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SONOS Song Stories : Bowie in London free event

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“So deep in your room...”

Sonos, the leader in smart home sound systems, today announced its first European concept store; a retail, exhibition, screening and listening space that will open its doors to the public on Thursday, 16th November 2017.

Inspired by Sonos’ flagship store in New York, it features state-of-the-art Listening Rooms – two acoustically-tuned, house-shaped structures designed to emulate a real multi-room home listening space. Guests will be able to stream their personal music to one or both rooms and create their own, unique sonic adventures.

Celebrating music culture, past and present, the space will play host to an ongoing line-up of listening events, screenings, cultural talks and installations. The first of these events will celebrate David Bowie, modern music’s most unrelenting innovator, whose singular sound and vision impacted generations and continues to play a vital role in shaping the musical landscape of London and the world. To mark the release of their first-ever voice activated speaker, the Sonos One, the brand wanted to honour his unique voice by collaborating with cultural commentator, Paul Gorman to curate a display of rarely seen images of David Bowie's London life taken by photographers including Mick Rock, Brian Duffy, Rolf Adlercreutz (Alamy) and Mike Maloney.

Alongside this, on the 15 & 17 November Sonos presents Song Stories: Bowie – a series of intimate events hosted by Miranda Sawyer, honouring David Bowie’s work and legacy, as told through the powerful stories of artists and fans alike, including Nick Rhodes, Goldie, Graham Coxon, Carl Barat, Peaches and Rostam. The events will lend a voice to creators inspired and influenced by Bowie, and give fans the opportunity to hear their original stories paired with the songs that best accompany them. The event is free to attend via RSVP here: Sonos.com/Bowie (http://sonos.com/Bowie)

Opening weekend, NTS Radio will be broadcasting live from the Sonos London store on Saturday 18 & Sunday 19 November, with a full 16hr programme co-curated by DJ’s Ross Allen, Charlie Bones, Nabihah Iqbal and Bullion with friends and special guests consisting of mixes, interviews and interesting conversations inspired by and celebrating the life of David Bowie.

Keep reading for the full press release.

#SongStories  #SongStoriesBowie  #SONOSBowie

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SONOS’ FIRST EUROPEAN CONCEPT STORE
BRINGS MUSIC HOME IN SEVEN DIALS, LONDON

November 8, 2017: Sonos, the leader in smart home sound systems, today announced its first European concept store; a retail, exhibition, screening and listening space that will open its doors to the public on Thursday, 16th November 2017.

An experience designed for all, unique for every listener

Located in London’s Seven Dials, the store has been designed to replicate the home environment, and showcase how Sonos fits seamlessly into any home environment.

Inspired by Sonos’ flagship store in New York, it features state-of-the-art Listening Rooms – two acoustically-tuned, house-shaped structures designed to emulate a real multi-room home listening space. Guests will be able to stream their personal music to one or both rooms and create their own, unique sonic adventures.

The ultimate home listening experience

In keeping with Sonos’ meticulous attention to detail, the sonic and visual elements of the London concept store are tied to the city’s own artistic culture, and have been inter-related from the outset, designed to complement the listening experience. Vibrant textures that improve the overall acoustics, custom bevelled glass walls to reduce bounce, hand-woven rugs and bespoke bookshelves, have all been carefully installed to help improve the sound.

Every space within the store had been sonically tuned by Sonos sound engineers, overseen by Sonos Sound Experience Leader, Giles Martin. This includes the store’s custom built Listening Rooms, the smallest, audiophile spaces in London.

Designed for Listening

With Sonos’ commitment to providing the ultimate home listening experience, it is only fitting that the Listening Rooms have been designed to look and feel like the ultimate home. For launch, Sonos worked with renowned, London-based artists Camille Walala and Neil Raitt. Inspired by their experiences of using Sonos in their own homes, each artist has taken a Listening Room and added their own unique perspective, with bespoke signature prints that cover the walls and ceilings.

And from next year, Sonos will open up the Listening Rooms to further artists, providing them with a canvas to express their creativity, creating an evolving environment to discover and experience Sonos.

An optimal in-store experience

Through a personalised experience and superior service, the Sonos store will become the perfect destination for music fans to come together and celebrate listening to music out loud.

Guests can discover the home sound system that best fits their life, choosing from Spotify, Apple Music and dozens of additional major streaming music services, as well as any combination of Sonos speakers and components including the new Sonos One, the first Sonos product with built in voice control from Amazon’s Alexa.

Celebrating music culture, past and present

Much more than just a store, the space will play host to an ongoing line-up of listening events, screenings, cultural talks and installations. The first of these events will celebrate David Bowie, modern music’s most unrelenting innovator, whose singular sound and vision impacted generations and continues to play a vital role in shaping the musical landscape of London and the world. To mark the release of our first-ever voice activated speaker, the Sonos One, the brand wanted to honour his unique voice by collaborating with cultural commentator, Paul Gorman to curate a display of rarely seen images of David Bowie's London life taken by photographers including Mick Rock, Brian Duffy, Rolf Adlercreutz (Alamy) and Mike Maloney. Alongside this, on the 15 & 17 November Sonos presents Song Stories: Bowie – a series of intimate events hosted by Miranda Sawyer, honouring David Bowie’s work and legacy, as told through the powerful stories of artists and fans alike, including Nick Rhodes, Goldie, Graham Coxon, Carl Barat, Peaches and Rostam. The events will lend a voice to creators inspired and influenced by Bowie, and give fans the opportunity to hear their original stories paired with the songs that best accompany them. The event is free to attend via RSVP here: Sonos.com/Bowie

Opening weekend, NTS Radio will be broadcasting live from the Sonos London store on Saturday 18 & Sunday 19 November, with a full 16hr programme co-curated by DJ’s Ross Allen, Charlie Bones, Nabihah Iqbal and Bullion with friends and special guests consisting of mixes, interviews and interesting conversations inspired by and celebrating the life of David Bowie.

