Iggy and Bowie collaborations vinyl reissued

“Here comes Johnny Yen again”

UMC celebrates Iggy Pop’s 70th birthday with limited-edition coloured-vinyl editions of the three albums that David Bowie was a major part in the creation of: The Idiot (on orange translucent vinyl), Lust for Life (on clear vinyl) and TV Eye Live (on purple translucent vinyl).

The Idiot and Lust For Life are celebrating their 40th anniversaries this year, as is Iggy’s 1977 US tour that was captured on TV Eye Live.

The three new coloured-vinyl releases, which are remastered for the first time from the original analogue tapes, will be released on June 2nd. They will be bundled together in a limited-edition custom tote bag featuring the iconic cover art of The Idiot on one side and Lust For Life on the other, available exclusively here.

Keep reading for the full press release.

#BowieIggy #TheIdiot40 #LustForLife40 #TVEyeLive40

IGGY POP - THE IDIOT, LUST FOR LIFE & TV EYE LIVE
LIMITED EDITION 40th ANNIVERSARY COLOURED VINYL EDITIONS
REMASTERED FOR THE FIRST TIME FROM THE ORIGINAL ANALOGUE TAPES

LUST FOR VINYL: UMC RESURRECTS IGGY POP'S HISTORIC FIRST THREE SOLO LPS ON LIMITED EDITION
COLORED-VINYL EDITIONS w/LIMITED EXCLUSIVE TOTE BAG

Release Date - June 2nd 2017

As Iggy Pop celebrates his 70th birthday UMC celebrate Iggy's singular stature with new limited-edition coloured-vinyl editions of his first three solo albums, The Idiot (on orange translucent vinyl), Lust for Life (on clear vinyl) and TV Eye Live (on purple translucent vinyl).

The Idiot and Lust For Life are celebrating their 40th anniversary this year and completing the trilogy is TV Eye Live recorded during Iggy’s 1977 US tour.

The three new coloured-vinyl releases, which are remastered for the first time from the original analogue tapes, will be released on June 2nd. They will be bundled together in a limited-edition custom tote bag featuring the iconic cover art of The Idiot on one side and Lust For Life on the other, available exclusively here: https://ume.lnk.to/IggyPopLPs

All three titles feature their complete original cover art and will also be available in standard black vinyl editions.

Iggy Pop is one of music's genuine iconoclasts, a walking embodiment of all that is risky and dangerous about rock 'n' roll. He's also an artist of considerable depth, and the creator of a diverse body of work that demonstrates his uncanny ability to defy expectations and explore uncharted creative territory.

The Idiot, Lust For Life and TV Eye Live, originally released between 1977 and 1978, marked Iggy's surprise rebirth as a solo artist after the dissolution of his pioneering protopunk band The Stooges. They also marked a timely collaboration between Iggy and long-time admirer David Bowie. Bowie produced, co-wrote and played on The Idiot and Lust For Life, and plays keyboards on TV Eye Live.

The three albums form a trilogy that remains a cornerstone of Iggy Pop's album catalogue. On The Idiot, such standout tunes as "Nightclubbing," "Funtime," "Dum Dum Boys" and the original version of "China Girl" (later an '80s hit for Bowie) introduced listeners to a more cerebral, introspective Iggy, often substituting an understated sense of unease for The Stooges' raw aural assault.

Iggy's smiling face on the front cover of Lust For Life signals the album's more upbeat vibe than its predecessor, with such numbers as "The Passenger," "Success," "Tonight" and the anthemic title track embodying the album's swaggering essence and Iggy's reenergized creative vision.

In contrast with the focused studio craft of The Idiot and Lust For Life, TV Eye Live — drawn from four different 1977 U.S. shows with two different bands, one featuring Bowie on keyboards — captures the controlled chaos of Iggy's raw live performances, with memorable versions of "Lust For Life," "Sixteen" and "Nightclubbing," along with The Stooges’ standards "I Wanna Be Your Dog," "I Got A Right" and "T.V. Eye."

The Trouser Press Record Guide called Iggy Pop "a walking, talking one-man melodrama, reflecting both the scary, stupid extremes of rock and its fearless, indomitable spirit. From his early days fronting The Stooges through his surprising reincarnation as a solo artist in the late '70s, to his ongoing search for fulfilment up to the present day, Iggy has maintained the blend of restless intellect and animal hunger that gives his music its raw vitality."

Nowhere is Iggy Pop's hard-hitting hybrid of head and heart reflected more strongly than on The Idiot, Lust For Life and TV Eye Live, which now sound better than ever in these definitive vinyl editions.

