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Holy Holy announce UK and Dublin tour for June 2015

 

“You’re face to face“

 

Tony Visconti, Woody Woodmansey’s Holy Holy and Glenn Gregory perform David Bowie’s seminal The Man Who Sold the World album plus a new set of other classic Bowie songs from 1969-73, with very special guests.

Due to public demand following their very successful mini UK tour in September 2014, legendary Bowie bandmates, producer/bass player Tony Visconti and drummer Woody Woodmansey (pictured here soundchecking at Shepherd's Bush Empire in September), will be playing music together again in June, just as they originally did with David Bowie and Mick Ronson.

The Man Who Sold The World, recorded in 1970, is considered one of Bowie’s finest moments and this band are well-placed to do it justice, as they proved in September.

Following Holy Holy’s performance of The Man Who Sold The World in full, the second half of the show will feature a selection of favourite early Bowie songs, including several that the band have never played live before. Tony Visconti will play bass for the entire set. Fronting the band on this jaunt will be Glenn Gregory of Heaven 17 once again.

Tony and Woody’s tour in 2014 was critically acclaimed, including this 4 star review in The Times.

 

12-date Holy Holy 2015 Tour dates and tickets links:

 

12 – Colchester Arts Centre http://www.colchesterartscentre.com/events/gigs/tony-visconti-woody-woodmansey-with-glenn-gregory-/   

13 – Oxford Academy http://www.o2academyoxford.co.uk/event/73686/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets  

14 – Bournemouth Academy http://www.o2academybournemouth.co.uk/event/73677/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

15 – Bristol Academy http://www.o2academybristol.co.uk/event/73678/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

18 – Liverpool Academy http://www.o2academyliverpool.co.uk/event/73681/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

21 – Leeds Academy http://www.o2academyleeds.co.uk/event/73682/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

22 – Hull The Welly http://www.seetickets.com/event/tony-visconti-woody-woodmansey/the-welly-club/842792 

24 – Dublin Olympia http://tinyurl.com/pmquda8  

25 – Glasgow ABC http://www.o2abcglasgow.co.uk/event/73676/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

26 – Newcastle Academy http://www.o2academynewcastle.co.uk/event/73685/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

29 – Birmingham Academy http://www.o2academybirmingham.co.uk/event/73680/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets 

30 – London, Shepherds Bush Empire http://www.o2shepherdsbushempire.co.uk/event/73679/tony-visconti-and-woody-woodmansey-with-glenn-greg-tickets

 

A Tom Wilcox / Maniac Squat Records Production.

categories: News
Tuesday 12.30.14
Posted by Mark Adams
 

Seasonal message from David Bowie to you

 

Wishing you guys a very happy year-end holiday and we are looking forward to a full, plump but snappy, rather sexy, music-crazy New Year, are we not?

Oh, yes we are !!

David Bowie 2014

categories: News
Wednesday 12.24.14
Posted by Mark Adams
 

​32 pages, 3 covers and 1 CD for MOJO Bowie special

 

“A couple of songs from your old scrapbook“

 

As revealed in the headline and accompanying image, MOJO magazine has given Bowie fans an early Christmas present in the shape of a 32-page article featuring The 100 Greatest Bowie Songs as voted by Mojo writers.

The piece features interviews with George Underwood, Carlos Alomar, Dana Gillespie, Robert Fripp, Tony Visconti, Rick Wakeman, Mike Garson, Reeves Gabrels, Ken Scott and Lindsay Kemp.

See DavidBowie.com for a further breakdown of the content and an introduction by Billy Corgan.

Scroll the images here for a further breakdown of the content and an introduction by Billy Corgan.

The three separate front covers each feature striking black and white Sukita photographs, and the cover-mount CD, DAVIDHEROESBOWIE, boasts fifteen bowie-related tracks which the magazine claims were all an influence on Bowie at one time or another. Indeed, he has certainly recorded the majority of them himself over the years.

 

The DAVIDHEROESBOWIE tracklisting is;

 

01 Little Richard - The Girl Can't Help It

02 Chuck Berry - Almost Grown

03 Bobby Bland - I Pity The Fool

04 Ronnie Ross Quintet - Smoke Gets In Your Eyes

05 Frank Sinatra - Bewitched, Bothered and Bewildered

06 Jacques Brel - La Mort

07 Lotte Lenya - Alabama Song

08 Nina Simone - Wild Is The Wind

09 Nat King Cole - Nature Boy

10 Billy Fury - Wondrous Place

11 Anthony Newley - What Kind Of Fool Am I?

12 The Flares - Foot Stomping

13 Vince Taylor And His Playboys - Jet Black Machine

14 The Yardbirds - Shapes Of Things

15 The Pretty - Things Rosalyn

 

We won’t reveal the top 100 tracks the magazine chose just yet, suffice to say it's a great list peppered with recordings you might not expect.

