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ANCIANT Video Focus: Boys Keep Swinging

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“They’ll never clone ya...“

(ANCIANT = A New Career In A New Town)

One of the very best 45s of all time (and another Top Ten hit for David Bowie in the UK) was the first single from 1979’s Lodger, Boys Keep Swinging. And it was accompanied by an equally brilliant video.

The Bowie/Visconti produced tongue in cheek ode to the joys of gender stability, was a breath of fresh air in a musical landscape dominated by folk taking themselves a little too seriously.

Both the humour and the role reversal of the recording (Guitarist Carlos Alomar played drums and drummer Dennis Davis played bass), transferred perfectly to the David Mallet-directed video (Mallet’s first in a string of classic Bowie promos, as you will see), with Bowie taking on the guise of his own female backing singers.

If you’ve not had the pleasure yet, go and enjoy Boys Keep Swinging now.

The players...

DAVID BOWIE – vocals, guitar
DENNIS DAVIS – bass
TONY VISCONTI – bass
CARLOS ALOMAR – drums
ADRIAN BELEW – guitar
SIMON HOUSE – violin
BRIAN ENO – piano
DAVID BOWIE and TONY VISCONTI – backing vocals

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieBKS  #BowieBoys  #BowieVideo

tags: 2017 September
Sunday 09.24.17
Posted by Joey Porterfield
 

ANCIANT Album Focus: Scary Monsters

“But he jumped into the furnace, Singing old songs we loved...”

(ANCIANT = A New Career In A New Town)

This is the second instalment of our album focus on David Bowie’s Scary Monsters (And Super Creeps).

Here’s another snippet from Tony Visconti taken from the introduction of the Scary Monsters recording notes in the ANCIANT book.

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When we began ‘The Man Who Sold The World’ David and I jokingly said, “Let’s make this our ‘Sgt. Pepper’s’.” With every album we made together since then, we aired that silly phrase again. On reflection, when I listen to ‘Scary Monsters’ it feels more like we made our ‘Revolver’. Maybe it’s because the opening of ‘It’s No Game (No. 1)’ is a tip of the hat to the opening of ‘Taxman’. We were pushing the boundaries further than we ever had with this album.

‘Revolver’ took about nine weeks to make. We spent four weeks at The Power Station in New York and another five weeks at my own Good Earth Studios in London. There was a two-month gap in between as David said he needed the time to write the lyrics and melodies. David had written the ‘Berlin trilogy’ in the studio, sometimes whilst singing the lead vocal on microphone! This was a departure from procedure.

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SCARY MONSTERS FACT FILE:

Released in the UK as RCA BOWLP 2 (PL 13647) on 12th September, 1980.
Peak UK chart position: #1
Peak US chart position: #12

Tracklisting

SIDE 1

1. IT’S NO GAME (PART 1)
2. UP THE HILL BACKWARDS
3. SCARY MONSTERS (AND SUPER CREEPS)
4. ASHES TO ASHES
5. FASHION

SIDE 2

1. TEENAGE WILDLIFE
2. SCREAM LIKE A BABY
3. KINGDOM COME
4. BECAUSE YOU’RE YOUNG
5. IT’S NO GAME (PART 2)

All songs written by DAVID BOWIE except ‘KINGDOM COME’ written by TOM VERLAINE.

Produced by DAVID BOWIE and TONY VISCONTI.

Recorded at THE POWER STATION, NEW YORK and GOOD EARTH STUDIOS, LONDON, by DAVID BOWIE and TONY VISCONTI in February and April, 1980.

Assistants at THE POWER STATION, NEW YORK – LARRY ALEXANDER and JEFF HENDRICKSON.

Bonus tracks on 1992 RykoDisc reissue:

Space Oddity (4:57) Re-recorded single B-side 1979
Panic In Detroit (3:00) Re-recorded version, previously unreleased, 1979
Crystal Japan (3:08) Japanese single A-side 1979
Alabama Song (3:51) UK single A-side 1979

Original UK Singles

Ashes To Ashes/Move On - August 1980 - (Issued with 3 covers and 4 sets of Bowie-designed stamps) (Peak UK chart position: #1)
Fashion/Scream Like A Baby - October 1980 - (Peak UK chart position: #5)
Scary Monsters (And Super Creeps)/Because You're Young - (Also issued as Bowie’s first cassingle) (Peak UK chart position: #20)
Up The Hill Backwards/Crystal Japan - (Peak UK chart position: #32)

Significant non UK Singles:

It’s No Game (Part One)/Fashion - October 1980 - Japan

Promotional videos were made for Ashes To Ashes and Fashion.

Listen to Scary Monsters on the official David Bowie: A New Career In A New Town playlist here.

Pre-order ANCIANT here.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieScaryMonsters

tags: 2017 September
Sunday 09.24.17
Posted by Joey Porterfield
 

ANCIANT Video Focus: "Heroes"

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“Standing tall in the dark...”