The Idiot (Orange translucent vinyl)

A1 Sister Midnight 4:19
A2 Nightclubbing 4:14
A3 Funtime 2:54
A4 Baby 3:24
A5 China Girl 5:08
B1 Dum Dum Boys 7:12
B2 Tiny Girls 2:59
B3 Mass Production 8:24

Lust For Life (Clear translucent vinyl)

A1 Lust For Life 5:12
A2 Sixteen 2:23
A3 Some Weird Sin 3:40
A4 The Passenger 4:40
A5 Tonight 3:38
B1 Success 4:23
B2 Turn Blue 6:53
B3 Neighborhood Threat 3:22
B4 Fall In Love With Me 6:30

TV Eye Live (Purple translucent vinyl)

A1 T.V. Eye 4:22
A2 Funtime 3:20
A3 Sixteen 3:58
A4 I Got A Right 4:27
B1 Lust For Life 4:01
B2 Dirt 5:18
B3 Nightclubbing 6:14
B4 I Wanna Be Your Dog 4:16

Bowie UK’s best-selling RSD album and single

“I'm lost in streams of sound”

The Official Charts Company (OCC) has announced that David Bowie is the best-selling artist of Record Store Day 2017.

Patient Bowie fans queued for hours (some since the previous night), to be first in line to snap up exclusive RSD Bowie vinyl on Saturday morning (22nd).

The clear blue vinyl No Plan EP qualified for the Official Singles Chart and when sales of the traditional black variant (released on vinyl 12" on Friday) were included, the EP rounded out the weekend as the biggest selling vinyl single, hitting the Official Singles Chart Update Top 40 on Monday.

Cracked Actor tops the list of albums exclusively issued for #RSD2017, while the BOWPROMO release finished as the second best-selling exclusive. Both impacted the Official Albums Chart's midweek update on Monday.

Record Store Day organisers, the Entertainment Retailers Association, (ERA) will provide a full analysis of RSD UK later this week, with a look at sales figures, the new stars of Record Store Day, and insight from indie retailers about the sheer number of fans who came to their stores across the country.

The best-selling vinyl albums of Record Store Day 2017 are:
#1 - CRACKED ACTOR (LIVE IN LOS ANGELES 74) - DAVID BOWIE
#2 - BOWPROMO - DAVID BOWIE
#3 - GREATEST HITS - THE CURE
#4 - HAMMERSMITH ODEON LONDON '75 - BRUCE SPRINGSTEEN & E ST BAND
#5 - GOD SAVE SEX PISTOLS - SEX PISTOLS
©2017 Official Charts Company. All rights reserved.
The best-selling vinyl singles of Record Store Day 2017 are:
#1 - NO PLAN EP - DAVID BOWIE
#2 - THE BOY WITH THE THORN IN HIS SIDE - THE SMITHS
#3 - INTERSTELLAR OVERDRIVE - PINK FLOYD
#4 - RED HILL MINING TOWN - U2
#5 - STRAWBERRY FIELDS FOREVER - BEATLES
©2017 Official Charts Company. All rights reserved.

Thanks to all of you that partook of RSD 2017 to make it such a huge success.

#BowieRSD #RSD2017 #BowieVinyl #BowieNoPlanEP #CrackedActor #BOWPROMO #BowieOCC

Iman’s anniversary tribute to David

On the 25th anniversary of David Bowie and Iman's private civil wedding ceremony at Lausanne registry office, Switzerland in 1992, Iman paid a beautiful tribute:

“With you went so much of me“ – Iman

#BowieForever

TV talks Bowie ’74 and mixing Cracked Actor

“Crack baby crack, show me you're real”

Ahead of tomorrow’s RSD vinyl issue of Cracked Actor (Live In Los Angeles 1974), Tony Visconti has kindly written a few words for us about catching Bowie in performance in 1974 and the emotional task of mixing Cracked Actor for release...