However, we will leave you with the top ten instrumentals they chose, followed by their five favourite tracks Bowie has covered.

 

Instrumentals

10 Crystal Japan

09 Ian Fish UK Heir

08 Abdulmajid

07 All Saints

06 Moss Garden

05 Neukoln

04 A New Career In A New Town

03 Sense Of Doubt

02 Subterraneans

01 Warszawa

 

Covers

05 It Ain’t Easy

04 Fill Your Heart

03 Nite Flights

02 Wild Is The Wind

01 Sorrow

 

The February edition of MOJO will be available over the next day or so.

categories: News
Wednesday 12.24.14
Posted by Mark Adams
 

Bowie at The Rainbow this day in 1972

 

“Let all the children boogie“

 

David Bowie and The Spiders kicked off a short UK tour at the end of 1972 with a triumphant homecoming show at the Rainbow Theatre, on December 24th.

They were enjoying much greater chart recognition since previously being in the country and The Jean Genie had just entered the Top 20 on its way to #2 in the UK single chart.

David recalled this batch of shows and the Rainbow gig fondly in Mick Rock’s book, Moonage Daydream:

 

“We put in a short tour of the UK between December and January 1972-73. It was always a great buzz to come back home and this was probably one of the best, highest energy jaunts of our short eighteen-month life. That's all it was, 18 months.

We had another Rainbow show on Christmas Eve, so I asked the audience beforehand to bring a toy to be donated to Dr Barnardo’s childrens’ home, the organisation for which my dad had worked all of his life. I think we filled an entire truck with them.“

 

Indeed they did, as Andy Barding of Cygnet Committee points out in this excellent celebration of the night, with contributions from Woody Woodmansey.

 

 

’Twas the night before Christmas, 1972

 

… and in a North London concert hall David Bowie was making it a night to remember. And not just for his fans.

 

When tickets for his Christmas Eve show at the Rainbow Theatre were put on sale, David made a public appeal for concertgoers to bring toys with them as a charity donation. The response was fantastic, as David’s drummer Woody Woodmansey remembers:

 

“David’s toy appeal created more response than we could have imagined. There was a huge truckload of stuff. We hadn't done anything like that since the Save the Whale benefit concert much earlier on.” (Royal Festival Hall, London, July 8 1972)

 

The very next day, Christmas morning, the goodwill mountain of toys and games that had stacked up in the venue’s foyer was distributed to appreciative youngsters in children’s homes across London.

 

David was delighted. His father, who had passed away three years earlier, had been a public relations officer for Dr Barnardo Homes. So this was a cause close to his heart.

 

This sold-out Rainbow concert marked a triumphant homecoming for 25-year-old David and his band, the Spiders from Mars. They had just returned from nearly three months on the road in America and their absence from Britain had made homegrown hearts grow a lot, lot fonder.

 

NME writer and seasoned David Bowie concertgoer Charles Shaar Murray was taken aback by the frenzied audience reception.

 

“Just for the record, they've started screaming at David Bowie,” he wrote.

 

“At the Rainbow on Christmas Eve young girls were reaching out for our hero’s supple limbs and squealing in the customary manner. Whether it’s Bowiemania or Ziggymania or a combination of the two is not yet apparent.”

 

Rival music paper Melody Maker hit the newsstands with a David Bowie-dominated Christmas issue that same week. David was crowned their ‘main man of 1972’, and voted Top Vocalist in the end of year poll. The ‘Rise and Fall of Ziggy Stardust and the Spiders from Mars’ album, which sold close to 200,000 copies in the UK and US during 1972, was declared the MM critics’ choice.

 

Those who attended the Rainbow were treated to a spectacular new live set kicked off by ‘Let’s Spend the Night Together’ (featuring David playing his new VCS3 Moog synthesizer). And as a bonus attraction they were the first in Britain to hear new boy Mike Garson on piano.

 

This was quickly followed by a “razor-edged” ‘Hang On To Yourself', which Charles Shaar Murray enthusiastically reported was “played better than I've ever heard it.” And this in spite of David having only just got over a bout of Asian flu.

 

In a radical break from the regular Ziggy show format, this festive concert did away with the half-time acoustic section in favour of an all-out electric experience.

 

“We had worked hard in the US,” said Woody, “and I think it had evolved into a rockier show. It was nice to get back to the UK, and a perfect way to end the year with a new set.”

 

Charles Shaar Murray agreed: “That American tour has really honed the Spiders to perfection. The show is tougher, flashier and more manic than it’s ever been before.”