(ANCIANT = A New Career In A New Town)

Day two of our daily look at the promotional videos Bowie made in the period covered by ANCIANT, perfectly timed for today’s 40th anniversary of the release of the "Heroes" single, more of which, later.

Another sparse affair, the Nick Ferguson-directed "Heroes" promo film followed the feel of the previous two Bowie videos, Life On Mars? and Be My Wife, albeit in negative.

As opposed to the bleached out white background, Bowie was dressed in dark clothing, backlit in a darkened room with no props.

Watch the full video here.

#ANCIANTbox  #ANewCareerInANewTownBox  #DBHERO40  #BowieHeroes  #BowieVideo

tags: 2017 September
Saturday 09.23.17
Posted by Joey Porterfield
 

"Heroes" single is forty years old today

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“I, I can remember"

On Friday 23rd September 1977, David Bowie released the title track from his forthcoming album, "Heroes", as a 7" 45 backed by V-2 Schneider. The track has a rich history and a prominent place in popular culture, deservedly so.

Originally Bowie claimed that "Heroes" was inspired by a pair of young lovers he used to watch from the studio window of Hansa as they met by the Berlin Wall: “I thought of all the places to meet in Berlin, why pick a bench underneath a guard turret on the Wall? And I, using license, presumed that they were feeling somewhat guilty about this affair and so they had imposed this restriction on themselves, thereby giving themselves an excuse for their heroic act. I used this as a basis.”

Co-producer Tony Visconti later revealed that Bowie was simply covering for Tony’s secret rendezvous with his lover, "Heroes" backing singer Antonia Maaß. “It was us. Coco was sitting up in the control room with David, and both of them said, ‘We saw you walking by the wall,’ and that’s where he got that idea from. Because I was married at the time, David protected me all these years by not saying that he saw Antonia and me kiss by the wall.”

In 2003 Bowie confirmed the truth: “I always said it was a couple of lovers by the Wall that prompted the idea for "Heroes". Actually, it was Tony Visconti and his girlfriend. Tony was married at the time, so I couldn’t talk about it. But I can now say that the lovers were Tony and a German girl that he’d met while we were in Berlin. I think possibly his marriage was in the last few months. And it was very touching because I could see that Tony was very much in love with this girl, and it was that relationship which sort of motivated the song.”

Apparently, Antonia Maaß also helped David with the pronunciation of the German version of "Heroes", Helden.

It remains one of Bowie’s most covered songs, with a just released studio version by Depeche Mode joining the likes of (in no particular order), Arcade Fire, Prince, Blondie, Oasis, Nico, Depeche Mode, Motörhead, P.J. Proby, LCD Soundsystem, Peter Gabriel, Billy Preston, Janelle Monae, King Crimson, Philip Glass, Kasabian, Magnetic Fields, TV On The Radio, The Wallflowers and many, many more.

But it wasn’t always this way.

The single was announced in the music press in the UK via news snippets and an enigmatic advert, bottom right in our montage.

The video didn’t come till a bit later and certainly wasn't screened anywhere at the time of release. The performance on Marc Bolan’s TV show was broadcast five days after the release.

Neither of RCA’s clever slogans: “Tomorrow Belongs To Those Who Can Hear It Coming” and “There’s Old Wave, There’s New Wave and There’s David Bowie” accompanied the UK single release (they came later with the album), and UK reviews weren’t too good either. So it’s not surprising that "Heroes" only managed a peak position of #24 on the Official UK Singles Chart.

It’s not like Bowie himself didn’t do his bit in terms of promotion. Alongside lots of interviews, Bowie performed the song on different TV shows several times during the promotion. The record also came out in picture sleeves around the globe, though again, not in the UK. "Heroes" fared better in many other countries than it did in the UK, including top ten positions in both The Netherlands and Ireland.

The album was received far better in the UK, but that’s another story.

There were versions issued with German, French and English vocals, see the Helden advert and the French and German picture sleeves in our montage.

The picture sleeve at top right is the German 12" released in 1981, with the following tracks:

A: "Heroes"/"Helden" (English/German Version)

B: "Heroes"/"Héros" (English/French Version)

This was the first time the title Héros was used for the French version.

The "Heroes" limited edition 40th-anniversary 7" picture disc was issued yesterday via Parlophone, and we have a sneaky feeling it might fare a little better this time around than it did originally in the UK.

"Heroes" (Bowie/Eno)
Original UK release date: September 23 1977
Highest chart position: UK: #24 US: N/A
Originally appeared on: "Heroes"
Produced by: David Bowie, Tony Visconti
Video directed by: Nick Ferguson

FOOTNOTE: Eagle-eyed readers may have noticed the release date on the UK demo label in our montage of 23 AUG 1977. This was an RCA error and some of the copies were corrected manually in ballpoint pen!

#DBHERO40  #BowieHeroes  #BowieVinyl  

tags: 2017 September
Saturday 09.23.17
Posted by Joey Porterfield
 

"Heroes" 40th anniversary picture disc out now

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“We could steal time, just for one day”

As if you didn’t already know, the "Heroes" limited edition 40th-anniversary 7" picture disc is issued today via Parlophone.