Whitney Walker, General Store Manager at Sonos said “The entire store experience is based on the idea of being in a really comfortable and inspiring environment. We’re proud to be opening our first European concept store in London, providing a dedicated space for music fans to create, connect and ultimately discover the best ways to listen to music out loud.

Whitney continues: “We have carefully considered how people bring music into their home environment through curation, and used it within the concept store to pay homage to the great city of London and the culture that was born here and continues to inspire the world. Our passionate staff look forward to opening the doors to the public and can’t wait to provide the capital with world class Sonos service.”

Commenting on the UK debut at Seven Dials, Sam Bain-Mollison, Head of Group Retail Strategy & Leasing at Shaftesbury, said: “Sonos is one of the most exciting brands in the world and we are thrilled they selected Earlham Street for their UK debut.  It is a significant launch for Seven Dials that adds to the authentic, cultural appeal of the destination.  More than that, however, it is a clear affirmation of the importance of bricks and mortar retail in allowing brands to deliver an engaging experience with their customers, that simply cannot be achieved online alone.

She adds: "Sonos will provide a truly new immersive experience within an area where leading international brands rub shoulders with a mix of independent shops, restaurants and boutiques.  This is in firm alignment with our strategy for Seven Dials of creating an influential and unique mix of retail and dining in the heart of London’s West End.”

With further European concepts planned soon, including a Berlin store in 2018, as well as our exciting new range of voice activated products, Sonos is committed to continually developing new and exciting ways to help music lovers get the ultimate home listening experience.

For more information about Sonos, please visit: www.sonos.com

tags: 2017 November
Wednesday 11.08.17
Posted by Joey Porterfield
 

Ricochet : David Bowie 1983 by Denis O’Regan due May 2018

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"And who can bear to be forgotten”

Moonlight Books are due to publish Ricochet : David Bowie 1983 by Denis O’Regan in May 2018.

Ricochet is a limited edition fine art book with hundreds of personal and intimate images of David Bowie from Denis & David’s archives, many shared for the first time ever.

In Autumn 2018, Denis O’Regan and Penguin Random House are also producing a medium format version (without extras) for retail distribution.

Every image in ‘Ricochet : David Bowie 1983’ is personally approved by David Bowie. (A small sample here)

Stay tuned to the pages below for updates of exclusive content and continue reading for the full press release.

www.bowie1983book.com

Facebook: Bowie1983book

Instagram & Twitter: @Bowie1983book

#DavidBowieRicochet

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Moonlight Books
PRESS RELEASE
1st November 2017
Ricochet : David Bowie 1983
Denis O’Regan

David Bowie official tour photographer and long-time collaborator Denis O’Regan launches limited edition book ‘Ricochet : David Bowie 1983’. A limited edition fine art book of rare intimate photographs.

Hundreds of personal and intimate images from Denis & David’s archives, many shared for the first time ever.

A very special, museum quality, collector’s edition, which has taken years of painstaking work to produce with David’s approval, ‘Ricochet : David Bowie 1983’ is a mainly unseen collection of exceptional, intimate images of David Bowie taken by iconic British photographer Denis O’Regan and published by Moonlight Books in May 2018, in a limited edition of just 2000 copies.

‘Ricochet : David Bowie 1983’ is the definitive collectible, presented in a multi-layered, luxurious white cloth presentation box, inside a clear acrylic slip case.

Layer 1
Contains 4 beautifully bound books featuring tickets, anecdotes, newsletters, set lists, blueprints, lyrics, including those handwritten by David. Each hardback cloth cover features a graphic representation of one of David’s Serious Moonlight stage costumes.

Layer 2
Holds three 20x16 inch fine art signed limited edition prints and matching hologrammed certificates; a 12 inch red vinyl disc of Ricochet and Let’s Dance re-mastered by Nile Rodgers; a certificate signed by the photographer, featuring the individual book number, and the official David Bowie Estate Stamp.

Layer 3
Contains an extra-large format 320 page thread sewn, case bound, coffee table book, featuring hundreds of exceptional personal and intimate images of David.

In Autumn 2018, Denis O’Regan and Penguin Random House are also producing a medium format version of the coffee table book (without extras enclosed) for retail distribution.

Every image in ‘Ricochet : David Bowie 1983’ is personally approved by David Bowie.

Denis O’Regan says of his Ricochet project with the late David Bowie:

“I published a book with David through Doubleday in 1984, for which he wrote the introduction. We then discussed projects on and off over the next thirty years, culminating in discussions about a pair of substantial books looking back at the two world tours that I covered with him.