I had the good fortune to see one of the earlier versions of the Diamond Dogs tour in New York. It was the most ambitious stage design I had ever seen for a Rock show. There was a suspension bridge between two towers. David would disappear and reappear minutes later at the top of the bridge. As he sang Sweet Thing the bridge would descend to the bottom and he stepped off to finish the song on the stage.
He also sang Space Oddity into a telephone whilst suspended over the audience, sitting in a chair attached to the arm of a cherry picker. These mechanical props often malfunctioned making a night to remember. The choreography was created by Toni Basil, another first, for the interactive dancing between David, Warren Peace and Gui Andrisano. By the time the tour reached Los Angeles the personnel had changed and the band was smaller.
Michael Kamen left the tour and Mike Garson played all the keyboard parts. Carlos Alomar and Luther Vandross were added as well as an American based rhythm section. By then the band was well greased and the show went off like clockwork. David was a lot looser, he seemed to be ecstatic that night; so apparent with some very adventurous, almost acrobatic, interpretations of his older songs and his quirky banter with the audience.
The set changed a bit from earlier shows although most songs were a combination of Diamond Dogs and older classics. Now very pleased with the Young Americans album we had recorded during a tour break he introduced some new songs without saying the name of the new album. They were It's Gonna Be Me (very well received) and a frantic paced finale of John I'm Only Dancing (Again). Before the long instrumental outro had finished David was already being driven away in his limo. A solemn voice announced to the audience clamouring for an encore, “Mr Bowie has left the building."
Revisiting this era in the post-Blackstar period had me a little choked up. David used to sit just behind me when we were working on that album and now I was mixing his incredible vocal performances from 1974. I couldn't help turn to where he once sat and ask, “Well, what do you think of that mix?”.
Tony Visconti - April 2017

Thanks Tony, that’s made a few eyes leak.

Go here for more detail regarding Cracked Actor.

Main image: Terry O'Neill : Iconic Images

#BowieRSD #RSD2017 #BowieVinyl #CrackedActor

Never Let Me Down is 30 today

"When all your faith is failing, Call my name"

Thirty years ago today, David Bowie released his seventeenth studio album, Never Let Me Down.

The album hasn't weathered well over the years...it's had a track surgically removed from it, never to be spoken of again, and even its creator didn’t have the nicest things to say about it.

Despite all this, it did reach #6 in the UK album chart back in 1987 and was certified gold three months later.

Three singles were released from the album: Day-In Day-Out, Time Will Crawl and Never Let Me Down, all of which reached the UK Top 40 and the accompanying Glass Spider Tour was also a huge commercial success.

If you've not heard it in a while, give it another spin...it's better than you probably remember it.

That's a clutch of European press adverts for the release illustrating this item.

#BowieNLMD #GlassSpider

No Plan EP clear blue 12" release dates

“I’ve got Friday (and Saturday) on my mind”

Back in February when we told you about the numbered, limited edition (one-run only), clear blue vinyl 12" of the No Plan EP (produced exclusively for independent record shops), we stated that it would be released internationally on April 21st.

That’s still the plan in North America, but the UK has it as a Record Store Day (RSD) only release, which is this coming Saturday the 22nd...as if you didn’t already know.

There may be other territorial adjustments, but either way it’s probably best to check that your local emporium is stocking the record before you make the trip.

Here’s a recap of the different configurations of the physical No Plan EP.

~ CD - FEBRUARY 24 (available via all usual outlets)
~ BLACK VINYL 12" - APRIL 21 (available via all usual outlets)
~ LIMITED EDITION NUMBERED CLEAR BLUE VINYL 12" - APRIL 21 (22 in UK) (Available exclusively from independent stores)
~ LIMITED EDITION NUMBERED MADE-TO-ORDER DIE-CUT WHITE VINYL 12" WITH EXCLUSIVE ARTWORK LITHOGRAPH - MAY 26 (Now fully subscribed, but was available exclusively here: http://smarturl.it/DavidBowieNoPlanEP)

Links below to full RSD release schedules.

http://smarturl.it/RSD17US
http://smarturl.it/RSD17UK

#BowieNoPlan #BowieNoPlanEP #BowieVinyl #RSD17

Dead Man Walking is 20 today

“like I'm dancing on angels”

With all the attention on the release of a fifty-year-old novelty song today, the twenty year anniversary of the Dead Man Walking single seems to have been somewhat overlooked.

Released on April 14th 1997, the song was written by David Bowie and Reeves Gabrels and released as the third single from the 1997 Earthling album.

The video was created under the genius direction of Floria Sigismondi, who fans will be aware of via other startling videos and photographs she created for Bowie.

Go watch the full thing now over on the Floria Sigismondi site, and have a poke around for other great Bowie content while you’re about it.

FOOTNOTE: The Easter observers among you may have noticed the perfect timing of Gail’s crucifixion mask. If not, you have now.

#DeadManWalking #BowieEarthling #BowieSigismondi

Bowie worldwide 7" discography book updated

“The solid book we wrote, can now be found again”

Continuing on from fan-produced Bowie items we mentioned last week, we thought we’d mark today’s 50th anniversary of the original 1967 release of The Laughing Gnome 7", with a look at something relevant to that.

Back in 1994 Marshall Jarman self-published the brilliantly researched DAVID BOWIE WORLD 7” RECORDS DISCOGRAPHY 1964 – 1981. More than a labour of love, this king of Bowie collectors actually ended up out of pocket, as he explains...