DAVID BOWIE “HEROES" LIMITED EDITION 40th ANNIVERSARY 7" PICTURE DISC

A-Side “HEROES” (Single version 2017 Remaster)
(Lyrics by David Bowie, Music by David Bowie and Brian Eno)
Produced by David Bowie & Tony Visconti
Recorded at Hansa by the Wall, Berlin and Mountain Studios, Montreux

 

AA-Side “HEROES” (‘Marc’ show version)
(Lyrics by David Bowie, Music by David Bowie and Brian Eno)
Recorded for the television show ‘Marc’ on 7th September 1977

The previously unreleased live version of "Heroes" from ‘Marc’ is a performance that remains dear to fans who heard it at the time, as it was the first televised performance of the song. Recorded on the 7th of September 1977 but not broadcast until September 28th, by which time Bolan had passed away in a tragic accident.

Watch Bowie’s performance here.

#DBHERO40  #BowieHeroes  #BowieBolan  #BowieVinyl  

tags: 2017 September
Friday 09.22.17
Posted by Joey Porterfield
 

ANCIANT Video Focus: Be My Wife

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“Share my life”

(ANCIANT = A New Career In A New Town)

With just one week to go till the September 29th release of the David Bowie: A New Career In A New Town (1977–1982) box set, we thought we’d take a daily look at the promotional videos Bowie made in the period covered by ANCIANT.

Originally released in the UK on June 17th 1977, Be My Wife was the 2nd and final single from Low. Despite a promotional video, the single didn’t chart, not helped by the fact that it was almost impossible to view it anywhere in the UK back in 1977.

Filmed in Paris in June 1977, Be My Wife was Bowie's first official video since the Mick Rock-directed Life on Mars? film in 1973.

Indeed, the Stanley Dorfman-directed Be My Wife had a feel of Rock’s production with Bowie performing against a bleached out white background, using a red Fender Stratocaster as a prop, while half-heartedly miming the guitar part. He somehow manages to appear nonchalant and anguished at the same time, in this bizarre plea for marital union.

Apparently Bowie’s make-up and mannerisms in the video were influenced by the comic, Buster Keaton, whose work Bowie was a fan of. He would reprise the Keaton look for the Miracle Goodnight video in 1993 and even had a full page Steve Schapiro picture of the man in the Isolar Tour programme. Schapiro also shot a pic of Bowie holding the cover of a Keaton biography up to his face, inviting comparisons between the two.

Watch the full video here.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieBeMyWife  #BowieLow  #BowieVideo

tags: 2017 September
Friday 09.22.17
Posted by Joey Porterfield
 

16-page Berlin Bowie cover feature in MOJO

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“And it won't be forgotten”

The November 2017 issue of MOJO has a generous 15 pages (plus cover), dedicated to “The Berlin Trilogy”. Here’s their blurb from the MOJO site...

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DAVID BOWIE ALWAYS HAD a problem with Lodger. “We both felt the mix sounded thin and muddy,” producer Tony Visconti tells MOJO’s Mark Paytress in the new MOJO magazine, in UK stores from Tuesday, September 26. “David and I always said we’d remix it one day. But like a thousand other projects, it never manifested.”

But during the spring of 2015, between work on Bowie’s final album, Blackstar, Visconti revived a long-cherished project to revitalise the oft-underestimated last instalment of “The Berlin Trilogy” (actually recorded in what Visconti describes as the “very unsexy” Montreux, Switzerland). The producer’s efforts have been rewarded with star billing in the new multi-disc box set David Bowie: A New Career In A New Town [1977-1982] and, more importantly his late employer’s own delight and approval.

“As soon as David heard the tom fills at the start of Fantastic Voyage,” says Visconti, “a big smile broke out on his face. Then the special effects that were never there before. The reverb on his vocal. The guitar sound. He was so happy.”

The full story of Lodger – its construction in exile, experimental excursions and crazy cover photo session – can be enjoyed in MOJO 288, along with new perspectives on Bowie’s Berlin period from Visconti, guitarist Carlos Alomar and Hansa Studios engineer Eduard Meyer. But among the tall tales of sleazy fun in the divided city’s bohemian demi-monde, there are more sobering insights.

“It was a very sad period for David,” says Carlos Alomar. “I don’t want to put it in some glamorous place. He was fighting for his marriage, his son; his business was horrible, the touring exhausting and taking every bit of money that he had… Nobody looks at the loneliness.”

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Also, free with the new issue is a 15-track covermounted CD, Neu Decade, celebrating the music that fed into Bowie’s Euro-exile – including Can, Cluster, Popol Vuh and Michael Rother.

Go here for more detail regarding the November issue of MOJO, which is out on September 26th.

#ANCIANTbox  #BowieMOJO  #BowieBerlin

tags: 2017 September
Thursday 09.21.17
Posted by Joey Porterfield
 

New "Heroes" remixes at NME and BEAT

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“We can be Heroes, for ever and ever, What d'you say?”