 

I feel that this book documenting 1983 will fulfil my dream of sharing these intimate photographs with collectors and fans, whilst revealing an insight into the real David – as much as anyone can. I’m proud and honoured that this book was made with David’s support, and hope that it will do him justice.”

How to buy
The limited edition is available for purchase at £3,000 per numbered copy, exclusively on www.bowie1983book.com. Moonlight Books are releasing 250 books out of the edition of 2000 for advance purchase in early November 2017. Purchasers of these first 250 books will receive exclusive extras including an additional 20x16 inch limited edition print and an invitation to the launch party in May 2018, with an opportunity to meet and greet the photographer.

Denis’s photographs of Bowie span nearly two decades, but those taken in 1983, when he accompanied David for nine months on his most successful ever tour, are from the period when Denis and David became firm friends. Denis was given unprecedented access, and his photographs capture not only David’s unique stage performances but candid, unguarded offstage moments, or as Denis puts it: “Catching another side of the enigma”.

It’s a never seen before glimpse into 9 months of life on the road with David.

In one shot, taken in their Hong Kong hotel close to the final date of the Serious Moonlight tour, Bowie is sitting on a sofa giggling. Denis says: “I think it’s sweet and very David – partly because there’s a full ashtray next to him! He’s boyish and unguarded and it’s the sort of picture that you would never capture unless you were close to David for a period of time”.

1983 was a remarkably happy year for David and this shines through in so many of Denis’s photographs. The tour began in May 1983 with indoor crowds of 10,000 but within weeks he was playing to stadium audiences of 60,000, and by the penultimate month, November in Auckland, he played to the biggest crowd ever assembled in New Zealand.

“I think he was very happy; he really enjoyed himself,” recalls Denis.

Remarkably, every single image featured in ‘Ricochet : Bowie 1983’, was personally approved by David.

“I delivered the rolls of film for processing in one city, and they were delivered back to me a few cities later. I selected my favourites and loaded the chosen edit into a projector carousel. David then came to my room and we’d have an informal slideshow. David would say ‘yes’, ‘no’, ‘I hate it’, ‘love it’, ‘keep it for a book’ or simply ‘nah’ ...”

It wasn’t until 1990, prior to the Sound & Vision tour, that Denis finally confided to David that it was the Ziggy Stardust concert at the Hammersmith Odeon on 3rd July 1973 that inspired him to take up rock photography. “Being David, he wasn’t very good at taking compliments. I said, ‘it’s because of you that I became a rock photographer.’ He said, ‘Yeah, you’ll probably tell Bono the same thing tomorrow night.’”

Notes For Editors

Denis O’Regan first witnessed Bowie in 1973 at the Hammersmith Odeon. By 1983 he was tour photographer for the Serious Moonlight world tour and in 1987 for the Glass Spider world tour. In 2011 Denis published Duran Duran’s limited edition ‘Careless Memories’.

Denis O’Regan has toured the world as official photographer to David Bowie, Queen, the Rolling Stones, Pink Floyd and Duran Duran. He was the official photographer at Live Aid, and continued that tradition as official photographer at the Concert For Diana, MTV European Music Awards, and more recently Download, Coachella and Glastonbury festivals. In an eventful career – and purely in the line of duty – Denis has enjoyed dinner for two in Japan with Joni Mitchell, picnicked with David Bowie in Australia, partied with Prince at Paisley Park, and argued with Bob Marley in his native Jamaica. They made up. He was known as ‘Doris’ by Freddie Mercury, ‘Reg’ by Duran Duran, ‘Scoop’ by Bob Geldof and, on one occasion, ‘Yob’ by Keith Richards.

Technical Information

Denis highlights below some technical insight and details of the camera which he used to capture these images of David in 1983.

“For the entire tour I used my favourite ever film camera, the Olympus OM-3, two or three camera bodies and 135mm & 24mm f2.8 lenses. All live photography was taken without flash, and most offstage images were shot using natural light or occasionally bounced flash. Film was Ilford HP5 or Kodak Tri-X for black & white, push processed to 800 or 1600 ASA. For colour it was predominantly Kodak Ektachrome 200 transparency film pushed to 800 ASA. Of course I had to use numerous labs around the world to process huge batches of film, which were then delivered to me a few cities later. After processing and editing, I loaded the colour transparencies into a projector, and regularly put on a slide show in my room for David where he approved images for use.”

www.bowie1983book.com

Facebook: Bowie1983book

Instagram & Twitter: @Bowie1983book

Hashtags:
#Bowie1983book
#DavidBowieRicochet
#Moonlightbooks
#DavidBowie
#DenisORegan
#SeriousMoonlight

Author’s Website: www.denis.uk

Twitter: @TheDenisORegan
Facebook: Denis O’Regan

tags: 2017 October
Tuesday 10.31.17
Posted by Joey Porterfield
 

TASCHEN’s TMWFTE book out next week

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“It will tumble from the sky”

TASCHEN’s The Man Who Fell To Earth book presents a wealth of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at work, rest and play, peppered with quotations from all involved, including Bowie himself.

Published next week, this weighty 480 page tome (albeit a compact 14 x 19.5 cm), includes a superb new essay by Paul Duncan which explores the shooting of the film and its lasting impact, drawing upon an exclusive interview with David James, who brings first-hand insights into the making of this sci-fi masterwork.