 

Let’s hope it was all worth the £2.50 ticket price (£1.50 for a cheap seat in the Circle). The concert ended late and, this being Christmas Eve AND the early seventies, night buses and trains were few and far between. By the time the gig ended with ‘Rock ’n’ Roll Suicide’, all underground train services had stopped. Most Bowie freaks had to either walk home or shell out for taxis. At least one silver lame-clad fan spent the night curled up in a Finsbury Park shop doorway. It’s worth clarifying that this was the only London concert by David and the Spiders in December 1972. When Christmas Eve tickets sold out pretty much instantly, efforts were made to book the venue for an extra show on the previous day, December 23. But ultimately it could not be done.

 

There were dramatic scenes at the stage door, as the band made their way out that night.

 

Woody: “I do remember the fans outside the stage door when we exited. We had to actually push one over-enthusiastic fan who was brandishing a pair of scissors.

 

“As we came out she lunged forward and attempted to secure a lock of Mick Ronson’s hair and narrowly missed his left eye by a fraction of an inch.”

 

Afterwards, David headed for his South London home (where six Royal Mail sacks full of Christmas cards were waiting for him) and the Spiders were driven home to Yorkshire in a limo - though not by MainMan bodyguard Stuey George, as has been previously documented, says Woody.

 

“It snowed all the way and we arrived at my mum’s in the early hours and surprised them,” he said.

 

And on Christmas Day, as hundreds of London kids unwrapped surprise presents from those generous David Bowie fans, the rest of the country settled down in front of their tellies to watch the traditional Christmas Top of the Pops – and a repeat showing of that now-legendary ‘Starman’ performance.

 

1972 had been a super-stellar year for David and the Spiders. And that Christmas, for a lot of reasons, can be considered the icing on the cake.

 

 

David Bowie at the Rainbow Theatre, December 24, 1972, Setlist

 

Let's Spend The Night Together

Hang On To Yourself

Ziggy Stardust

Changes

The Supermen

Life On Mars?

Five Years

The Width Of A Circle

John, I’m Only Dancing

Moonage Daydream

The Jean Genie

Suffragette City

Rock ’n’ Roll Suicide

 

 

Thanks Andy and Woody, much appreciated.

categories: News
Tuesday 12.23.14
Posted by Mark Adams
 

Ten-page Young Americans feature in UNCUT

 

“Me, I’m fresh on your pages“

 

To mark the 40th anniversary of David Bowie’s 1975 masterpiece, Young Americans, the February 2015 edition of UNCUT magazine has a ten-page feature by John Robinson, titled Heart and Soul.

The magazine also has a Bowie cover (albeit a flipped picture...eye and bangle give it away), and it’s available any day now. 

Here’s the intro to the piece...

 

August 1974, and DAVID BOWIE is a man carrying a heavy burden. Management problems, extravagant stage set, a whole wardrobe full of personae. Soul music was his rescue: it poured balm on his problems, and pointed the way ahead.

In exclusive new interviews, Carlos Alomar, Andy Newmark, Earl Slick, Geoff MacCormack, Ava Cherry, David Sanborn and Mike Garson recall how Lulu, Luther Vandross and 10 days of “freaky soul“ in Philadelphia helped Bowie lay the ground work for YOUNG AMERICANS, and s whole new direction. “It may be his best album,“ says Mike Garson, “It was straight to the music.“

 

If you've not listened in a while, go check out Young Americans now on Spotify and see for yourself if Mr Garson has a point.

categories: News
Monday 12.22.14
Posted by Mark Adams
 

Hunky Dory still sounding amazing at 43

 

“Oh, look out you rock ’n rollers“

 

David Bowie’s Hunky Dory LP (his first for RCA), was released on this day in the UK in 1971. The album had already been released in the USA at this point, as had the attendant single, Changes.

However, despite a decent press campaign and very appreciative reviews, the record didn't enter the UK Top 50 for another ten months and it took several more weeks before it entered the Top 20 at the height of Ziggymania.

It eventually peaked at #3, incredible when one considers how precious a recording the majority of Bowie fans (and indeed, rock fans in general), consider Hunky Dory to be today.

If for some bizarre reason this masterpiece has escaped you thus far, go listen to it now and prepare to have your life changed forever!

categories: News
Tuesday 12.16.14
Posted by Mark Adams
 

Rolling Stone France 8-page Bowie cover feature

 

“I found the secrets, I found the gold“

 

In celebration of Nothing Has Changed - The Very Best of David Bowie, the January/February 2015 edition of Rolling Stone France has an interesting Bowie cover feature by Denis Roulleau titled: Expérimentale & secrete - La face cachée de David Bowie.

Elsewhere there’s also a full-page appreciation by Philippe Barbot of the classic 1977 Bowie track "Heroes".

The main article concerns itself with 25 of the more obscure Bowie tunes along with a few better known recordings that the magazine considers ’Expérimentale’.