In addition to tomorrow’s "Heroes" 7" picture disc release, Friday 22nd also sees the digital release of two new mixes of the song by Klax and Filburt especially commissioned for the 40th anniversary of the original single release.

These new 40th anniversary mixes see Leipzig’s Filburt and Brighton trio KLAX take the track into uncharted territory...

KLAX: “Bowie has been in our collective consciousness since birth and has undoubtedly been a huge influence on our musical development. The Berlin Trilogy is our favourite of Bowie's many ‘eras', and the track 'Heroes' sticks out as one of the greatest songs of this period. To be given the opportunity to add our own touch to such an iconic track was both daunting and astonishing. We wanted to maintain the emotion of the original track while placing it firmly in the 'here and now', staying true to Bowie's forward thinking and boundary-pushing legacy. It was easily the highest pressure remix we've ever done but we are really happy with the results and hope others feel that too.”

Filburt: “It was a very great honour to work with the original material. When I first heard the single stems, I got goose bumps. For me, David Bowie has always been an exceptional talent, and the song reflects the urge for freedom and change. When working on the remix, it was important to transport the feeling of the original to the modern age, but also to generate a classic disco feeling in the groove.”

Listen to the tracks at NME and BEAT now.

#ANCIANTbox  #ANewCareerInANewTownBox  #DBHERO40  #BowieHeroes  #BowieVinyl  

tags: 2017 September
Thursday 09.21.17
Posted by Joey Porterfield
 

9/10 ANCIANT review in November UNCUT

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“Listen to tracks by Sam Therapy and King Dice”

The November 2017 issue of Uncut magazine has a 9/10 review of David Bowie: A New Career In A New Town (1977–1982) by John Robinson. Here’s his concluding paragraph to give you a flavour of the thing...

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Much as the idea of ‘the 1960s’ meant more than the strict confinement of a decade, Bowie’s Berlin is more about a state of mind, a population and it’s thinking than actual place. Brian Eno and his intellectual playfulness; Robert Fripp’s alien guitar; Tony Visconti’s embrace of meaningful technology. Between them they gave Bowie the materials to build a city larger and more magnificent than anywhere you could hope to find on a map.

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Elsewhere in the mag there’s a full page advert for DAVID BOWIE: A LIFE IN PICTURES (due on September 28th), which we’ll tell you more about next week.

Go here for more detail regarding the November issue of Uncut, which is on shelves tomorrow.

#ANCIANTbox  #BowieUNCUT  

Wednesday 09.20.17
Posted by Joey Porterfield
 

ANCIANT launch event at HANSA next week

“Questioning saint-like and fantastic "Heroes"”

The upcoming release of the David Bowie 'A New Career In A New Town (1977-1982)' box set will be celebrated with an event at the world-famous Hansa Studios, Berlin, on Tuesday 26th September which will be live-streamed via www.facebook.com/davidbowie.

The live event will feature a Q&A session with guests including Carlos Alomar (Bowie’s guitarist from 1974 to 1987), Eduard Meyer (the former sound engineer at Hansa Studios) and Chris Duffy (son of photographer Brian Duffy, and director of the Duffy Archive) who will be discussing Bowie’s work from 1977-1982. The official Bowie Facebook page will also be featuring previously unheard audio streams on the day of the event.

Hansa Tonstudio or ‘Hansa By The Wall’ as it came to be known was where Bowie recorded parts of his ground-breaking LOW album along with "HEROES" which celebrates its 40th anniversary this month.

YOUR CHANCE TO GET INVOLVED

Do you have a burning question that you’ve always wanted to ask Carlos Alomar, Eduard Meyer or Chris Duffy? Well, now you can. Post your question in the comments section here and the most suitable will be asked on the night.

The official Bowie Facebook page will feature a stream of the audio for the playback from 19:00 (CET) and a live-stream of the Q&A at 20:00 (CET).

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieHansa

Tuesday 09.19.17
Posted by Joey Porterfield
 

ANCIANT Album Focus: Scary Monsters

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“He opened strange doors that we'd never close again”

(ANCIANT = A New Career In A New Town)

With just ten day to go till the September 29th release of the David Bowie: A New Career In A New Town (1977–1982) box set, the subject of our album focus this week is 1980’s Scary Monsters (And Super Creeps).

Watch a clever little animation over on DBFB.

Listen to the album on the official ANCIANT playlist now.

Pre-order ANCIANT here.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieScaryMonsters

tags: 2017 September
Tuesday 09.19.17
Posted by Joey Porterfield
 

Remembering Marc

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“What can I do? Standing next to you”

Marc Bolan died forty years ago today on September 16th, 1977, two weeks before his 30th birthday.

He was a close friend of Bowie’s right up until the last. The pair are pictured here when they appeared together on an episode of ‘Marc’, Bolan’s 1977 TV show.

‘Marc’ was recorded in Manchester on September 7th, 1977, and broadcast on September 28th, 1977.

Today’s lyric quotation is from the song they wrote and attempted to perform together, Standing Next To You. However, the recording was truncated when Marc fell off the stage.