Here’s a particularly funny excerpt from it in which Bowie remembers the alien 'train'...

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There are visual and textual references to trains throughout the film, since, for Newton, it represents the last time he saw his family, when he departed on the alien train. To visualize this scene in the film, Brian Eatwell laid a monorail track on the desert floor, and built the alien train around an old tractor.

The train had an organic surface and was fitted with solar sails. Bowie: “When the train turned up, it was nothing like what Nic had envisaged. He went blue in the face, then he went red, then white and he said, ‘What is that?’ ‘It’s your train, sir.’ ‘That’s not a train, it’s a fucking dog kennel!’ But we lived with it.”

The shoot was further complicated when the tractor broke down. Unable to replace the parts, they attached ropes to the train and had horses pull it out of shot. James: “Such problems are normal on a film.”

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Well, whatever the on-set problems, we here at DBFBHQ thought the train was quite convincing, possibly because it was so different to any Earth train, or dog kennel for that matter.

Stay tuned for your chance to win copies of the book along with other TMWFTE goodies.

See the dedicated TASCHEN page here.

#TheManWhoFellToEarth  #TMWFTE  #TJNewton  #BowieTASCHEN

tags: 2017 October
Saturday 10.21.17
Posted by Joey Porterfield
 

Nine-page Bowie cover feature in Rock&Folk

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“When you Rock&Folk with me”

Le Petit Prince, Jérôme Soligny, has very kindly been in touch with details of the November edition of Rock&Folk magazine. (R&F603)

Over to Jérôme...

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I had a telephone conversation with Vincent Tannières, new editor at Rock&Folk, and we discussed what we could do about ANCIANT and the possibility of having David Bowie on the cover of the magazine. Again.

First, having already written at length about these crucial years in articles and books, I thought it would be great to have other writers’ points of view rather than only mine. Also, from 1977 to 1982, except for a few gigs with Iggy Pop, the Isolar II tour and some (great) acting work, David was more low key than ever, hoping his « new music » was what really mattered and what people would focus on.

So we decided to create an introduction and four long, new reviews of the four studio albums inside the box, written by four different writers. Vincent came up with the great title « Au pied du mur » and Rock&Folk went for a Duffy cover shot that really expresses, I think, these years when David, artistically and even physically, continued to re-invent himself.

Also, in the same issue on top of the Bowie feature, Mick Rock gave us a great interview - his Transformer book on Lou Reed is re(edited) by Genesis - and he only has cool things to say about the man who fell in front of his camera 45 odd years ago: “Actually, David Bowie talked to people of my generation. It’s his music we considered exciting. Hunky Dory was and still is a major album. David looked like a glam musician but he belonged to the singer-songwriters’ league, the ones we listened to without doing anything else.”

 

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Thanks for the heads up, Jérôme.

Rock&Folk is available from Wednesday, October 18th.

#RocknFolkBowie  #ANCIANTbox  #ANewCareerInANewTownBox

tags: 2017 October
Tuesday 10.17.17
Posted by Joey Porterfield
 

"Heroes" released on this day in 1977

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“In the world of today, for tomorrow’s man”

The advertising strapline ran with the legend: “Tomorrow Belongs To Those Who Can Hear It Coming”, appropriate considering how much more appreciated "Heroes" seems to be by a wider audience now than it was forty years ago.

Having said that, the Bowie/Visconti-produced LP peaked at #3 in the UK album chart in November 1977, a year in which it was also named Album Of The Year in both NME and Melody Maker. No mean feat considering the other great music that was released that year, not least of all, both of Iggy Pop’s first solo releases, The Idiot and Lust For Life, two records which Bowie also had a very big hand in.

The main image in our montage shows Robert Fripp, David Bowie and Brian Eno during the recording of "Heroes" at Hansa studios in Berlin, taken from the superb book accompanying the David Bowie: A New Career In A New Town (1977–1982) box set.

Bottom right are two initial designs for "Heroes", also to be found in the book along with other unpublished artwork and related memorabilia.

#BowieHeroes #ANCIANTbox  #ANewCareerInANewTownBox  

tags: 2017 October
Saturday 10.14.17
Posted by Joey Porterfield
 

My Bowie Story - fans remember their Bowie

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“FANtastic Voyage

My Bowie Story - Memories of David Bowie By Dale K. Perry (ISBN: 9781532030116), is a remarkable selection of stories told by sixty Bowie fans and collected together by Dale K. Perry.

The 316-page book is available now via the publisher, iUniverse and other online book emporiums. Here’s the blurb from the back cover...

 

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Dale K. Perry can still picture herself at a shopping center at age twelve, pooling her money with her best friend so they could buy the album with that “Space Oddity” song.

A few years later, she went to her first Bowie concert, and even though she arrived to discover her seat was behind the stage, it didn’t matter: She was in the same building as David Bowie.

In My Bowie Story, she teams up with sixty other storytellers to look back on more than four decades of memories featuring Bowie. Filled with heartfelt stories and photographs, the fans describe how Bowie’s music, personas, and creativity changed their lives.

The eighty-five stories also offer a glimpse of Bowie’s kindness as he interacted with his admirers while relating the impact his message had on the sexuality, education, and the lifelong achievements of multiple generations.