“When I published this book way back in 1994, it cost me £12,000 and I took back £10,500 in sales, so my own copy was rather expensive. A project such as this isn't exactly Harry Potter! Then lots of people were angry 'cos they expected a free copy for sending me a photocopy. This didn't encourage me to update it.
The CEO of Swiss company Atheris, who is a huge Bowie fan and collector himself, offered to sponsor this long overdue update. In other words, his company provided the money, the technical layout work and the handling, all I had to do was the updating, they’ve done the rest.”

Here’s the blurb for the update...

DAVID BOWIE WORLD 7” RECORDS DISCOGRAPHY 1964 – 1981 by Marshall Jarman and Reto Stocklin

SPECIAL DELUXE EDITION

A completely updated edition of Marshall Jarman’s landmark discography, including:

- Addendums with dozens of records that weren’t in the first edition, including many previously unseen acetates
- Most records now photographed in colour
- 1st printing in a strictly limited deluxe edition
- A4 - 180 pages - hard cover - gloss finish plus jacket - heavy paper
- Each copy is numbered and signed by the authors with a personalised dedication

Our montage shows a handful of the rarer featured items, from among the hundreds pictured in the book.

Left to right from top left...

01 - Space Oddity Japan promo label (issue is blue) (Philips 1970)
02 - Drive-In Saturday Netherlands test pressing (RCA 1973)
03 - The Laughing Gnome UK acetate version #3 (Decca 1967)
04 - Space Oddity Japan picture sleeve (accompanies 01) (Philips 1970)
05 - Draft cover of DAVID BOWIE WORLD 7” RECORDS DISCOGRAPHY 1964 – 1981 (2017)
06 - Liza Jane UK stock copy (Vocalion 1964)
07 - 1984/Dodo US unofficial 'Fan Club' only release (1974)
08 - Time US picture sleeve (not widely distributed) (RCA 1973)
09 - Sorrow Mexico picture sleeve (RCA 1973)
10 - Changes UK test pressing (RCA 1972)
11 - Fame Columbia picture sleeve (RCA 1975)

You can own this new updated edition for less than the typical cost of a second-hand original copy on eBay.

Email here for more information and ordering details: db7@matoxine.com

Also, check out this dedicated FaceBook page.

#BowieVinyl #WorldBowie7s

O’Neill’s When Ziggy Played The Marquee book due

“Ziggy really sang”

Hard to imagine in these days of instant news distribution, just how important the likes of Terry O’Neill were (particularly Terry O’Neill), in keeping us in tune with Bowie’s latest look via daily newspapers and the music press.

Indeed, aside from the lucky attendees at the Marquee filming sessions in October 1973, the first glimpse fans got of Bowie’s latest sartorial sensations was via Terry O’Neill’s centre page photo spread in the Daily Mirror, considered important enough at the time to be highlighted on the front page.

Now, 44 years later, Terry has compiled a slim, and quite beautiful volume of the pictures from the filming, as outlined in the blurb below.

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WHEN ZIGGY PLAYED THE MARQUEE
When David Bowie played The Marquee Club in October 1973, most of those who attended at this famed small venue did not realise that this would be the last performance Bowie would ever give as Ziggy Stardust.
Terry O'Neill, celebrated photographer, was given unprecedented access to document the event; a command performance for the American television program 'Midnight Special' and a show Bowie would name 'The 1980 Floor Show.' O'Neill captured Bowie and his crew backstage as they went through costume changes, and on-stage Bowie as he transformed into the character he'd soon put to rest. As O’Neill dodged television cameras and lights, he captured this significant moment in music history.
O'Neill remembers "Bowie became a character when he performed. As much as a person takes a role in a play for the West End or on Broadway, learning the lines, putting on the costumes - this was, I think, the way he treated his stage. That night at the Marquee, I witnessed a modern-day Hamlet - and it was Ziggy Stardust".
Award-winning music writer Daniel Rachel interviews key contributors from that day, including O’Neill, Ava Cherry, Amanda Lear, Suzi Ronson and Geoff MacCormack – along with new insights and memories from fans who were in the audience who played witness to this incredible moment in music history.
This stunning paper-over-board book with a printed case will be packaged with a clear neon acetate jacket.
Published by ACC Editions, Due Mid October
Unsigned - £29.95 / Terry O’Neill Signed Edition - £60.00
Website: www.bowieatthemarquee.com
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Stay tuned for some exclusive, previously unpublished images from the book.

#BOWIEbyONEILL #BowieAtTheMarquee

Rick Wakeman first play of Kooks on Radio 2

“Will you stay in our lovers’ story”

Following on from last month’s exclusive BBC first play of the Bombers/Andy Warhol Intro from the BOWPROMO RSD release, a rare early mix of Kooks from BOWPROMO is to be given its first official radio play on Rick Wakeman’s Key To Keys programme.