These are the tracks that really made the grade as far as RS France is concerned. We’ve kept their dates and titles.

 

01 - Sue (Or In A Season Of Crime) (2014)

02 - ’Tis A Pity She Was A Whore (2014)

03 - All Saints (1976)

04 - The Prettiest Star (1970)

05 - Crystal Japan (1980)

06 - Subterraneans (1976)

07 - Alabama Song (1980)

08 - V-2 Schneider (1977)

09 - A Foggy Day (In London Town) (1998) *

10 - Velvet Goldmine (1971)

11 - Planet Of Dreams (1997) *

12 - I’m Afraid Of The Animals (sic) (1995) *

13 - Real Cool World (1992)

14 - It's Hard To Be A Saint In The City (1974)

15 - Shadow Man (2001)

16 - Baby Universal (1991) *

17 - The Drowned Girl (1982)

18 - Nature Boy (2001)

19 - Get Real (1995)

20 - Station To Station (1976)

21 - We All Go Through (1999)

22 - 1917 (1999)

23 - Truth (1998)

24 - Volare (1986)

25 - Peace On Earth/Little Drummer Boy (1977) *

 

Along with a couple of date inconsistencies, we did notice the title of track #12 is incorrect. However, this is simply RS referencing the lyric variation of this early version of I’m Afraid Of Americans from the Show Girls OST.

We’ve created a Spotify playlist of the above tracks, excepting the five marked thus *, all of which you can find on YouTube to complete the listening experience.

The January/February 2015 edition of Rolling Stone France is available now.

categories: News
Tuesday 12.16.14
Posted by Mark Adams
 

How Bowie ushered in the 80s on SNL 35 years ago

 

“Clothes always fit ya”

 

Broadcast live on 15th December 1979 in New York, David Bowie’s appearance on Saturday Night Live is frequently listed as having been broadcast on 5th January 1980.

The airdate was actually 15th December, with the title of the show, Saturday Night Live, being a bit of a clue too! (Scroll images for the original TV listing kindly supplied by Bill DeBlonk)

This was an important broadcast and along with the 1980 Floor Show it seems to have had a similarly persuasive effect on a lot of young Americans that Starman on TOTPs in 1972 and the BBC’s 1975 Cracked Actor documentary had on UK teenagers.

Bowie performed "The Man Who Sold the World," "TVC 15" and “Boys Keep Swinging”, with extraordinary guest appearances from Klaus Nomi and Joey Arias. The show was hosted by the actor Martin Sheen.

For “The Man Who Sold the World” Bowie was lifted and positioned in front of the microphone by Klaus and Joey in a costume that rendered him immobile, while his man-handlers provided extraordinary backing vocals. (Watch Andrew Horn’s superb film The Nomi Song: The Klaus Nomi Odyssey if you’re not already familiar with Klaus)

Designed by Mark Ravitz and Bowie, and inspired by Sonia Delaunay’s designs for Tristan Tzara’s 1923 play Le Cœur à gaz (The Gas Heart), this outfit was possibly the most bizarre thing Bowie ever wore onstage...and possibly offstage too! Scroll the images here to view pictures of this brilliant creation.

The skirt suit that David is wearing on the right of our montage was designed by Brooks Van Horn costume house, New York, and was worn for "TVC 15", the song that also showcased a toy pink poodle/TV monitor.

The other picture shows DB operating a puppet while utilising green-screen technology for “Boys Keep Swinging” to hilarious effect.

In an absurd move the show’s producers blanked the line "Other boys check you out" but seemingly missed the puppet’s obvious excitement at the climax of the song.

Words cannot do Bowie’s SNL appearance justice, suffice to say, it remains among the most surreal television performances broadcast anywhere, ever.

If you've never seen this piece of TV history, prepare to be captivated by all three songs here on Vimeo.

categories: News
Monday 12.15.14
Posted by Mark Adams
 

NHC back up to #32 plus BBC Music Award tributes

 

“Look at him climb“

 

The Official Charts Company in the UK has announced that Nothing Has Changed - The Very Best of David Bowie has gone back up the album chart seven places to #32.

No doubt people are realising the album is a hard-to-beat, quality Christmas gift.

Meanwhile, if you missed the inaugural BBC Music Awards on Thursday, you can watch the whole thing on the BBC iPlayer.

Though our man didn't pick up the gong for British Artist of the Year (cynical cries of “Don’t attend, don’t win!“), there was a lovely collection of tributes for him from the likes of Gary Barlow, Sarah-Jane Crawford, MistaJam, Chris Martin, George Ezra and Olly Murs.