From Space Oddity to Blackstar, the tales include personal encounters with Bowie and offer deep insights that long-time fans and those just discovering his brilliance will cherish.

 

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The snaps along the bottom of our montage are of Jasmine and Bowie (J. Storm), David and Zane, 1997 (M. Kanevsky) and David and Sandra (Spidey), 2002 (S. Atkins). Just a small sample taken from the many in the book.

Dale has said that any royalties she receives from the book will be donated in David's memory to charity, most likely to Save the Children.

Stay tuned for more pictures and some excerpts from My Bowie Story - Memories of David Bowie.

#MyBowieStory  #BowieKooks  #BowieFreaks

tags: 2017 October
Saturday 10.07.17
Posted by Joey Porterfield
 

ANCIANT debut chart positions

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(ANCIANT = A New Career In A New Town)

The ANCIANT box set issued via Parlophone last Friday (29th) has entered various charts around the globe. Here are a few where it charted in the top 30.

UK: #2 (vinyl chart) / #19 (album chart)
Denmark: #13 (vinyl chart) / #24 (album chart)
France: #4 (catalogue album chart)
Germany: #24
Italy: #10 (vinyl chart)

ANCIANT charted the highest of the Bowie box sets so far. Here are the three titles’ comparable debut weeks:

Five Years - #45 - (Oct 15)
Who Can I Be Now? - #21 - (Sept 16)
A New Career In A New Town - #19 - (Oct 17)

Thanks to all of you for making this set such a success.

Get ANCIANT here.

#BowieOCC  #ANCIANTbox  #ANewCareerInANewTownBox

tags: 2017 October
Friday 10.06.17
Posted by Joey Porterfield
 

BBC radio celebrates "Heroes" 40th anniversary

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“It's a twenty-four hour world service”

The BBC is marking the 40th anniversary of the release of the "Heroes" LP with a 53-minute documentary presented by Florence Welch of Florence + The Machine. Florence is a big Bowie fan and she doesn't mind who knows how much she loves Tin Machine either. (See inset picture proof)

With contributions from Iggy Pop, Brian Eno and Tony Visconti, the show airs three times on the BBC World Service on Saturday, Oct 7, with the first broadcast at 14:06 and it’s repeated on BBC Radio 2 on Tuesday, Oct 10, at 22:00.

We’ll leave you with the BEEB’s blurb...

 

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David Bowie’s "Heroes" 40th Anniversary
Music Extra

Florence Welch, from the British band Florence + The Machine, marks the 40th anniversary of the release of David Bowie’s seminal "Heroes" LP by exploring the personal and musical factors that influenced the album’s writing and recording in Berlin in 1977.

Florence will feature archive of the late David Bowie explaining why he chose to live and work in Berlin and the impact the city’s history had on the masterpiece he created. She’ll also meet the album’s producer Tony Visconti to get an insight to the unique recording techniques he employed to interpret Bowie’s creative vision and how the characteristics of the famous Hansa Studios, which are situated in a huge former chamber music concert hall, contributed to the album’s influential sounds. Iggy Pop, who was living with Bowie in Berlin during the recording of the album, recalls how a battle with drug addition, bankruptcy and a legal dispute with his ex-wife for access to his son all provided inspiration for the album’s lyrics and Brian Eno, who collaborated with David throughout the LP’s recording, explains the unique musical structures he and David employed to compose the innovative songs.

Berlin’s radical cultural diversity had always fascinated Bowie and Florence will explain how the opportunity to live and work in the city during the turbulent political period prior to the fall of 'the Wall' provided the perfect austere environment for David and his collaborators to experiment with music inspired by several German techno bands of the 70’s, including Neu!, Kraftwerk and Can.

 

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#BowieAtTheBEEB  #BowieBBC  #BowieHeroes  

tags: 2017 October
Friday 10.06.17
Posted by Joey Porterfield
 

David Bowie is… landing in Brooklyn

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New York’s a go-go”

We’re proud to announce that the critically acclaimed David Bowie is exhibition will make the final stop of its world tour at the Brooklyn Museum next year, from March 2nd to Jul 15th.

This will be a timed ticketed exhibition. Lightning Bolt tickets, which give attendees priority access to the exhibition, are available now, along with various other special ticket deals.

Member tickets will be available on Nov 8th before standard tickets go on sale to the public on Nov 15th.

Go here for more details and tickets now.

Album cover shoot for Aladdin Sane, 1973. Photograph by Brian Duffy. © Duffy Archive & The David Bowie Archive.

#DavidBowieIs  #davidbowieisbkm

tags: 2017 October
Wednesday 10.04.17
Posted by Joey Porterfield
 

Congratulations to Duncan and Rodene Jones

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“Untitled No. 2”

Congratulations are due to Duncan and Rodene Jones with the posting of their happy news on Twitter.

Duncan made the announcement and quickly followed it up with an impressive brag...

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Duncan Jones ‏@ManMadeMoon - 11:05 PM - 1 Oct 2017

Incredibly excited to be able to announce that the Jones gang is growing again!  @rodeneronquillo cooking up a little... girl!

 

Duncan Jones ‏@ManMadeMoon - 11:31 PM - 1 Oct 2017

So for all the cynics out there... YES! I have had sex with a lady at least TWO TIMES!!