Rick played piano on the original recording of Kooks, among other tracks on the classic 1971 Hunky Dory, such as Life On Mars? and Quicksand.

On the show, Rick shares his memories of the sessions at Trident studios and the Trident piano used for the recordings:

“I must have played on 200 sessions and I can recall some of them. I remember the ones that were just so special and Hunky Dory is definitely among them.”
“This piano just recorded sensationally. It was a semi-closed, cloth over the top, which the engineers used special mics for. For whatever reason, they just got the most fantastic sound. And everyone who wanted a piano based track wanted to use it. David Bowie used it an awful lot. I did tracks with Marc Bolan there, I did Al Stewart tracks there.”
“The reason that it was such an interesting sound was that the piano was just at the right age. The hammers, where they are soft when they are brand new, had slowly worn down so they didn’t sound brittle or nasty; it was just that lovely in between. There were two to three years where the Trident piano was at its absolute best and people paid premium money to go in there and use it. It was a joy to play on.”

During the show Rick also plays some of his other favourite and notable keyboard tracks. He is joined at the Radio 2 Elton John piano by his son Adam, who will discuss his father's influence on him and his own work with Black Sabbath, Annie Lennox, Will Young, Atomic Kitten, Travis and 10cc, amongst others.

Rick Wakeman’s Key To Keys is broadcast on BBC Radio 2 on Easter Monday, April 17th, 9.00 - 10.00pm.

#BOWPROMO #BowieKooks #R2Bowie #BowieWakeman #BowieRSD #BowieVinyl #RSD2017

S&V is best-selling single of 2017 so far

“Don't you wonder sometimes, 'Bout sound and vision...”

Many thanks to the David Bowie vinyl buyers out there, as his releases continue to perform very well on the UK’s Official Vinyl Charts.

The Official Charts Company have announced this morning that the Sound And Vision 40th anniversary picture disc is the best-selling vinyl single in the first quarter of 2017, and that there are three Bowie albums in the Official Top 40 bestselling vinyl albums of 2017 so far, including last year’s best-selling vinyl album, ★.

Bowie albums in the Official Top 40 bestselling vinyl albums of 2017 so far:

#03 - LEGACY
#13 - ★
#32 - ZIGGY STARDUST

Bowie singles in the Official Top 40 bestselling vinyl singles of 2017 so far:

#01 - SOUND AND VISION
#28 - SUE (OR IN A SEASON OF CRIME)

Read the full announcement here.

#BowieVinyl #BowieOCC

1971 Aylesbury Friars poster discovered

“So where were The Spiders?”

In our recent piece regarding the first Ziggy Stardust gig at Aylesbury Friars on January 29th, 1972, we promised an exclusive first look at an even rarer Bowie Aylesbury Friars poster than the one for that January show.

On 25th September 1971, Bowie chose Aylesbury Friars Borough Assembly Hall to showcase much of the forthcoming Hunky Dory album. Initially performing as a duo with Mick Ronson, the show cranked up somewhat with the addition of new boys, Woody Woodmansey and Trevor Bolder. Later still in the set, ex Animal Tom Parker played piano.

This is the first recorded instance of Bowie and all three Spiders on stage together, though they hadn't yet been given that particular label. (Thus today’s lyric quotation.)

Here’s the setlist:

01 - Fill Your Heart
02 - Buzz The Fuzz
03 - Space Oddity
04 - Amsterdam
05 - The Supermen
06 - Oh! You Pretty Things
07 - Eight Line Poem
08 - Changes
09 - Song For Bob Dylan
10 - Andy Warhol
11 - Queen Bitch
12 - Looking For A Friend
13 - Round And Round
14 - Waiting For The Man

With a ticket price of 50p, that works out at approximately three and a half new pence per song! Anyway, our montage shows the original poster for that very show along with a shot of DB, purportedly from the night.

Until recently, the delightfully, diminutive John ‘Bamalama’ Brett, was thought to own the only copy of the poster to have survived, albeit incomplete and a bit ragged. However, David ’FD’ Stopps (head honcho at Friars since the birth of humankind), recently acquired a complete poster in great condition.

As part of the Aylesbury Bowie Statue Campaign, a numbered reproduction of the poster will be made available as one of the pledges. You can still support the project here.

To bring things full circle, the only surviving Spider, Woody Woodmansey, will play the town again on Monday (April 3rd) for the first time since 1972.

Along with his Holy Holy outfit, Woody will be performing the Ziggy Stardust album in its entirety, along with at least three songs from the above setlist and more. If you’re hoping to attend, you’d better be quick, tickets are almost sold out. Full tour here.