Bowie also performed "Heroes" on the show, a performance that remains dear to fans who heard it at the time, as it was the first televised performance of the song.

If the music of Marc Bolan and T Rex has somehow escaped you thus far, you really must treat yourself. And there’s no finer place to start than the Tony Visconti produced Electric Warrior.

FOOTWEARNOTE: Swipe picture for a Polaroid of David Bowie at Andy Warhol’s Factory on September 14th, 1971, ten days before the release of Electric Warrior. Bowie is sporting a pair of shoes given to him by Bolan, a footwear choice which impressed Warhol. The picture is taken from TASCHEN’s superb, Andy Warhol: Polaroids 1958-1987

#BowieBolan  #MarcBolan  

tags: 2017 September
Saturday 09.16.17
Posted by Joey Porterfield
 

Newly-discovered Suffragette City live 1978

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“Ohhh, Wham Bam Thank You Ma'am!”

With just two weeks to go until the release of ANCIANT, we thought you might like to hear this previously unreleased live version of Suffragette City.

The track was omitted from the original Stage album in 1978 and from the 2005 reissue. However, a tape containing this recording from 29th April, 1978, at the Spectrum Arena in Philadelphia, was uncovered during research for the ‘A New Career In A New Town’ box set. 

Listen to it here now and pre-order the box set here,

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieStage

tags: 2017 September
Thursday 09.14.17
Posted by Joey Porterfield
 

Bowie and Iggy 1977 by Sukita at Snap

“I'll give you eyes of blue”

Following the success of Sukita’s 'Blows Up' Bowie and Iggy exhibition in Japan back in January, the photographer is taking his 'DAVID BOWIE 1977 IGGY POP' show to Snap Galleries in London, the venue of many previous Bowie photo exhibitions.

Over to SNAP for the lowdown...

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DAVID BOWIE 1977 IGGY POP - Photographs by Masayoshi Sukita

Masayoshi Sukita’s photographs need no introduction to fans of David Bowie. We celebrated Sukita-san’s photographs of Bowie-san with a broad retrospective in 2013. Now we turn the spotlight on 1977 when Sukita-san photographed David Bowie and Iggy Pop – a pivotal year in the career of both musicians.

In April 1977, David Bowie and Iggy Pop visited Japan to promote The Idiot, Iggy Pop’s debut album, which David Bowie had produced. At short notice, Masayoshi Sukita photographed David Bowie and Iggy Pop at Harajuku studio in Tokyo during the visit. He sat them at a small table and photographed them separately. David Bowie tried on a number of leather jackets during the session, while Iggy wore a white shirt and a jacket.

Photographs from that session would be used on the front cover of David Bowie’s “Heroes” album, released in October of that year, and on the front cover of Iggy Pop’s Party album, released a few years later.

 

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Sukita also photographed the pair at the dual press conference to promote both Low and The Idiot, where our boys did a fair bit of larking around.

The main picture in our montage is of Bowie with fan and birthday boy Iggy in Tokyo on April 21, 1977, Pop’s 30th Birthday.

The two page RCA Japanese advert at the top was to promote both Low and The Idiot. Note that both utilise images from the session described above, and this was probably the first use of them.

The Bowie shoot would surface later in the year for the "Heroes" campaign, as would shots from the Iggy session for the Lust For Life tour programme. Four years later one of the Iggy portraits eventually graced the sleeve of 1981’s Party LP and the German Lust For Life 12" single in 1982.

The snap top left of our montage is Sukita’s signed print of the photographer with his subjects.

We’ll announce full details of dates, location and content of the exhibition shortly.

#BowieSukita  #BowieLow  #BowieIggy  #LFL40  #LustForLife40  #BowieSnap

tags: 2017 September
Thursday 09.14.17
Posted by Joey Porterfield
 

ANCIANT Album Focus: Lodger

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“Heaven loves ya, The clouds part for ya...”

(ANCIANT = A New Career In A New Town)

This is the second instalment of our album focus on David Bowie’s Lodger.

Here follows an excerpt from an old UNCUT interview with David about the confusingly named Berlin Trilogy. This snippet is from the part regarding Lodger. UNCUT never published the full interview, but you can read the unedited version of it here.

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LODGER

UNCUT: An album which really divides Bowie fans - it is either devout love or total indifference. Can you understand both reactions?

Bowie:  I think Tony and I would both agree that we didn't take enough care mixing. This had a lot to do with my being distracted by personal events in my life and I think Tony lost heart a little because it never came together as easily as both Low and Heroes had. I would still maintain though that there are a number of really important ideas on Lodger. If I had more time I would explore them for you…but…you can probably pick them out as easily.

UNCUT: Moving away from pure electronic sounds - was this a deliberate strategy to stay ahead of the synthesizercopycat bands who were busy aping 'Low' and "Heroes"?

Bowie:  I think it's the lack of instrumentals that give you the impression that our process was different. It really wasn't. It was a lot more mischievous though. Brian and I did play a number of 'art pranks' on the band. They really didn't go down too well though. Especially with Carlos who tends to be quite 'grand'.