 

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Well done to all involved.

#DuncanAndRodeneJones  #BabyJones  #BabyJones2  #GranddadJones

tags: 2017 October
Sunday 10.01.17
Posted by Joey Porterfield
 

ANCIANT is out now

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“I was running at the speed of life”

 (ANCIANT = A New Career In A New Town)

We’re celebrating today’s release of the David Bowie: A New Career In A New Town (1977–1982) box set with another superb Helen Green animation.

View it over on DBFB and scroll the images here for individual stills.

Get ANCIANT here.

#ANCIANTbox  #ANewCareerInANewTownBox  #HelenGreenArtBowie

tags: 2017 September
Friday 09.29.17
Posted by Joey Porterfield
 

"Heroes" 40th anniversary picture disc in at #1

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“We can beat them”

The "Heroes" limited edition 40th-anniversary 7" picture disc issued via Parlophone last Friday (22nd) has entered today’s chart at #1. (29 September 2017 - 05 October 2017)

It joins three other Bowie releases in the Official Physical Singles Chart Top 20 right now.

#01 - "Heroes"

#11 - No Plan EP

#12 - Be My Wife

#17 - Sound And Vision

"Heroes" is also at #25 in the overall singles sales chart. Pretty good considering it was only released on vinyl and it's up against all those downloads, CDs, vinyl and the like by popular kids of today.

Much gratitude to all of you for making it so.

#BowieHeroes  #BowieOCC  #BowieVinyl

tags: 2017 September
Friday 09.29.17
Posted by Joey Porterfield
 

ANCIANT Video Focus: Fashion

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“Beep Beep”

(ANCIANT = A New Career In A New Town)

In October 1980, Fashion was released as the second of four singles from Scary Monsters (And Super Creeps).

David Mallet directed again, this time inside New York’s HURRAH nightclub. The opening shot of the clip features Bowie and band on the HURRAH stage which was draped in khaki canvas for this shoot.

The faceted mirror walls surrounding the dance floor can be seen in the background of various shots, and all the band scenes are shot in this club setting. Some of the dancers can be seen doing the 'shaker dance' reemployed for the Blackstar video in 2016.

Other locations around Manhattan are intercut throughout the clip with various participants (May Pang among them), proffering the message: “Beep Beep!”

Record Mirror readers in the UK voted "Fashion" and "Ashes to Ashes" the best music videos of 1980.

Watch the full Fashion video here.

FOOTNOTE: The Bowie concert performance of Station To Station featured in the movie Christiane F., was filmed at the same club in NY the day before Fashion. This was because DB was performing in the Elephant Man on Broadway several nights a week at the time, and could not shoot in Berlin. The mass concert scenes were actually from an AC/DC concert in Germany and the audio of Station To Station accompanying the performance was lifted from Stage.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieFashion  #BowieVideo

tags: 2017 September
Thursday 09.28.17
Posted by Joey Porterfield
 

ANCIANT Video Focus: Ashes To Ashes

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“Oh no, don’t say it’s true”

(ANCIANT = A New Career In A New Town)

Released in August 1980, the Ashes to Ashes single was accompanied by one of the better known Bowie promo videos, not to mention one of the most truly ground-breaking and hugely influential videos to boot.

Bowie retained the services of David Mallet for this Bowie/Mallet-directed short (Bowie’s first credited direction), to promote the lead single from the forthcoming 1980 album, Scary Monsters (And Super Creeps).

Ashes to Ashes was at the time the most expensive music video ever made and remains one of the most costly of all time. It incorporated scenes both in solarised colour and a new black sky effect, used by Mallet for the first time.

Featuring Bowie in the Natasha Korniloff Pierrot costume that became the dominant visual representation of both the Ashes To Ashes single and the Scary Monsters album, the film also brought Steve Strange and other lead players of the burgeoning New Romantic London Blitz scene to the public eye.

The costal scenes were filmed in May 1980 at Pett Level, East Sussex, with one of the most memorable being the shot of Bowie and the Blitz Kids marching towards the camera in front of a bulldozer, which Bowie later described as “symbolising oncoming violence”.

Other moments included Bowie (revisiting Major Tom, perhaps), in some kind of black rubber space suit, seated in a space vehicle chair. This all takes place in an exploding kitchen, as a female nurse fusses around in the background.

This scene and another in a high-ceilinged padded cell were first utilised in Bowie’s performance of Space Oddity on The Kenny Everett New Year Show in 1979. Filmed in September 1979, it wasn’t broadcast until December 31st, 1979. Both scenes were recreated for the May 1980 filming of Ashes To Ashes, the continuity experts among you will notice the very obvious differences.

Ashes To Ashes closes with Bowie/Major Tom (?) in some kind of protective suit with life-support hoses coming from him in a womb-like cocoon of a room, that had a distinct flavour of H. R. Giger’s designs for Alien, a film released the previous year, which Bowie loved.

The final scenes also included the Bowie Pierrot and an elderly woman lecturing him as they strolled along the beach to the fade out of “My mother said to get things done, You'd better not mess with Major Tom”.

This prompted people to think it was Bowie’s real mother in the video, it wasn’t. Though what it actually was, was a recreation of the old lady with Pierrot as depicted in George Underwood’s painting on the back of the David Bowie Phillips album (AKA, Space Oddity).

