peaked at #23. We’ll post more about Rebel Rebel nearer to the 40th anniversary picture disc issue next month.

Alabama Song was a fan favourite on the 1978 World Tour, so even though the record buying public may have found the unusual tempo and key changes a challenge, fans were glad that a studio version of the song had finally been made available.

The release was coupled with a new stripped back recording of Space Oddity which Bowie performed on UK TV with a video filmed especially for the Kenny Everett New Year's Eve TV show, as the decades changed from the 70s to the 80s.

If you’ve not seen it before, view it here. Certain scenes may seem familiar.

On the same night in America, a performance of Bowie miming to an abridged version of the original 1969 Space Oddity for Dick Clark's Salute to the Seventies was broadcast. View a low quality version of this beautiful video here.

Various crops of a still from this performance were used around the globe for the many different sleeves for Alabama Song, including the poster sleeve pictured here.

A tiny quantity of pink vinyl pressings of Alabama Song were purportedly pressed up by a fan working at the RCA pressing plant.

View a bigger version of that and a few of the sleeve variations on the scarily thorough David Bowie 7” Singles website.

 

*Today’s lyric quotation lifts a bit from Rebel Rebel and Alabama Song. You do the math.

categories: News
Friday 02.14.14
Posted by Mark Adams
 

TV collects MPG Innovation Award for DB

 

“A new world, new ways ever free”

 

Tony Visconti flew into the UK yesterday (Wednesday) to collect The Innovator Award on David Bowie’s behalf at the Music Producers Guild Awards ceremony in London this evening.

Here’s what he said as he picked up the award:

 

“It is an honour and a privilege to accept this award on behalf of my friend and collaborator of 47 years, David Bowie. He deserves it because he is the one and the only DAVID BOWIE.”

 

Tony himself was up for the International Producer of the Year, which in the event went to Rick Rubin. However, he did collect the coveted MPG Joe Meek Award for Innovation in Production in 2011.

TV has received production credits on ten Bowie studio albums from 1969’s Space Oddity album up to The Next Day last year, not to mention the BAAL EP, which, coincidentally, enjoys its 32nd birthday today, February 13th.

The pair first recorded together in September 1967. David Bowie has been innovating since 1947.

categories: News
Thursday 02.13.14
Posted by Mark Adams
 

Sound And Vision 45 released this day in 1977

 

“Don’t you wonder sometimes”

 

Originally a #3 UK hit for Bowie in 1977 when it was released as the first single from the classic Low album, Sound And Vision was unusual in that the lead vocal didn’t appear until half way through the song.

It was also strange that it didn’t precede the album release and considering this and the fact that RCA barely promoted the single in the UK, it’s surprising it did so well on the singles chart there.

Produced by Bowie and Tony Visconti, the song also featured a guest vocal from Mary Hopkin, Visconti’s then wife.

If you’ve not heard Sound And Vision recently, go give it a listen for its thirty seventh birthday along with last year’s beautiful Sonjay Prabhakar remix here.

categories: News
Tuesday 02.11.14
Posted by Mark Adams
 

Ziggy and The Spiders TV debut this day in 1972

 

“Switch on the TV we may pick him up on channel two”

 

In the UK 42 years ago this evening, David Bowie was among the people to catch the television debut of an exciting young artist and his new band, Ziggy Stardust and The Spiders From Mars, though they weren't yet billed as such.

Having recorded three tracks for the broadcast the previous day, Bowie and band had been readying themselves for the official start of the Ziggy Stardust tour at the Toby Jug on February 10th.

The show was The Old Grey Whistle Test and the songs recorded were Queen Bitch, Five Years and Oh! You Pretty Things.

Hunky Dory had been released less than two months earlier and the Ziggy Stardust album opener wouldn't be available to buy for a few months yet.

So of the songs recorded, Oh! You Pretty Things would probably have been the best advert for the tour, in that it was freshest in the public memory, having spent several weeks on the UK singles chart for Peter Noone the previous May and June, when it peaked at #14.

However, in their wisdom, the BBC didn't broadcast Oh! You Pretty Things for another ten years, probably considering the song a little too mainstream (due to the Noone connection) for the chin-strokingly serious OGWT.

All three tracks were eventually released officially on the Best Of Bowie DVD (including an alternate take of Oh! You Pretty Things) and they still look and sounds as fresh and exciting today as they ever did.

Scroll the images on this page and check out the footage here if you need a reminder of just how good this debut was.

categories: News
Saturday 02.08.14
Posted by Mark Adams
 

14 David Bowie songs in NME all-time top 500

 

“A couple of songs from your old scrapbook”

 

Hot on the heels of their top 500 albums poll, the latest issue of NME (February 8th) has a cover feature titled: The 500 Greatest Songs Of All Time.

David Bowie has a long list of compositions in the poll, with a half page devoted to "Heroes" alone. Here’s the opening paragraph of that particular article:

 

“The list of things that are wrong with "Heroes" is a short one. In summary: those quotation marks. They seem to provide a song of such unrestrained emotion with a get-out-of-jail-free disclaimer of irony. Beyond that, however, there's nothing you would want to change about the song. If listening to "Heroes" doesn't move you, doesn't make you want to punch the air in exultation, doesn't have the hairs on the back of your neck standing to attention…then you're quite clearly bereft of some vital component or other. Assuming you have ears, let's for argument’s sake call it a soul.”

 

Bowie’s contribution to songwriting is represented by an impressive list of fourteen familiar Bowie classics, more songs than any other single composer in the poll.

 

SPOILER ALERT: Here’s the poll with positions.

 

500 Five Years (Bowie)

485 Starman (Bowie)

480 Ziggy Stardust (Bowie)

459 Lust For Life (Bowie/Pop) (recorded by Iggy Pop)

428 Golden Years (Bowie)

295 Fashion (Bowie)

250 Space Oddity (Bowie)

184 Under Pressure (Bowie/Queen) (recorded by Queen and David Bowie)

162 Changes (Bowie)

149 All The Young Dudes (Bowie) (recorded by Mott The Hoople)

62 Young Americans (Bowie)

51 Ashes To Ashes (Bowie)

34 Life On Mars? (Bowie)

15 "Heroes" (Bowie/Eno)

 

There are comments throughout the feature regarding the majority of the songs therein, but if you want to read those observations you’ll be pleased to know that the latest edition of NME is available now in printed and digital formats. 

categories: News
Wednesday 02.05.14
Posted by Mark Adams
 
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