UNCUT: Was the backwards tape of 'All The Young Dudes' for 'Move On' originally an accident? And does this song have any connection to the unfinished Iggy collaboration 'Moving On'?

Bowie:  Not really an accident but I did stumble upon it. I had put one of my reel to reel tapes on backwards by mistake and really quite liked the melody it created. So I played quite a few more in this fashion and chose five or six that were really quite compelling. Dudes was the only one to make the album, as I didn't want to abandon the 'normal' writing I was doing completely. But it was a worthwhile exercise in my mind. It has the same title as the song I wrote for Iggy. But as the one for Jim was a working title, I passed it onto the Lodger song.

UNCUT: The final refrain in 'Red Money' - "project cancelled". Is this significant? A curtain being drawn on the Eno triptych?

Bowie:  Not at all. Mere whimsy.

UNCUT: What is 'cricket menace'?

Bowie:  Little crickety sounds that Brian produced from a combination of my drum machine (I would, and still do, use one to write with when I'm on my own) and his 'briefcase' synth. You can hear them on African Nightflight.

UNCUT: Moving to New York - had Berlin served its purpose? Was New York chosen for musical reasons?

Bowie:  It was an irreplaceable, unmissable experience and probably the happiest time in my life up until that point. Coco, Jim and I had so many great times. But I just can't express the feeling of freedom I felt there. Some days the three of us would jump into the car and drive like crazy through East Germany and head down to the Black Forest, stopping off at any small village that caught our eye. Just go for days at a time. Or we'd take long all afternoon lunches at the Wannsee on winter days. The place had a glass roof and was surrounded by trees and still exuded an atmosphere of the long gone Berlin of the twenties. At night we'd hang with the intellectuals and beats at the Exile restaurant in Kreutzberg. In the back they had this smoky room with a billiard table and it was sort of like another living room except the company was always changing.

Sometimes we'd go shopping at KaDeWe, the giant department store in the Centre of West Berlin, which had the hugest food counters anyone could imagine with displays that are only imaginable in a country which either must have been seriously deprived of food at one time or where the populace just plain likes to eat a lot. We'd stock up occasionally on what felt like luxuries at the time like chocolates or a small tin of caviar. One day, while we were out, Jim had come in and ate everything in the fridge we had spent all morning shopping for. It was one of the few times that Co and I were truly mad at him. I could write a lot more on all this…but.

I had not intended to leave Berlin, I just drifted away. Maybe I was getting better. Jim decided to stay on a while longer as he had pretty much hitched up with a girl he'd met there and had by now gotten his own apartment, next door to ours. Then Elephant Man came up, which caused me to be in the US for a considerable spell. Then Berlin was …over.

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LODGER FACT FILE:

Working Titles: Planned Accidents and Despite Straight Lines
Released in the UK as RCA PL 13254 on 18th May, 1979.
Peak UK chart position: #4
Peak US chart position: #20

Original Tracklisting

SIDE 1
1. FANTASTIC VOYAGE
2. AFRICAN NIGHT FLIGHT
3. MOVE ON
4. YASSASSIN (TURKISH FOR: LONG LIVE)
5. RED SAILS

SIDE 2
1. D.J.
2. LOOK BACK IN ANGER
3. BOYS KEEP SWINGING
4. REPETITION
5. RED MONEY

Bonus tracks on 1991 RykoDisc reissue:
I Pray, Olé (Previously unreleased track recorded 1979)
Look Back In Anger (New version recorded 1988)

Original UK Singles:

Boys Keep Swinging/Fantastic Voyage - released April 1979 - (Peak UK chart position: #7)

D.J./Repetition released - June 1979 - (Including limited edition green vinyl) (Peak UK chart position: #29)

Significant non UK Singles:

Boys Keep Swinging/Fantastic Voyage - released April 1979 - (Spain only promo picture disc - First official Bowie 7" picture disc)

Yassassin/Repetition - released July 1979 - (Netherlands)

Yassassin/Red Money - released July 1979 - (Turkey)

Look Back In Anger/Repetition - released August 1979 - (North America)

Pictured in our montage clockwise from top left: UK Lodger front cover, UK limited edition D.J. green vinyl single, Yassassin Turkish picture sleeve, Yassassin Netherlands picture sleeve, Boys Keep Swinging, Spanish promo picture disc.

Videos were made for Boys Keep Swinging, D.J. and Look Back In Anger.

All lyrics written by DAVID BOWIE.
All music written by DAVID BOWIE and BRIAN ENO except:
‘MOVE ON’, ‘YASSASSIN’ and ‘REPETITION’ written by DAVID BOWIE
‘D.J.’ written by DAVID BOWIE, BRIAN ENO and CARLOS ALOMAR
‘RED MONEY’ written by DAVID BOWIE and CARLOS ALOMAR

Produced by DAVID BOWIE and TONY VISCONTI.