 

Here’s a bit of what Chris Martin had to say:

 

“When Where Are We Now? came out, I was staggered, and also annoyed. You know, come on, it’s not fair he’s already got tons of really good songs and then there’s this instant classic.“

 

Chris also made the news with this admission regarding his attempts to collaborate with Bowie:

 

“One time I sent him a song to ask him to sing on it and he called me and said: “It’s not one of your best”. (Laughs) He’s got very high standards and I appreciate that…it inspires the rest of us to keep our standards high.“

 

If you didn’t catch the show, the Bowie bit is 1 hour and 25 minutes in.

categories: News
Saturday 12.13.14
Posted by Mark Adams
 

Nine out of Ten for NHC in Classic Rock Mag

 

“Classic Rock ’n’ roll star, Just watch me now“

 

The January 2015 issue of Classic Rock magazine has a two-page, nine out of ten review of Nothing Has Changed - The Very Best Of Bowie. (An album which still resides in the UK Top 40)

The review is by David Quantick and here’s an excerpt:

 

“But the real fun lies in the triple CD, the one with the very forbidding, more recent photo of Bowie looking through a glass darkly. The most striking thing about this collection – apart from the fact that it has 60 songs on it – is that the running order is in reverse, beginning with Sue (Or In A Season Of Crime) and ending with Liza Jane, Bowie's debut single as Davy Jones And The King Bees, from 1964.

 

Fifty years, then, going backwards in a spiral like a Tardis of pop. It's a risky device – it puts the listener into a head-spin – but here it works. It gives proper prominence to the past 20 years of Bowie's career, from his return with The Next Day to the chunky rock of Reality and the stately brilliance of Heathen.“

 

 

The January 2015 issue of Classic Rock is out now.

Reviewer David Quantick is the same DQ who will be interviewing Woody Woodmansey this coming Sunday (14th) that we told you about recently. A recap never harmed anybody…

Woody will also be doing a talk on David Bowie’s lesser known songs in the 1970-73 era at The Hospital Club on Sunday 14 December at 4pm. Woody will be talking to music journalist and writer David Quantick; shining a light on the stories behind Bowie’s outtakes, obscure album tracks and demos from that period: 

categories: News
Monday 12.08.14
Posted by Mark Adams
 

Young Americans is next 40th Anniversary Picture Disc

 

“One damn song that can make me, break down and cry”

 

As you’ve no doubt already worked out, the next limited David Bowie 7" picture disc will be the 40th anniversary edition of Young Americans.

Originally issued in the UK on February 21st 1975, this 40th anniversary disc of Young Americans is scheduled to be released 40 years and 2 days on from that date.

Young Americans was the lead single from the album of the same name, and it gave Bowie another Top 20 45 in the UK.

The A-Side of this 40th anniversary edition features Tony Visconti’s 2007 Young Americans single mix, which makes its vinyl debut here.

The AA-side (which runs at 33 1/3 rpm), is It’s Gonna Be Me (with strings). This version was first released as a bonus track on the Young Americans special edition CD/DVD in 2007 and it’s also its first time on vinyl.

Here are the full details:

 

DAVID BOWIE - YOUNG AMERICANS / IT'S GONNA BE ME (WITH STRINGS)

LIMITED EDITION 40th ANNIVERSARY 7" PICTURE DISC.

 

A-Side (DBYA40A)

Young Americans (2007 Tony Visconti mix single edit) (David Bowie)

Produced & mixed by Tony Visconti

2007 Mix by Tony Visconti.

Pro-Tools engineer Mario McNulty

Mixed at Looking Glass Studio, Studio B. With thanks to Dave d'Arcy

 

AA-Side (33 1/3 rpm) (DBYA40AA)

It’s Gonna Be Me (with strings) (David Bowie)

Produced & mixed by Tony Visconti

Pro-Tools engineer Mario McNulty

Mixed at Looking Glass Studio, Studio B.

String arrangements by Tony Visconti

Vocal arrangements by David Bowie & Luther Vandross

Recorded at Sigma Sound, Philadelphia, PA.

 

The black and white image on the A-Side of the disc is by the famous Hollywood photographer of the 1940s/50s, Tom Kelley. The image is probably more closely associated with the session that produced the cover for the CHANGESONEBOWIE album and Suffragette City single in 1976. However, this particular shot was first used for the Italian Fame 45 in 1975.

The photograph on the AA-Side was shot by Steve Schapiro, who recently had this to say about working with Bowie and this session in particular: “I think Bowie is very smart and I think he has a great sense of images and in coming up with new kinds of images. The first session I did with him started at four in the afternoon and ended at four the next morning when I did that picture of him on the motorcycle, and we used the headlights of a car to light it. He would constantly come up with new costumes and I would pick up my camera to photograph him and it would be an incredible outfit, but he would stop me and say, ’Wait a minute, I need to fix something,’ and he would go to the dressing room and come back 20 minutes later in something totally different. Fortunately, there would be a lot of things he would try on, so we would get a lot of pictures.”