#BowieZiggyStardust #BowieFriarsAylesbury #BowieAylesburyStatue #HolyHoly2017 #HolyHolyZIGGY #HolyHolyTVWW

Bowie by Duffy at EBOW in Dublin

“Hit me baby, On the camera, Take me in”

For its first show in nearly 5 years, the EBOW gallery in Dublin will re-open to the public next month to play host to the Irish instalment of the Bowie by Duffy exhibition.

Curated by Chris Duffy and David Douglas, the exhibition is free to get in and it runs from Saturday April 15th for approximately three weeks.

Go here for more information.

#DuffyBowie #BowiebyDuffy #EbowArtGallery

Footage of Ziggy backstage in Dunstable

“Let me introduce you to the gang”

As previously mentioned, Shot! The Psycho-Spiritual Mantra of Rock, features unseen archival footage and unearthed audio recordings of some of Mick Rock’s most famous subjects, including Bowie, Queen, Lou Reed, Iggy Pop and Pink Floyd founder Syd Barrett.

Rolling Stone has the exclusive on one such piece, with a 45-year-old tantalising glimpse of Bowie and The Spiders backstage at Dunstable Civic Hall, on June 21st, 1972. View it here.

In addition to Rock's landmark work and his relationships with rock legends, the documentary also focuses on the photographer's battle with drug addiction and a near-death experience he had in his youth.

Shot! will be released in theatres on April 7th, the same day the film heads to Amazon Video, iTunes and other services.

In a September 2015 interview with Rolling Stone, Rock spoke at length about working with Bowie early in the icon's career.

“He was very open and relaxed with me. It seemed kind of normal at the time,” Rock said of Bowie. “He wasn't saying, ‘Don't shoot this, don't shoot that.’ He was a very positive and encouraging personality. He was not closed, he was very open. He wanted me to take the pictures.”

Watch the superb trailer for SHOT! Over on Apple now.

#BowieMickRock #MickRockFilm #BowieTASCHEN

Raymond Weil announces the David Bowie freelancer

“Oh well I look at my watch, it says 9:25”

Raymond Weil CEO, Elie Bernheim (pictured), proudly introduced the Limited Edition David Bowie freelancer at the #baselworld2017 fair today.

Mr Bernheim had this to say regarding Bowie.

“He was an artist in a league of his own, a visionary, multi-faceted icon whose work is testimony to an exceptional career as a musician and a creative. His metamorphoses both in terms of style and music studded his career, catapulting both himself and his characters to legendary status. He embodies the free spirit that has guided RAYMOND WEIL day after day since it was created”

Aside from the Bowie references on the watch face, another cool feature is the iconic Terry O’Neill photograph from 1974 printed on the sapphire of the watch’s case-back.

Terry spoke of his honour to have been involved with the project.

“I’ve always felt that there was a real synergy behind great timepieces and photography. The precision of keeping time is akin to a photographer needing to know the exact moment to capture an iconic image. As a watch collector myself, this RAYMOND WEIL collaboration is a wonderful project to be affiliated with. Their watches are a thing of beauty. I’m thrilled they’ve selected to pay tribute to David Bowie in such a way and I’m honoured to be a part of it.”

Produced in a 3,000-piece limited, numbered series, the freelancer David Bowie will be released later in the year.

#RWDavidBowie #RAYMONDWEIL #BOWIEbyONEILL

PLACEBOWIE 12" for RSD plus BBC first play

“Without you, I'm nothing at all”

Another disc just announced for Record Store Day (RSD) 2017, is the first ever vinyl pressing of ‘Without You I’m Nothing’, the Placebo single featuring the vocals of David Bowie, affectionately nicknamed PLACEBOWIE.

Originally released in 1999 as a four track CD only, it will now be issued for the first time on vinyl as a 3-track 12" picture disc limited to 5000 copies. Tracklisting below...

A
1. Without You I’m Nothing feat David Bowie (Single Mix)
2. Without You I’m Nothing feat David Bowie (UNKLE Remix)
B
1. Without You I’m Nothing feat David Bowie (The Flexirol Mix)

As with all RSD releases, this record can only be purchased from participating record stores worldwide on Saturday April 22nd. For more info on this release and to find your closest participating store visit: http://smarturl.it/RSD-UK and http://smarturl.it/RSD-US

Meanwhile, we’re happy to be able to tell you that the BBC has an exclusive first play of the “Bombers / Andy Warhol Intro” from the BOWIEPROMO RSD release.

The track airs on the Shaun Keaveny show on BBC Radio 6 Music tomorrow morning (March 22nd). The show starts at 7:00am.