Watch the full Ashes To Ashes video here. 

FOOTNOTE: Michael Dignum tells of a hilarious moment during the filming at Pett Level, which Bowie purportedly recounted to him during the making of Miracle Goodnight. It’s full of fruity language though, and therefore not for the faint-hearted.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieAshesToAshes  #BowieVideo

tags: 2017 September
Wednesday 09.27.17
Posted by Joey Porterfield
 

ANCIANT Video Focus: Look Back In Anger

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“You know who I am,” he said.”

(ANCIANT = A New Career In A New Town)

Just the two singles, Boys Keep Swinging and DJ, were taken from Lodger in the UK. However, in July 1979 The Netherlands and Turkey enjoyed Yassassin, while the following month saw the release of Look Back In Anger as an A-side 45 in the US and Canada.

Despite no other promotion (no pic sleeve, no press ads), the release was considered important enough to warrant another David Mallet-directed video, every bit as mad as the previous two promos.

With a nod to Oscar Wilde's The Picture of Dorian Gray, the video may not have been a contributing factor to the record’s commercial failure. However, it’s hard to deny that as the film progressed Bowie wasn’t at his prettiest, albeit a look only achieved with the aid of make-up.

Despite this, it’s a great video well worth another look.

While you’re watching, listen out for Dennis Davis’s extraordinary drumming and see if you can spot Brian Eno on Synthesizer, Horse Trumpets and Eroica horn?!

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieLookBackInAnger  #BowieVideo

tags: 2017 September
Tuesday 09.26.17
Posted by Joey Porterfield
 

German Rolling Stone cover reveal

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“Way back in West Berlin...”

As today is all about the launch of the David Bowie: A New Career In A New Town (1977–1982) box set in Berlin, and while you’re waiting for the action there to start, it seems appropriate to exclusively reveal the October 2017 German Rolling Stone magazine cover, which, as we told you previously, has an exclusive Bowie feature and cover-mounted 7" vinyl single of "Helden"/"Heroes".

This is the tracklisting of this future 33 1/3rd collectable.

Side 1: "Helden" (’89 remix version)

Side 2: "Heroes" (live version from Stage)

Here’s some info regarding the content...

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As David Bowie’s legendary album "Heroes" celebrates its 40th anniversary, the new issue of ROLLING STONE Germany contains an exclusive 7inch single: The vinyl features a live version of the immortal hit "Heroes" and the German version of the song.

 

"Helden" was issued on the "Heroes" LP in Germany in 1977.  Tobias Rüther takes a look at this germanised version of the song in his cover story, recalling the difficulties of translation and the pronunciation of the German language for non-speakers of it, even with the help of Antonia Maaß.

 

ROLLING STONE also takes a closer look at Bowie’s life in Berlin in the Seventies: At the time the musician became one of the biggest heroes of the gay movement, Jens Balzer examines the artist’s influence on the LGBT music scene. Bernd Cailloux also describes what Berlin looked and felt like in 1977, he travels to the thriving underground and reflects on the city’s effect on David Bowie – and the singer’s impact on Berlin.

 

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The magazine/vinyl package is available to pre-order now, but it’s only available to addresses in Germany, Switzerland and Austria.

#BowieHelden  #BowieHeroes  #RSDEBowie  #ANCIANTbox  #BowieVinyl

tags: 2017 September
Tuesday 09.26.17
Posted by Joey Porterfield
 

Live In Berlin (1978) Digital EP streaming tonight

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“There's something in the air”

The upcoming release of the David Bowie: A New Career In A New Town (1977-1982) box set (Friday, 29th September), will be celebrated today (Tuesday, 26th September), with an event at the world-famous Hansa Studios in Berlin, which will be live-streamed on www.facebook.com/davidbowie at 8pm CET (7pm BST / 2pm EST / 11am PST).

The live event will feature a Q&A session with guests including Carlos Alomar (who played guitar with Bowie from 1974 to 1996), Edu Meyer (the former sound engineer at Hansa Studios) and Chris Duffy (son of photographer Brian Duffy, and director of the Duffy Archive), who will all be discussing Bowie’s work from 1977-1982.

To commemorate the event and the release of the box set, from 11pm CET (10pm BST / 5pm EST / 2pm PST) tonight a special live digital E.P. will be on all major streaming services for a very limited time only. The E.P. features three previously unreleased tracks recorded live in Berlin on the Isolar II tour in 1978.

Live In Berlin (1978) E.P.

1. Be My Wife (live) (2.51)
2. Sense Of Doubt (live) (3.18)
3. Breaking Glass (live) (3.36)

Recorded live at the Deutschlandhalle, Berlin on 16th May, 1978.

Photography by Antoine Loogman taken at the Deutschlandhalle performance.

#ANCIANTbox  #BowieBerlin  #Bowie1978

tags: 2017 September
Tuesday 09.26.17
Posted by Joey Porterfield
 

ANCIANT Video Focus: DJ

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“I’ve got believers (Kiss-Kiss), Believing me“

(ANCIANT = A New Career In A New Town)

DJ, the follow up to Boys Keep Swinging and also taken from Lodger, was accompanied by another delightfully mad David Mallet-directed video, featuring Bowie playing a nonchalant DJ in a radio station studio, gradually smashing the place up.