 

Young Americans / It's Gonna Be Me is released via Parlophone on February 23rd 2015.

categories: News
Sunday 12.07.14
Posted by Mark Adams
 

Bowie nominated in first BBC Music Awards

 

“Battle For Britain“

 

The BBC has revealed the shortlist for British Artist of the Year in the inaugural BBC Music Awards.

The winners, as voted for by a BBC Music panel as well as leading music journalists, will be announced at the event being held at London’s Earl’s Court on Thursday December 11.

The shortlist was selected from the most played British artists of the year on BBC radio.

 

The nominees (in alphabetical order) for British Artist of the Year are:

 

David Bowie

Ed Sheeran

Elbow

Jungle

Royal Blood

Sam Smith

 

Hosted by Chris Evans and Fearne Cotton, the awards show will take place in front of a live audience of 13,500 and will be broadcast to millions more across the country as all the action is broadcast on BBC One, Radio 1, Radio 2 and at bbc.co.uk/music.

This will be one of the last events at Earl’s Court before the demolition of the historic Art deco London venue, which hosted shows by David Bowie in 1973 and 1978.

According to The Telegraph, the awards were launched as a rival to the Brits, and billed as the music version of Sports Personality of the Year, but there are only three categories: British Artist of the Year, International Artist of the Year and Song of the Year.

categories: News
Saturday 12.06.14
Posted by Mark Adams
 

Dick Cavett Show broadcast 40 years ago today

 

“Gee my life’s a funny thing“

 

Taped in New York for ABC TV, David Bowie’s appearance on The Dick Cavett Show was first broadcast on December 5th 1974.

Following Cavett’s introduction to a very appreciative audience, Bowie performed 1984 and Young Americans. This was followed by the interview, which, if you’ve never seen it, is not going to be done justice by trying to describe it here. The show ended with a performance of Footstompin'. Can You Hear Me was also taped but not broadcast.

It’s a wonderful bit of TV and a much-loved snapshot of a transitional period for Bowie (wasn't every period transitional for Bowie?), and you can view the full thing on YouTube.

Read the transcript of the interview (one of the more bizarre Bowie has ever given) over on the superb The Young American website.

categories: News
Thursday 12.04.14
Posted by Mark Adams
 

Nothing Has Changed online trailer part three

 

“The third and the last are telling it all“

 

Parlophone have posted the third and final trailer in a series of shorts they created for Nothing Has Changed.

Go here to view part 3, which, as you’ve probably guessed, represents CD3 of the NHC 3 disc set.

 

Go here for part 1.

Go here for part 2.

 

Order the Top Ten Album, Nothing Has Changed, here:

3CD http://smarturl.it/BowieNHC3CD

2CD http://smarturl.it/BowieNHC2CD

Digital http://smarturl.it/BowieNHC3digital

Vinyl: http://smarturl.it/BowieNHCLP

categories: News
Monday 12.01.14
Posted by Mark Adams
 

The Quietus revisits the year of the Diamond Dogs

 

“This ain’t rock ’n’ roll”

 

In the year of its fortieth anniversary, Matthew Lindsay has written an incredible twelve and a half thousand words in appreciation of David Bowie’s 1974 masterpiece, Diamond Dogs, for The Quietus.

The read is well worth the time investment and with that word count in mind, we’ll let you get on and start reading, The Hideous Ecstasy Of Fear: Diamond Dogs 40 Years On.

categories: News
Monday 12.01.14
Posted by Mark Adams
 

Father and son top BFI British sci-fi poll

 

“I remember Sam ’cos he was like me”

 

The UK’s British Film Institute (BFI) recently published a list of what they consider to be the ten greatest British sci-fi films.

As good as that list is, they then asked members to vote for the films they thought had been overlooked.

 

Here’s the list of winners published today.

 

Moon (Duncan Jones, 2009)

The Man Who Fell to Earth (Nicolas Roeg, 1976)

Brazil (Terry Gilliam, 1985)

Sunshine (Danny Boyle, 2007)

The Quatermass Xperiment (Val Guest, 1955)

Zardoz (John Boorman, 1974)

Village of the Damned (Wolf Rilla, 1960)

Gravity (Alfonso Cuarón, 2013)

Friendship’s Death (Peter Wollen, 1987)

The Man in the White Suit (Alexander Mackendrick, 1951)

 

The BFI also had this to say regarding the member selections:

 

“It was a family affair at the top of our poll this week, with writer-director Duncan Jones taking pole position with his 2009 debut film Moon, and his father David Bowie’s outing as an alien in The Man Who Fell to Earth (1976) the second most popular omission from our original list.”