#PLACEBOWIE #BowieRSD #RSD2017 #BowieVinyl #BowieBBC6Music

Iggy’s The Idiot is forty today

“I’m an idiot for you”

Iggy Pop’s The Idiot album was released on March 18th, 1977, and its influence is still being felt forty years later.

Along with Bowie’s own Low album, The Idiot was a real game-changer for artist and listener alike.

It’s probably a cliché to say how new both these albums sounded back in 1977, but nevertheless, it’s true.

They sounded like they shouldn’t have been made yet and although they were both instant classics to the faithful, both records are still generally underappreciated.

Though Low was released a couple of months ahead of The Idiot, the latter was made first.

The Idiot was recorded at the Château d'Hérouville (France) and Hansa Studios, Berlin in 1976.

As stated on the back of the original sleeve, Iggy’s album was: Recorded by David Bowie and mixed by Tony Visconti, whereas Low was a Bowie/Visconti production.

Despite this lack of a production credit for The Idiot, later issues of the album had a large Produced by David Bowie label on the front cover.

Here’s Iggy regarding the recording process taken from the original press release...

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“When we went into the studio, we didn't have any finished tracks at all. We just strolled in with a lot of themes and feelings we liked. David would work on the music at one time, and I would drift in and out and listen to it. Then I would come in on my own and put on the vocals. Then he would hear what I had done, and of course that would change the nature of the music. So the tracks grew from that kind of back and forth.”

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The Idiot entered the UK album chart and peaked at #30 upon release. China Girl and Success were released as singles but failed to bother the singles chart.

Bowie’s success with his own version of China Girl six years later, apparently provided Iggy with his pension fund. But that’s a whole other story.

Shortly after Bowie passed last year, Iggy spoke to Jon Parelesjan of the New York Times in more detail about his working relationship with Bowie in the recording studio.

It's a fascinating and emotional piece. Check it out here.

#BowieIggy #TheIdiot40

Bowie and Iggy 1977

“We're what's happening”

In celebration of 40 years of Iggy Pop’s The Idiot, here’s a few pics of its creators in 1977.

The colour shot of Bowie at the keyboard was taken by Andy Kent at a soundcheck during The Idiot Tour.

The picture of Bowie on the left was taken by Koh Hasebe at the combined Japanese press conference for Low and The Idiot. Both Bowie and Iggy faced the press on the day, with much tomfoolery in evidence by the pair.

The mono pic is another shot of the boys having a bit of a laugh, slightly at odds with the mood set by Low and The Idiot.

#BowieIggy #TheIdiot40

Mick Rock’s first Bowie photo is 45 tonight

“Because you're young - you'll meet a stranger some night”

Right about now (forty five years ago to the hour), the audience at Birmingham Town Hall were among the first people in the UK to experience the life-changing delights of the Ziggy Stardust stage show.

Before our man took to the stage with his merry band of space invaders, Mick Rock had his first meeting with the 25-year-old Bowie. Here’s what the Man Who Shot The 70s had to say about that moment.

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That was the first time I met him. In fact, I think this was the very first frame I shot of him. I shot about four frames backstage. In those early days, because of their modest income, magazines would get you to do the words and the pictures.
I do remember a kind of obvious exchange, of David saying “Oh I like your name, mate, is it real?” Because it sounded a bit like a parody. I mean, a photographer called Mick Rock... You couldn’t have a performer called that, it would be too much. Besides Mick Jagger had already taken up any space that was allocated to the Micks of this world.
We swapped anecdotes; he wanted to hear about Syd and I wanted to know about Lou Reed and Iggy Pop. We talked about how Syd had had it all. Syd and David were similar in the way that neither of them sang like an American. At that time there was a big American influence on music, but Syd and David went against that and sang in a British way.
David was very aware of Syd; very interested in him. Of course, in 1973 David did a cover version of 'See Emily Play' for his Pin Ups album. There were many parallels between Syd and David early on; although clearly David had a much tougher psyche. David's 'The Man Who Sold The World' always makes me think of Syd. It's a perfect description of him."
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Meanwhile there are just three weeks to go (April 7) till you can see Mick’s rockumentary, SHOT!, in cinemas, on demand and via iTunes and Amazon.

Watch the superb trailer for SHOT! over on Apple now.

#BowieMickRock #MickRockFilm #BowieTASCHEN

McCaslin’s Warszawa video exclusive and live review

“The jazz of life”

We’ve mentioned Donny McCaslin and his band and the magnificent work they contributed to David Bowie’s Blackstar album and the No Plan EP more than once on these pages.

We also told you about Donny’s solo album, Beyond Now, in October last year.

Here’s an excerpt from a piece about it taken from the Guardian’s review...