These scenes are interspersed with footage of Bowie rubbing shoulders and getting friendly with some of the wonderful people of Earls Court in London. The whole thing is topped off with our man as gas-masked art terrorist, spray-painting the DJ logo.

Check out the full length video here.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieDJ  #BowieVideo

tags: 2017 September
Tuesday 09.26.17
Posted by Joey Porterfield
 

ANCIANT Video Focus: Boys Keep Swinging

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“They’ll never clone ya...“

(ANCIANT = A New Career In A New Town)

One of the very best 45s of all time (and another Top Ten hit for David Bowie in the UK) was the first single from 1979’s Lodger, Boys Keep Swinging. And it was accompanied by an equally brilliant video.

The Bowie/Visconti produced tongue in cheek ode to the joys of gender stability, was a breath of fresh air in a musical landscape dominated by folk taking themselves a little too seriously.

Both the humour and the role reversal of the recording (Guitarist Carlos Alomar played drums and drummer Dennis Davis played bass), transferred perfectly to the David Mallet-directed video (Mallet’s first in a string of classic Bowie promos, as you will see), with Bowie taking on the guise of his own female backing singers.

If you’ve not had the pleasure yet, go and enjoy Boys Keep Swinging now.

The players...

DAVID BOWIE – vocals, guitar
DENNIS DAVIS – bass
TONY VISCONTI – bass
CARLOS ALOMAR – drums
ADRIAN BELEW – guitar
SIMON HOUSE – violin
BRIAN ENO – piano
DAVID BOWIE and TONY VISCONTI – backing vocals

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieBKS  #BowieBoys  #BowieVideo

tags: 2017 September
Sunday 09.24.17
Posted by Joey Porterfield
 

ANCIANT Album Focus: Scary Monsters

“But he jumped into the furnace, Singing old songs we loved...”

(ANCIANT = A New Career In A New Town)

This is the second instalment of our album focus on David Bowie’s Scary Monsters (And Super Creeps).

Here’s another snippet from Tony Visconti taken from the introduction of the Scary Monsters recording notes in the ANCIANT book.

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When we began ‘The Man Who Sold The World’ David and I jokingly said, “Let’s make this our ‘Sgt. Pepper’s’.” With every album we made together since then, we aired that silly phrase again. On reflection, when I listen to ‘Scary Monsters’ it feels more like we made our ‘Revolver’. Maybe it’s because the opening of ‘It’s No Game (No. 1)’ is a tip of the hat to the opening of ‘Taxman’. We were pushing the boundaries further than we ever had with this album.

‘Revolver’ took about nine weeks to make. We spent four weeks at The Power Station in New York and another five weeks at my own Good Earth Studios in London. There was a two-month gap in between as David said he needed the time to write the lyrics and melodies. David had written the ‘Berlin trilogy’ in the studio, sometimes whilst singing the lead vocal on microphone! This was a departure from procedure.

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SCARY MONSTERS FACT FILE:

Released in the UK as RCA BOWLP 2 (PL 13647) on 12th September, 1980.
Peak UK chart position: #1
Peak US chart position: #12

Tracklisting

SIDE 1

1. IT’S NO GAME (PART 1)
2. UP THE HILL BACKWARDS
3. SCARY MONSTERS (AND SUPER CREEPS)
4. ASHES TO ASHES
5. FASHION

SIDE 2

1. TEENAGE WILDLIFE
2. SCREAM LIKE A BABY
3. KINGDOM COME
4. BECAUSE YOU’RE YOUNG
5. IT’S NO GAME (PART 2)

All songs written by DAVID BOWIE except ‘KINGDOM COME’ written by TOM VERLAINE.

Produced by DAVID BOWIE and TONY VISCONTI.

Recorded at THE POWER STATION, NEW YORK and GOOD EARTH STUDIOS, LONDON, by DAVID BOWIE and TONY VISCONTI in February and April, 1980.

Assistants at THE POWER STATION, NEW YORK – LARRY ALEXANDER and JEFF HENDRICKSON.

Bonus tracks on 1992 RykoDisc reissue:

Space Oddity (4:57) Re-recorded single B-side 1979
Panic In Detroit (3:00) Re-recorded version, previously unreleased, 1979
Crystal Japan (3:08) Japanese single A-side 1979
Alabama Song (3:51) UK single A-side 1979

Original UK Singles

Ashes To Ashes/Move On - August 1980 - (Issued with 3 covers and 4 sets of Bowie-designed stamps) (Peak UK chart position: #1)
Fashion/Scream Like A Baby - October 1980 - (Peak UK chart position: #5)
Scary Monsters (And Super Creeps)/Because You're Young - (Also issued as Bowie’s first cassingle) (Peak UK chart position: #20)
Up The Hill Backwards/Crystal Japan - (Peak UK chart position: #32)

Significant non UK Singles:

It’s No Game (Part One)/Fashion - October 1980 - Japan

Promotional videos were made for Ashes To Ashes and Fashion.

Listen to Scary Monsters on the official David Bowie: A New Career In A New Town playlist here.

Pre-order ANCIANT here.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieScaryMonsters

tags: 2017 September
Sunday 09.24.17
Posted by Joey Porterfield
 
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