 

So congratulations to the Joneses, and if for some mad reason you’ve not seen either Moon or The Man Who Fell To Earth, your life really is incomplete without them.

categories: News
Thursday 11.27.14
Posted by Mark Adams
 

NHC at #1 on Official UK Vinyl Album Chart

 

“You got me spinning, baby“

 

David Bowie fans in the UK created the perfect thanksgiving gift for their man yesterday, with the news from the British Phonographic Industry (BPI) that Nothing has changed - The Very Best of David Bowie is at #1 on the Official UK Vinyl Album Chart.

Here’s a bit from the BPI press release:

 

“The best-selling vinyl album of the year to date is ‘AM’ by Arctic Monkeys, although the current Official Vinyl Chart No.1 for this landmark week is, perhaps fittingly, the David Bowie best of – ‘Nothing Has Changed’, just ahead of Pink Floyd’s first album in 20 years, ‘The Endless River’“.

The BPI’s Gennaro Castaldo also commented: “We have entered an exciting best-of-all-worlds era where there is space and scope for all kinds of music to be discovered and enjoyed in every type of way, including on vinyl once again. Many of us assumed it had become an obsolete format, but while the flame may have flickered, it never quite went out, and we are now seeing a burgeoning resurgence in demand that is likely to keep vinyl on our high streets for many more years to come.”

 

Official Vinyl Albums Chart

 

01 NOTHING HAS CHANGED - THE VERY BEST OF - DAVID BOWIE

02 THE ENDLESS RIVER   - PINK FLOYD

03 SONIC HIGHWAYS - FOO FIGHTERS

04 AVONMORE - BRYAN FERRY

05 FOUR SYMBOLS - LED ZEPPELIN

06 SUN RESTRUCTURED - TEMPLES

07 X - ED SHEERAN

08 ABATTOIR BLUES/THE LYRE OF ORPHEUS - NICK CAVE & THE BAD SEEDS

09 AQUOSTIC - STRIPPED BARE   - STATUS QUO

10 WHAT'S THE STORY MORNING GLORY - OASIS

Source: Official Charts Company

 

Read a report on Billboard.com headed; Vinyl sales continue their ascent, thanks to assists from David Bowie and Pink Floyd, here.

Nothing has changed - The Very Best of David Bowie is also at #3 in the Official UK Record Store Albums Top 40, the chart compiled from sales of all formats sold at independent record stores in the UK.

 

For those of you still wanting to buy either the single, Sue (Or In A Season Of Crime), or Nothing has changed, or both, go here for buy links and to view the video for Sue.

 

#NothingHasChanged

categories: News
Thursday 11.27.14
Posted by Mark Adams
 

Mike Garson biography due in December

 

“They tell me, “Garson, we want you...””

 

The long-awaited Bowie’s Piano Man: The Life Of Mike Garson By Clifford Slapper, is published by Fantom Books in the UK on December 8, 2014.

 

• First-ever biography of Mike Garson, long-term pianist with David Bowie, who has played on 19 Bowie albums. If you take account of number of live appearances, number of recordings and length of time from first until most recent work with Bowie, then Garson is easily Bowie's most prolific band member.

• Book contains interviews with many fellow Bowie musicians and producers, including Tony Visconti, Earl Slick, Gail Ann Dorsey, Reeves Gabrels, Sterling Campbell, Zachary Alford, Gerry Leonard, and Maggi Ronson, sister of Mick Ronson, as well as others with whom Garson has worked, such as Trent Reznor of Nine Inch Nails.

• With 52 great photographs, many never seen before, of Garson with Bowie and others!

 

WEBSITE EXCLUSIVE - Bowie's Piano Man will be exclusively available via the Fantom website until its trade release in March 2015.

Visit: http://smarturl.it/BPMphantom to pre-order a signed copy and to read more about the book and author Clifford Slapper.

 

We’ll leave you with a collection of quotations about Mike from various musical associates, including David Bowie himself.

 

 

“It is pointless to talk about his ability as a pianist. He is exceptional. However, there are very, very few musicians, let alone pianists, who naturally understand the movement and free thinking necessary to hurl themselves into experimental or traditional areas of music, sometimes, ironically, at the same time. Mike does this with such enthusiasm that it makes my heart glad just to be in the same room with him.”

David Bowie on Mike Garson

 

“I had told Bowie about the avant-garde thing. When I was recording the “Aladdin Sane” track for Bowie, it was just two chords, an A and a G chord, and the band was playing very simple English rock and roll. And Bowie said: ‘play a solo on this’. I had just met him, so I played a blues solo, but then he said: ‘No, that’s not what I want’. And then I played a Latin solo. Again, Bowie said: ‘No, no, that’s not what I want’. He then continued: “You told me you play that avant-garde music. Play that stuff!’ And I said: ‘Are you sure? Because you might not be working anymore!’...So I did the solo that everybody knows today, in one take. And to this day, I still receive emails about it. Every day. I always tell people that Bowie is the best producer I ever met, because he lets me do my thing.”