Recorded at MOUNTAIN STUDIOS, MONTREUX, SWITZERLAND, September, 1978 and March, 1979.
Engineers – TONY VISCONTI and DAVID RICHARDS.
Assistant engineer – EUGENE CHAPLIN.
Mixed at RECORD PLANT STUDIOS, NEW YORK CITY.
Engineers – TONY VISCONTI and ROD O’BRIEN.
Assistant engineer – GREG CARUSO.

Listen to the original Lodger on the official David Bowie: A New Career In A New Town playlist.

Pre-order ANCIANT here: https://lnk.to/ANCIANTMP

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieLodger

tags: 2017 September
Wednesday 09.13.17
Posted by Joey Porterfield
 

ANCIANT Album Focus: Lodger

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“Sometimes I feel, The need to move on”

(ANCIANT = A New Career In A New Town)

Two and a half weeks till the September 29th release of the David Bowie: A New Career In A New Town (1977–1982) box set (ANCIANT), and the subject of our album focus this week is Lodger.

Have a listen to the third and final album in the so called 'Berlin Trilogy' on the official ANCIANT playlist.

Pre-order ANCIANT here.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieLodger

tags: 2017 September
Monday 09.11.17
Posted by Joey Porterfield
 

Lust For Life is forty today

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“Here comes my face, Out of the crowd”

We posted a piece back in March celebrating the 40th anniversary of Iggy Pop’s debut solo album, The Idiot. 

Well, today is the 40th anniversary of Lust For Life, the follow up to The Idiot. Yes, it’s an Iggy Pop album, but it’s also an important part of David Bowie’s recorded history.

Bowie co-wrote seven of the nine tracks on the record and suggested the title Lust For Life, after having composed the riff on a ukulele with the Armed Forces Network staccato TV station ident for inspiration, as the pair watched TV one evening.

Bowie, Pop and engineer Colin Thurston produced Lust for Life under the pseudonym "Bewlay Bros."

Here’s the album’s personnel:

Iggy Pop – vocals
David Bowie – keyboards, piano, organ, backing vocals
Carlos Alomar – rhythm guitar (lead on "Lust for Life" & "Turn Blue"), backing vocals
Ricky Gardiner – lead guitar, backing vocals, (drums on "Fall in Love with Me")
Warren Peace - keyboards and backing vocals on "Turn Blue"
Tony Sales – bass, backing vocals, (guitar on "Fall in Love with Me")
Hunt Sales – drums, backing vocals, (bass on "Fall in Love with Me")

Along with Bowie, the Sales brothers later made up three quarters of Tin Machine.

The album reached #28 on the official UK album chart and it might have performed far better if people could have actually bought the thing. RCA had shifted their pressing facilities to the production of Elvis Presley’s back catalogue following his death the previous month.

Nevertheless, it remained Iggy’s highest album chart position until the release of last year’s Post Pop Depression.

This is the tracklising for Lust For Life...

Side 1

Lust for Life
Sixteen
Some Weird Sin
The Passenger
Tonight

Side 2

Success
Turn Blue
Neighbourhood Threat
Fall in Love with Me

Bowie later recorded his own versions of Tonight and Neighbourhood Threat. He also performed the title track live occasionally during his 1996 summer festival shows.

Success was released as the single from Lust For Life, but ironically, it was a complete flop.

1977 was a great year for Bowie and Iggy with the releases of Low, The Idiot, "Heroes" and Lust For Life, four classic albums which just grow in stature as time passes.

In the unlikely event that you’re not already familiar with this masterpiece, listen here.

#BowieIggy  #LFL40  #LustForLife40

tags: 2017 September
Saturday 09.09.17
Posted by Joey Porterfield
 

Win a set of 5 Bowie vinyl test pressings

“All you have to do is win…”

How do you fancy a set of impossibly rare, white label, vinyl test pressings from the upcoming David Bowie 'A New Career In A New Town' box set?

The set includes the following five albums: Low, "Heroes", Lodger (Original mix), Lodger (TV 2017 mix) and Scary Monsters (And Super Creeps), all courtesy of Parlophone.

For your chance to win, follow the official ANCIANT playlist here.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieVinyl  

tags: 2017 September
Friday 09.08.17
Posted by Joey Porterfield
 

14-pages and 10 out of 10 ANCIANT review in LLV

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“...want to know the past, want to know the real deal”

(ANCIANT = A New Career In A New Town - LLV = Long Live Vinyl magazine)

Available now is the October issue of LLV. This relatively new publication (this is issue 7), has already featured Bowie regularly within its pages, including a superb DB album discography and collectors' special by Andrew Price in Issue 1.

The October issue has a 10-page feature focusing on ANCIANT as outlined in this blurb:

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The October issue of Long Live Vinyl celebrates the release of David Bowie's incredible 13-disc boxset A New Career In A New Town. Gareth Murphy tells the inside story behind the creation of Bowie's iconic Berlin Trilogy before running the rule over the boxset and speaking to remastering engineer Ray Staff about Tony Visconti's breathtaking 2017 mix of Lodger. For Bowie fans, it's essential reading.