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The experience of creating music with Bowie proved so deep, and its aftermath so jarring, that McCaslin decided to turn his new album, Beyond Now, out 14 October, into a tribute. It includes several transformative covers of Bowie songs, including Warszawa from Low, and A Small Plot of Land from Outside, along with a song McCaslin wrote inspired by a piece Bowie left off Blackstar.
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Now Donny and the band have created a stylishly moody video to accompany their haunting version of Warszawa, and Donny kindly gave us the heads up. Here it is.

Keep up to date with all of Donny’s goings-on on his FB page.

#BowieMcCaslin #DonnyMcCaslinBeyondNow #DonnyMcCaslin

One of the very best gigs we attended last year, was Donny’s amazing performance at the London Jazz Festival in November. Check out a review of that show by Time Out writer, Liz tray.

Donny McCaslin, EFG London Jazz Festival – Rich Mix, November 15. Review by Liz Tray

Make no mistake, Donny McCaslin, this genial giant sax player from California, has had a distinguished career in jazz. He's spent nearly three decades carving out a groove in modern jazz playing, starting with filling the huge shoes of Michael Brecker in the legendary fusion group Steps Ahead. With three Grammy nominations to his name, he's become the trusted right-hand man of bandleader Maria Schneider, herself a multiple Grammy winner. The dreaded term 'crossover' has come to be applied in jazz to artists who break out of the somewhat closed jazz world (closed to mainstream rock/pop fans, in that sense) and make a break across the aisle. In the 70s it was Herbie Hancock who did it, and even before then Miles Davis - the greatest jazz artist of all time - had broken the mould, with Kind Of Blue becoming the best-selling, and most famous, jazz album of all time.

Historically, plenty of pop musicians (looking at you, Sting) have sought out jazz players on their records to give them a bit of cool. And as a lifelong jazz fan, Bowie was no different, taking on saxophonist David Sanborn and trumpeter Lester Bowie to play on his records, among others. Even Mike Garson, of course, is a jazz player. As we all know, Bowie was one of the great casting directors of our time. But beyond bit parts - musicians popping up - he had never given over an entire record to jazz musicians, until Blackstar. Everyone knows the story. He wanted to continue his collaboration with Schneider after their magnificent foray with Sue (Or In A Season Of Crime) in 2014. But she had already committed to The Thompson Fields project. So she pressed a copy of McCaslin's Casting For Gravity into his hand (having sent him the track Stadium Jazz first) and suggested they visit Greenwich Village's Bar 55 to see his quartet (with Mark Guiliana, Tim Lefebvre and Jason Lindner). McCaslin says he spotted Bowie sitting at a table with Schneider, and tried to keep calm, as you would, and just concentrate on playing. Shortly after, he got an invite to perform on what would turn out to be Bowie's last album. Since then, one imagines, his feet haven't touched the ground as suddenly, this brilliant, powerful quartet have become among the most famous jazz musicians in the world.

During a short European tour, McCaslin's group (minus Lefebvre, whose regular gig - with the arena-filling Tedeschi Trucks Band - called; replaced by Jonathan Maron) dropped into Shoreditch's Rich Mix, packing out the overheated main room and shaking the walls. They'd dropped into London to play some stuff from his new Beyond Now album, a follow-up to last year's excellent Fast Future. You could tell the crowd had some Bowie fans at their first jazz gig present; they looked a bit shell-shocked. As I heard someone say, listening to jazz on record is hardly like seeing it live. It's so much more visceral, muscular, and frankly, louder than you can imagine, especially with a fusion quartet like the one McCaslin leads. The bass thundered. Lindner's synthesiser textures lent a cosmic vibe reminiscent of the early 70s electric work of Keith Jarrett when he was playing with Miles. Guiliana's complex, intricate drumming evoked the greats; one can feel comfortable comparing him to all-time greats like Elvin Jones and Jack DeJohnette, alongside recent masters like Brian Blade and Kendrick's drummer Ron Bruner Jr. That's how good he is. Get his 2015 album Family First, you won't regret it.

McCaslin leads this band through twisting and turning renditions of songs new and old. You might have expected Warszawa to be on the setlist, and you'd be right. The band closed with it. Less expected but incredibly welcome were two more Bowie songs. First, one that caused the room to take a sharp intake of breath - Lazarus. It sends a chill, until of course the sax takes over from where the voice should be and then it takes off, with the closing section containing some absolutely remarkable playing from McCaslin, who was on fire all evening. Then, a lovely surprise, the very familiar drum part of Look Back In Anger kicks in and off we go. The room was electrified. If you'd never seen a jazz gig before, or if you'd seen 100, this was a top class night.