Mike Garson on David Bowie

 

“I personally think Mike gives one of his best-ever performances on this piece and it thrills on every listening, confirming to me at least, that he is still one of the most extraordinary pianists playing today.”

David Bowie on Mike Garson, on “South Horizon”, The Buddha Of Suburbia

 

 “David Bowie has the ability to absorb art and be it, whether painting, sculpture, lyrics, song writing, singing, entertaining, acting. He is art and he knows how to become it, bigger than life. That’s not the kind of artist I am, but he’s got a ridiculous gift, that’s probably been there all along, like a pool of creativity that, if he jumps in he just comes out being it. It sits there, it’s available to him at any second.”

Mike Garson on David Bowie

 

“Mike Garson listens attentively...then  plays whatever the hell he wants”

Producer, Tony Visconti

 

“Mike Garson is a cathedral of music”

Jérôme Soligny, Editorial Consultant, Rock&Folk magazine, France

 

“My latest thing I'm hot to do is collaborate with some other people. Probably at the top of my list this second is Mike Garson from Bowie's band... I don't understand how that sound's coming out of his instrument...”

Trent Reznor, Nine Inch Nails

 

“Of the whole lot, Mike is the true genius; we are all just toys in his atonal wonderland” 

Billy Corgan, Smashing Pumpkins

 

“Mikey, what he can do, is he can go from classical jazz and then he can sit down and play raucous barrelhouse piano like a real guy, he’s not faking it! That’s a rare bird...I don’t really know anyone on this planet that I’ve sat in a room with or even listened to for that matter, who can do what he does, the way that he does it...”

Earl Slick on Mike Garson

categories: News
Wednesday 11.26.14
Posted by Mark Adams
 

Bowie/Sukita TIME exhibition in Tokyo next week

 

“Time, is waiting in the wings”

 

Tomoya Kumagai has been in touch with details of a short run exhibition launching in Tokyo next Thursday (December 4): TIME - David Bowie by Masayoshi Sukita.

The exhibition runs till the following Tuesday (December 9) and it is free to attend.

Here’s the official announcement from Tomoya with links to both English and Japanese versions of the TIME website.

 

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TIME - David Bowie by Masayoshi Sukita

 

Photographer Masayoshi Sukita, who has shot photographs of David Bowie for more than 40 years, is due to hold an exhibition of his Bowie pictures in Tokyo. The Exhibition is named TIME. It is the "TIME" of Sukita and Bowie no one has known. Everything has changed but Nothing has changed.

 

The venue is a beautiful space called "Aoyama SPIRAL" located in the centre of Tokyo. The art director is Hideki Nakajima, a famous Japanese designer, who has received NY ADC prizes some times, he has designed many album covers for Ryuichi Sakamoto.

 

This is an unmissable exhibition of Bowie photographs by Sukita, celebrating the release of Bowie’s new song 'Sue (Or In A Season Of Crime)' and the new compilation 'Nothing has changed - The Very Best of David Bowie'.

 

Website:

TIME: English

TIME: Japanese

 

Exhibition details:

When: 4th (Thu) - 9th (Tue), December

Where: Aoyama Spiral Garden 1F (5-6-23 Minami-Aoyama, Minato-ku, Tokyo)

(http://www.spiral.co.jp/en/)

Admission: Free

Art Director: Hideki Nakajima (NAKAJIMA DESIGN http://www.nkjm-d.com)

Producer: Tomoya Kumagai (SLOGAN http://www.slogan.co.jp/) With the partnership with TOKYO Lithmatic Corporation and Warner Music Japan

 

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Picture credits, clockwise from top left

 

1. 1977 - Time: (c) Masayoshi Sukita 1977

2. 1977 - HEROES: (c) 1977 / 1997 Risky Folio, Inc. Courtesy of The David Bowie Archive (tm)

3. 1989 - Sukita and Bowie by Mark Higashino: (c) Mark Higashino 1989

categories: News
Wednesday 11.26.14
Posted by Mark Adams
 

David Bowie is doc in Spain Thursday

 

“Al Alba, Al Anochecer” *

 

Hamish Hamilton’s David Bowie is documentary will be shown in various cinemas across Spain tomorrow (Thursday).

So if you’re a Bowie fan in Spain who has not yet managed to get to the David Bowie is exhibition, get a flavour of what gave the Victoria & Albert Museum their most successful exhibition to date by catching the film on the 27th at one of the many Spanish screenings.

Look for your nearest participating cinema here.

 

* Today’s tenuous lyric quotation is from the Spanish version of Day-In, Day-Out: Al Alba. Listen to it here.

categories: News
Wednesday 11.26.14
Posted by Mark Adams
 
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