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Aside from the 10-page feature, there is a 10 out of 10, 2-page review for ANCIANT, also by Gareth Murphy, in which he suggests that ANCIANT is: “real-deal luxury you will treasure for life”, the inspiration for today’s lyric quotation.

On top of that is the cover and a full-page advert for ANCIANT bringing the content up to 14-pages, that’s not including the introduction by Editor Gary Walker and a brief piece placing the Japanese Lady Stardust picture disc in the £150 bracket.

More information and ordering links here.

David Bowie: A New Career In A New Town (1977–1982) box set is released on September 29th.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieVinyl  #LLV

tags: 2017 September
Thursday 09.07.17
Posted by Joey Porterfield
 

ANCIANT Album Focus: Stage

“The boy in the bright blue jacket, jumped up on the stage” *

(ANCIANT = A New Career In A New Town)

Today we continue our album focus on Stage, the recorded document of the ISOLAR 2 tour, or, as it was known at the time: The 1978 World Tour.

Here’s the introduction of Matt Damsker’s review of one of the Spectrum Arena shows in Philadelphia, where much of Stage was recorded.

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Flamboyant David Bowie Returns — in Triumph. By MATT DAMSKER of The Bulletin Staff

Even without the benefit of a current hit record, David Bowie continues to assert his eminence among ‘70s rock heroes with one of the year’s most impressive tours and last night at the Spectrum the flamboyant British star returned in triumph to a near-capacity houseful of more than 18,000. As in past appearances here, Bowie alternately transfixed and roused the audience with his coolly cultivated performing style and daringly original music.

Announcing at the onset of last night’s show that it was being taped for yet another album of in-concert material – his first, “David Live”, was recorded in 1974 at Upper Darby’s Tower Theatre – Bowie made clear that Philadelphia remains the most inspiring market for his stage efforts.

 

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STAGE FACT FILE:

Originally released in the UK as RCA PL 02913 on 8th September, 1978.
Peak UK chart position: #5
Peak US chart position: #44

Produced by DAVID BOWIE and TONY VISCONTI.
Mixed by TONY VISCONTI.
Live sound mixed by BUFORD JONES.
Recorded by TONY VISCONTI with the RCA MOBILE UNIT

MUSICIANS

DAVID BOWIE – vocals, chamberlain
CARLOS ALOMAR – rhythm guitar
ADRIAN BELEW – lead guitar
DENNIS DAVIS – drums, percussion
SIMON HOUSE – electric violin
SEAN MAYES – piano, string ensemble
GEORGE MURRAY – bass guitar
ROGER POWELL – keyboards, synthesizer
CARLOS ALOMAR, ADRIAN BELEW, SEAN MAYES,
GEORGE MURRAY and ROGER POWELL – background vocals

Stage was recorded live at the Spectrum Arena, Philadelphia, 28th and 29th April, 1978, Civic Center, Providence, 5th May, 1978 and New Boston Garden Arena, Boston, 6th May, 1978.

On 14th November, 2005, an expanded and recompiled version of Stage was released on EMI on CD 836 4362 and also in 5.1 on the DVD-Audio EMI 863 4369.

The 2017 version has been further augmented by the inclusion of ‘The Jean Genie’ from the Boston show and ‘Suffragette City’ from the Philadelphia show.

Stage 2017 Tracklisting:

SIDE 1
1. WARSZAWA
2. “HEROES”
3. WHAT IN THE WORLD

SIDE 2
1. BE MY WIFE
2. THE JEAN GENIE
3. BLACKOUT
4. SENSE OF DOUBT

SIDE 3
1. SPEED OF LIFE
2. BREAKING GLASS
3. BEAUTY AND THE BEAST
4. FAME

SIDE 4
1. FIVE YEARS
2. SOUL LOVE
3. STAR
4. HANG ON TO YOURSELF
5. ZIGGY STARDUST
6. SUFFRAGETTE CITY

SIDE 5
1. ART DECADE
2. ALABAMA SONG
3. STATION TO STATION

SIDE 6
1. STAY
2. TVC 15

Associated UK release:
3-track Breaking Glass EP released November 1978 - (Peak UK chart position: #54)
Tracks: Breaking Glass/Art Decade/Ziggy Stardust

Associated US release:
3-track promotional only white vinyl 12".
Tracks: Star/What In The World/Breaking Glass

Associated Japanese release:
Soul Love/Blackout

Stage’s release was delayed somewhat from the original scheduled date. Apparently this was in no small part due to Bowie having seen a report in the French magazine Best, regarding the US leg of the tour. The review included an unauthorised shot by Gilles Riberolles, which so enamoured DB that he delayed the release of the album to have the cover changed to the one we now know.

Don’t forget you can listen to the official David Bowie: A New Career In A New Town playlist here. Pre-order ANCIANT here.

* No, we’re not colour-blind. The green jacket in our illustration was originally a sort of blue, blue...electric blue.

#ANCIANTbox  #ANewCareerInANewTownBox  #BowieStage

tags: 2017 September
Wednesday 09.06.17
Posted by Joey Porterfield
 
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